You can dance if you want to.

Sometime between 9:45 and Fun O’Clock

How do you cap off the adrenaline rush of a good show? Dance, baby dance.

The music is hot and the videos and lights have transformed our garage, turned cocktail lounge into a Euro-style dance club for the Après Runway Dance Party sponsored by Captial Style Magazine and Justice.

Everyone from the show is invited (including designers and models—who deserve some fun after all the hard work they have done!).

So here’s my question to you: Are we done here? Have you had enough blogging from me? Can I go play now?—because seriously this looks fun.  If I just stop here, you won’t tell will you?

NO? Fantastic. You’re a lovely audience.

If you haven’t already, be sure to go explore this year’s fashion show blog, not just for all of the photos from this one night, but for the story of how this all came together.

Until next year … xoxo

Getting ready for the show to start.

9 p.m.

This place is packed. There was another party in the tent for our general admission ticket holders thanks to Union Café and now the two happy crowds are merging—there are approximately 800 people packed into this tent ready to be delighted and excited.

I got here just in time. Fortunately there was a fabulous video running while I got set up.

Andrea  Cambern is already on stage—stunning per usual—and she’s introducing Arlene and Michael Weiss (representing runway sponsor EXPRESS) who will officially get this party started with a classic ribbon cutting (apropos, no?).

Opening the show.

As Andrea begins to thank our generous sponsors, I can see people flipping through their lookbooks, which were printed by Baesman and sponsored by Abercrombie &  Fitch (I’m not sure what the model  on the back cover ad is selling, but I’ll take two). FYI: Click here to find out more about the lookbook and other student-generated visuals for the show.

The music is rising, the tempo is picking up and… here we go.

Up first is Joella Stallard’s collection. Lovely.

We had a smaller senior Fashion Design class this year, but we still have more than 50 looks coming down the runway tonight. This year the designers presented more garments for jurying and some have as many as five or six looks in the show.

Once again, each designer is as unique as the collection she brings to the show (yes, our senior designers this year are all women). If you get a chance, check out their individual interviews and learn how they were inspired to develop these beautiful pieces.

Unfortunately I was not lucky enough to sit down with each designer to do the individual interviews this year (sometimes delegating sucks).  So I’m going to turn this blog post over to Kristen Foley for her take on what is coming down the runway vs what she saw in development during the last six months. Take it from here Kristen…

As I learned during my interview with Joella, she normally gravitates towards simple, tailored pieces; however, as her designs hit the runway they were anything but simple. The free flowing and airy fabrics moved with the model with every step. The pleats that were originally daunting, are now beyond divine as they get instant applause from the crowd.

Next up, Jennifer Tang. Jennifer set out to create movement, flow, and a color palette that matched her artistic muses and she certainly achieved that with her look tonight. Feathered dusty rose chiffon never looked as good as it does tonight.

There is sincere natural and organic element to Michele Watson’s designs. The barefoot models and their foot or toe jewelry only add to the ethnic element that Michele wanted to achieve. Michele was one of the first people who I spoke with and it’s exciting to see her entire collection come together and how each of the printed fabrics work together cohesively on stage.

The art of theater was always something that Tasha Naneth Bolten was drawn to as a child, and her collection is certainly not short on theatrics. A touch of the past mixed with the new is showcased perfectly in her final pieces. Adding a bit of extra drama to the evening are her handmade headpieces. Love the feather. Love the hat.

Next up is Amanda Mae Smith’s collection. Amanda’s goal was to take on big patterns, geometric, and animal shapes, and try to include natural fabrics whenever possible. She succeed. The unique “burnout” technique she used on several of her garments shows well on the runway. The elephant  burnout dress that I saw as a long dress in the classroom is now above-the-knee and worn with booted moccasins. It is somewhat tribal in nature, but still supreme high fashion.

Kristin Rose was the only designer to take on menswear this year. The models strut on the stage and give the audience a full view of the smokin’ wool coats she created. Baby, it’s getting’ hot in here! Rustic with a designer’s edge. Perfect for the guy going hunting on the town.

Wow, we’re already at the halfway point of the show and the crowd is loving every minute of it as Skyler Riggins’ piece takes the stage. The high-waisted pants and shimmering top are remarkable. You can see the detail on stage as the light hits it. It truly is a stand out piece.

Alyssa Johnson was another designer who took it upon herself to trademark her pieces, but this time with silk screening organic shapes onto the fabrics. The music starts a rock beat that perfectly compliments the collection. Her bold accessories show her unique attention to detail and the geometric shape.

A shimmer of sequins blinds us for a second as Rachel Cass’ collection takes the stage. Her collection of lingerie inspired ready-to-wear pieces add an extra couture edge to the evening. The sheer tops complimented by the comfy lounge jackets receive yet another round of applause.

Just knowing all the hard work each designer had to do to make these pieces even appear on stage makes the show that much more enjoyable. Only a few more collections to go!

Although Sarah Pruden described her piece as a little bit goth and girly, it’s really a whole lot of fun and flirty, especially when the model showcases one of the ruffles of the dress.

Julia Ruan’s pieces are like nothing we’ve seen yet. The bold colors precede the unique and powerful designs. Oversized sleeves and fun patterns speak loudly from the stage. The models hair is even dyed to match her designs.

A little surprise for the evening as Annika Simmons collection makes its appearance and the show’s youngest models take the stage. Little bits of pinks and pale greens and a whole lot of childlike wonder full of curtseys and crinoline.

Tasha Dircksen’s collection can be summed up as supreme glam. The fabrics are smooth and shiny with just enough shimmer and form to compliment the female models. Each are complimented by the handmade silver jewelry she created specifically for the show.

Seeing Shirley Weng’s ribbon infused collection onstage in its final form is a thrill. I had the opportunity to watch her as she first starting weaving the ribbons together and now the dress is strutting down the runway. What a rush.

It’s hard to believe but we’re on the last student collection. Rachel Kaplan’s jaw-dropping 1940s inspired evening gowns and pantsuits simply glow, even before the runway light hits them. Gold sequins are showcased through most of the pieces except for the rich, low-cut red dress that unites them all.

Thanks Kristen!

The applause is mind blowing, rightly so. And now the designers are coming down the runway with one of their models for their much-deserved kudos and flowers from Fashion Design Chair Suzanne Cotton (I love that she does that).

And, in return the students take to the stage one more time and are now handing Ms. Cotton a bouquet.

Oh, hello, we are not being told to leave… ah this must be the Easton Fashion Award.

And, Easton Town Center is presenting it to… OUTSTANDING SENIOR RACHEL CASS! AWESOME. What a fantastic way to cap the show.

I can hear a new high-octane beat thumping in the building next door as DJ Rainer gets the dance party started.

Hmmmm I’ve still got a little work to do.

A packed crowd.

7:30 p.m.

One of the many things I love about this event is the spectacular people watching it affords. The nature of our event—cocktails, runway show, dancing—is such that our guests are encouraged to have fun with their fashion choices.

There are no rules.

Jeans are fine. (I’ve seen people here make jeans look like high fashion.)

Wanna rock your club wear? Bring it.

Look sassy in a cocktail dress or feeling like full-length couture? Go for it.

Jewelry your thing? Make it shine.

As a spectator, I get to take it all in. The crowd, for me, is as much of a fashion show as what happens on the catwalk.

Don’t worry dear readers, there will be plenty of pictures. This year we set up a photo station thanks to our title sponsor Limitedbrands Foundation to ensure we capture our fashionista guests on their way in to the VIP cocktail reception, which is courtesy of Nationwide. (Let’s face it, the lighting that’s great for a cocktail party is not so great for fashion photos.)

Mayor Michael Coleman and Janelle Simmons.

Guests are starting to arrive and already I am wowed—this year will not disappoint. One shoulder dresses seem to be a favorite pick of some of the ladies. Lot’s of light shimmering fabrics, an ode to the coming summer I suspect. One dress has a harem pant affect at the bottom, it’s subtle and lovely. Sequins are shining and there are even a few gentleman sporting bow ties for the evening. Wait, is that a blue tuxedo jacket I see? That rocks.

The atmosphere here is oddly both charged and relaxed. People are clustered together in groups talking and laughing while sipping their drinks—it’s like they’ve taken a big collective breath after a long week and now they are ready to let loose and have fun.

Lots of local celebs and media are joining the crowd of VIPs. A few high-profile lawyers gather in one corner, perhaps recapping today’s courtroom antics, while competing newscasters trade a few stories and perhaps fashion tips in another. It’s an elite crowd but inviting just the same.

Ok, I have to pause here and pay homage to a stunning cobalt blue dress complimented by big chunkie gold bangles.

As a little preview to the show, there are garments from the designers on mannequins throughout the party space. The Diamond Cellar is also here and once again they are raffling off a piece of exquisite jewelry (the winner will be announced next week). Helping them out is Fine Arts junior Carson Weaver, who was the winner of this year’s Diamond Cellar design contest.

This group certainly appreciates well designed accessories, one woman has a fabulous multitude of black and white beads streaming around her neck.

While lots of ladies, both young and young-at-heart seemed to opt to pull out the pearls and they look stunning.

Wow. Time went fast. They are already urging guests into the tent for the runway show.

I guess I better pack up and get over there.

Click on an image to view a gallery and view them larger.

The garment on the left is from Rachel Kaplan's collection, inspired by Georgia O'Keeffe and Umberto Boccioni. Chavilah Bennett used the fashion shoot photo to recontsruct a work of art inspired by Georgia O'Keeffe's painting “Red Canna."

When the music is pounding and the models are strutting down the runway—each bringing forth a delightful new surprise—it is easy to only see the fashion design talent at the CCAD Senior Fashion Show.

So, each year we like to take a moment and call attention to all of the other creative minds that make our extraordinary fundraiser such a memorable experience.

One piece in particular, the lookbook, lasts well beyond that one adrenaline-fueled night. CCAD students have always played a significant role in developing the book, but this year that role was increased. The book not only showcases the design talent of our fashion students, but it also showcases the talent of our photographers, graphic designers, fine artists, and illustrators—not just in its production but in the rich content seen on each page.

“The fashion designers took their inspiration from 2D and 3D artists. To showcase that inspiration, we took the idea of deconstruction and reconstruction to highlight more forms of art and design at CCAD,” said CCAD Creative Director Lindsay Kronmiller as she described the concept for this year’s fashion show lookbook.

The team that developed the concept for the lookbook, the invites, and did the design work, from left Isabella Hidalgo, Aaron Roberts, Walker Crane, and Isuri Merenchi Hewage

“We took photos of the models wearing the designs on backgrounds that make it appear that the fashion is being ‘unpacked’ for a gallery show,” explained Kronmiller. “We then gave those photos to artists, designers, and illustrators and had them reconstruct each photo into a piece of art that was inspired by the original 2D and/or 3D artist—thus creating an ‘exhibition book’ of CCAD work focused around this year’s fashion thesis projects.”

While guests of the event will appreciate the beautiful book as they wait for the main event to start, the book’s shelf life lasts quite a bit longer. For the next year the admissions office will include the fashion lookbook in packets to prospective students and bring it with them to college fairs.

“This has become a signature piece for the college,” said Robin Hepler, director of marketing and communications at CCAD. “It started as a program just for the event, but we found that prospective students considering CCAD were fascinated by it and inevitably wanted a copy to keep. So, each year we’ve improved the content and ordered more quantities turning it into a regular piece in our recruitment packet. This year we’ve gone even further to ensure the book showcases the breadth of diverse talent at CCAD, while still being true to its original purpose.”

CCAD’s Design Group is an in-house design firm staffed by students and directed by Kronmiller. The team that developed the concept for the lookbook, the invites, and did the design work, included Advertising & Graphic Design seniors, Isabella Hidalgo and Aaron Roberts; Illustration senior Isuri Merenchi Hewage; and Advertising & Graphic Design junior Walker Crane.

Lookbook photographers, from left, Danielle Ford, Xandre King, Kelsey McClellan, Lian Dziura, Nicole Miller, and Marcus Morris.

The visual content for the lookbook was also all student generated. The photographs were taken by CCAD students (and an alumnus) during a daylong photo shoot that involved several sets  in CCAD’s massive photography studio space. Photography majors on the shoot, included seniors Lian Dziura, Xandre King, Kelsey McClellan, and Nicole Miller; junior Danielle Ford, and 2011 alumnus Marcus Morris.

The ‘reconstructed artwork’ was completed by the following students and alumni: Justine Arreche (Advertising & Graphic Design 2011), Chavilah Bennett (Advertising & Graphic Design 2012), Danielle Deley (Advertising & Graphic Design 2011), Pei Yin Chen (Photography 2011), Crane,  Dziura, Ford,  Andy Hayes (Advertising & Graphic Design 2001), Merenchi Hewage, Hidalgo,  Matthew Houston (Illustration 2012), Alex Lanisoz (Advertising & Graphic Design 2013),  Brian Liston (Media Studies 2012),  McClellan, Nathan Moser (Fine Arts 2012),  Simone Noronha (Advertising & Graphic Design 2011), Emily Rickard (Fine Arts 2010), Madison Schneider (Advertising & Graphic Design 2012), Pallavi Sen (Fine Arts 2011) Dillon Sirimongkhon (Illustration 2011), and Miles Tsang (Illustration 2012).

Videographers, from left, Alex Trimpe and Tom Hoying

Adding to the creative mix, CCAD tapped local branding agency Ologie to provide creative consultation and mentorship for the students as they worked on this massive undertaking.

While the lookbook has become a signature piece, it’s not the only student produced work that will be seen the night of the event (and beyond). Media Studies majors Tom Hoying (sophomore) and Alex Trimpe (senior) have been filming the lookbook design process and will be filming the entirety of the event to develop promotional materials for 2013. They also worked with local videographer Ryan Sweeney to develop a piece that will run prior to the runway show.

If you have your tickets be sure to remember to pick up a lookbook to see what all the fuss is about. If you don’t have tickets, we’ll do our best to post as many student-generated photos as we can the night of the show for your vicarious enjoyment.

Shirley Weng plans to move back to New York City to pursue fashion after graduation.

CCAD attracts students from all over the world for its various programs. Fashion Design is no different. Two students from China chose CCAD to learn all aspects of garment design and construction. As with all of the seniors, each ended their years of study with a vision for what they wanted their final collection to be.

Shirley Weng moved to the United States with her parents from Shanghai and completed her high school education in upstate New York. During her senior year, it was her art teacher who suggested CCAD to Shirley. But, he originally suggested it more for her drawing talents than for her love of fashion.

“When I first came to CCAD I wanted to study Fine Arts, but I also have always loved fashion,” says Shirley. “I always wanted to learn how to make my own clothes and when I was young, my dream was to have my own fashion show and name brand.”

Shirley will make part of that dream come true when her collection, inspired by her chosen muses and her love of current high-fashion designs, takes the stage for the first time.

“Some of my pieces were inspired by Dior’s 2012 spring collection, but the incredible details in my pieces came from my muses, the sculptor Naum Gabo and French painter, Francis Picabia,” notes Shirley. “Personally, I love detail in clothing and I worked extra hard to add specific touches to my collection.”

From sketch to final design - the fashion process at work.

That detail can be found in the ribbon pleats of one of her shirts and a dress she weaved together using rolls and rolls of silk ribbon. The specific idea of using the ribbon came to her after studying the abstract strokes in Picabia’s painting, “Woman Wearing Monacle.” Her chosen sculpture, Gabo’s “Linear Construction in Space,” added an extra element of energy and form that provided her with an even deeper sense of detailed inspiration.

“Francis Picabia was an impressionist and surrealist and his painting style was really energetic,” says Shirley. “He uses a lot of detail and flow, which made me think of using the ribbon.”

The ribbon detail is unique, but Shirley points out that the process itself was extremely time consuming.

“My most difficult challenge was always time,” she remembers. “Because all of my pieces incorporated those intricate details, it took a really long time to finish.”

All her hard work is about to pay off though when five of Shirley’s garments grace the runway on Friday, May 11.

As new students embark on the path she’s about to leave, Shirley offers a few key points of advice.

“Set up goals and plans, so you will have steps to follow and won’t get lost along the way,” she advises.  
”Also, put yourself out there. Complete as many internships as you can and just try to get as much experience before graduation. It will be all worth it in the end.”

Tick, Tock! Time is running out. Don’t miss the chance to be part of this amazing annual event. Purchase your tickets here today!

Sarah Pruden still has a garment she created when she was 11.

It seems to be a pattern (pun intended) that most fashion designers knew from an early age that they wanted to work in fashion in some facet or another. Whether they raided their own closet for fabric to create doll clothes, orchestrated their own wardrobe from pieces they had designed, or were recognized for their talent at putting together unique looks, the passion for fashion took root early.

Sarah Pruden is no exception. At the tender age of 11, she started sketching and creating her own clothes because she couldn’t find things she really liked in stores. She even turned her affinity for the color combination of red, white, and blue into a full-fledge outfit that she still has in her possession today.

“It’s a red, white, and blue pantsuit that I would never wear today. I had this red, white, and blue obsession and loved to put the colors together,” she laughs. “It’s all crinkled now because I had it in my portfolio forever.”

Her patriotic theme may no longer be part of her design repertoire; however, she is still inspired by a multitude of styles and cultures that have weaved in and out of her own personal experiences.

“I’m inspired by many different things, not always something particular,” says Sarah. “It could be something in nature, the city, patterns and colors. Gothic culture inspires me and I’ve also incorporated a lot of the ’80s and ’90s clothing styles and music into my pieces.”

Paintings by Salvador Dali, including “The Lugubrious Game,” as well as “Wave” a sculpture by Curtis Jere also provided an artistic vision for her senior collection. Sarah, who normally favors darker fabrics, tried to incorporate Dali’s rich color palette into her collection and mimic the sense of flowing motion she felt throughout both of her muses’ pieces.

Sarah's designs are a mix of girly and gothic inspiration.

“I created something a little different than what I usually do. I usually do things that are a little dark, with kind of gothic punk mix,” notes Sarah. “ I wanted to add more color, but still keep my edgy look with it.”

The result is a collection of unique “cocktail-like” dresses fashioned from bolts of iridescent satins and taffetas. They have a slight girly presentation, but emit elements of Sarah’s fondness for a gothic edge.

“A compliment that has always stuck with me is that a lot of my designs are very original,” she says. “A few people have said they have always disliked style trends and were very excited about mine.”

Her future style trends are still a bit of a mystery for Sarah and she’s OK with that, but welcomes any opportunity that comes her way after graduation.

“I’m pretty open and I am ready to go wherever life takes me,” reflects Sarah “Although I would love to have a good start to my online store, selling my custom T-shirt designs, bags, jewelry, and any other clothing apparel.”

You’ll get a sneak peek of Sarah’s designs at the 2012 CCAD Senior Fashion Show, but only if you get your ticket soon.

Tasha Dircksen originally thought her career path was in automotive services, lucky for us she chose fashion.

Not many young designers can say that their original chosen career path involved automotive studies, but Tasha Dircksen’s path to CCAD started just that way. As a high school junior, Tasha enrolled in a vocational program for automotive services. But, she soon found that she wanted her future to include something far different than fixing cars and changing oil.

“I really thought the automotive world was where I belonged, but I hated the class so much that I spent the entire time on the computer looking at art colleges,” she remembers. “I didn’t even know art colleges existed until then.”

Although she ventured into the automotive world for a brief moment, her passion for design had long been with her, thanks to her mother and a desire to create her own wardrobe.

“I realized that what I wanted to wear wasn’t being made,” says Tasha. “My mother, who had plenty of experience sewing, lent me her machine and it took off from there.”

Tasha’s collection includes four different pieces, all inspired by her chosen muses (a process that took her all summer to complete simply because she had so many ideas to choose from). Her final choices include a painting by Max Ernst entitled “33 Little Girls Chasing Butterflies” and the sculpture “Blütenmotiv” by Rudolph Belling.

Tasha created jewelry for her models to wear during the show.

“The painting has this epicenter of color that I tried to bring out with gems that I have,” notes Tasha. “The sculpture echoes the asymmetry of my garments as well as the feel of the jewelry I made.”

Like many designers before her, Tasha’s own personal style is very different than the style she creates in her pieces. She readily admits that when selecting her own clothing, she is attracted to things that are basic and gray, yet her pieces are filled with silks and chiffons that flow with the subtle colors she picked up from her chosen painting.

“The painting has an explosion of blues and whites and I’ve applied this sort of design element in a rather toned down way,” she says. “It’s present in the way the beadwork radiates downward, or how the flowers are laid out with their pops of color.”

While completion is one of Tasha’s favorite parts of the design process, she shares that she’s not quite ready for the CCAD Senior Fashion show to be over or even for her own graduation. The idea of what’s next is still on her mind. She would love to continue to design jewelry and perhaps even move into bridal wear design. Until then, she still has one more piece to complete for the show—she plans to create something of her own to wear.

To see Tasha’s final creation and to enjoy an amazing night filled with fashion and fun, make sure you purchase your tickets today.

Alyssa Johnson and one of her final pieces.

Alyssa Johnson always knew she wanted to do something in the arts. She toggled between acting and painting, and finally chose fashion design because she could incorporate her love of fine arts into her own version of wearable art.

“I liked the idea of creating something and having it afterwards and it being a functional piece,” recalls Alyssa. “After taking a surface design class here [at CCAD] I realized I could do both fine arts and fashion by creating textiles of my own.”

Her love of textiles, prints, and patterns were part of her immediate vision for her collection this year; however, she also drew inspiration from Gustav Klimt’s painting “Water Serpents I” and Boleslas Biegas’ sculpture “The Haunted House.”

“I immediately knew I was going to use Klimt for my painter [muse] and based my entire collection around him,” says Alyssa. “I wanted to focus on surface and textile design and Klimt does a lot of really intricate patterns and the colors are something I’ve always been drawn to. The simple silhouettes in my collection come from Biegas’ sculpture.”

Alyssa used her knack for surface design in creating many of her silk-screened pieces. Organic shapes flow cohesively with other elements of the collection and are mixed with structured geometric shapes. She achieved clean lines in her fabrics with the use of applique, and added several embellishments with “little fun circles” and gold accents throughout the pieces.

While creating her own textiles and patterns is something she is passionate about, there are key aspects of the design process that also keep her motivated.

Elements of Alyssa's organic geometric shapes in sketch and fabric form.

“My favorite part is still finding inspiration and making mood boards. My computer is full of many different folders that contain tons of images that inspire me,” says Alyssa. “Its so interesting to me to see what else is going on in the fashion world and what else is possible to do through clothing design.”

As the days to the CCAD Senior Fashion Show draw near, Alyssa has thoughts of graduation and a big move to New York City on her mind. She readily admits that she values the experiences and education she received from CCAD and her fellow students. She notes that it’s not always easy to take criticism, especially when it’s about something so personal; but as a student of design, peers and faculty are trying to help, not offend. She also notes students should be aware of their weaknesses and either work harder on them or accept them and move on.

“I’m very self aware. I know what I’m good at and I know what I’m not good at and I know when to ask for help,” says Alyssa. “I’m fearless in terms of design, so I’m not afraid to fail or mess up.”

Perhaps her most sound and lighthearted advice is to never say that you don’t know how to do something.

“It’s 2012,” she says. “Google it!”

You can Google the CCAD Senior Fashion show or just click here to get your tickets today.

Jennifer Tang's final fashion show design evokes a sense of airy delight.

Fabric plays an important part in every designer’s collection. Sometimes it is the inspiration that leads to the design and other times the design itself leads to the final fabric selection.

Jennifer Tang knew she wanted fabrics that were flowing, soft, and fully embraced her color palette. Making her designs come to life meant choosing organza, silk and lots, and lots of chiffon. While those selections made the most beautiful fit, they were not necessarily the most agreeable fabrics to work with.

“Organza and sheer fabrics are more difficult to sew,” notes Jennifer. “It’s pretty challenging to work on any fabric that is silk-like, as it takes a lot of time to do rolled hems and add details.”

Her collection includes dark purples, fuchsia, navy, and a little bit of silver, each with various facets of texture that are then mixed with the sheer and silky selections. She also alternates dramatic effects between the top and bottom portions of her creations—combining fitted pants with a flowing top or a skirt with a detailed waistband paired with a less dramatic top.

One of Jennifer's favorite fabrics, a feather-embellished chiffon.

She delights in the way her fabric selections and ultimate designs mimic the various features that originally drew her to the works of her muses. A painting, ”Composition VI” by Wassily Kandinsky and “The Little Mermaid” sculpture by Edward Erikson, both conjure a sense of airiness complimented with points of sea-like shimmer that Jennifer was able to transfer to her work.

“I adored the movement, flow, and color palette in the painting, but also the fact that it was more abstract in shape and it felt like an ocean,” she says. “The sculpture of the mermaid displayed her smooth bare skin, and reminded me to show a little more skin in my collection. It was also shiny, flowing, and relaxing.”

When asked if she is more at ease now that the Senior Fashion Show is so close. Jennifer just laughed, since there is a still lot of work to be done before her model takes the stage on May 11th.

Tickets are going fast for this spectacular, once-a-year experience.  Choose from VIP, Fashionable Friends or General Admission Tickets. It’s a night that you don’t want to miss.

Annika Simmons and one of her five designs that will appear in this year's fashion show.

Annika Simmons’ love for creating clothes started as early as she can remember. She can recall sitting at the feet of her mother and grandmother listening to the hum of the sewing machine while creating dresses for her dolls by hand with the scraps of material they would give her. She credits her sincere passion for the craft of creating clothes and fashion to those special matriarchs of her youth.

“I remember the feel of the fabric, the cool thimbles protecting my little fingers from pricks, and always running to my mom to show her my creations,” says Annika. “One day, she and my grandma surprised me with my first sewing box, which I still use to this day, filled with everything a beginning seamstress could need. After they taught me how to use the sewing machine, I was hooked.”

Annika’s mother continued to encourage her daughter’s newfound hobby and bought her as much fabric as she desired. But the hobby turned into much more as Annika spent much of her elementary and high school years creating clothes for herself and her friends. By the time she graduated high school she had a closet full of things she had created. While she jokes that not all of the outfits were “good,” her sheer passion for the art definitely came through.

Some of Annika's early inspirations and sketches for her collection.

“It’s kind of an enamoring experience to design…to create. It fills almost every waking hour and sometimes fills the ones where I’m dreaming as well,” said Annika. “Sitting at my sewing machine, making something, fills me with such an unprecedented joy, almost a pure sense of peace and fulfillment. I’ve never lost that feeling, and I think that with the guidance and inspiration of my mother I followed the path of fashion design.”

Annika’s designs for this year’s CCAD Senior Fashion Show may pull a bit from the whimsical notions of her youth but combines it with inspiration of the gentle, sweeping strokes of Jean-Honoré Fragonard’s Stolen Kiss painting. Add in her love for the Lolita designs of Japanese Street Fashion and you have a collection that can be deliciously described with words like pastel, confectionery, sleek, frilly, girly, and dreamy. It’s also the only line that will be worn by both adult and child models during the show.

“Fragonard has always had a soft, gentle palette with sweeping strokes that makes his artwork every bit romantic. I believe his painting, “Stolen Kiss” represents the ideals of the Rococo time period.”

Since her first exposure to the craft was from watching her mother weave the needle and thread, it’s no surprise that she is most proud of the detailed, yet laborious, hand-stitched hems on all of her creations.

“I like hand-finishing details because I feel like you can get a more professional look than if you have a lot of top-stitching or things that can be seen on the designs,” says Annika. “It’s not hard, but it is time-consuming; but, if you want something to look really pristine, you have to take the time to do it.”

Make sure you don’t miss out on seeing Annika’s confectionery designs at this year’s Senior Fashion Show. Buy your tickets today before they are all gone!

Kristin Rose presents the only menswear line at this year's Senior Fashion Show.

Kristin Rose loves every part of the fashion design process and when she says every part, she really means every part.

“From researching trends, building mood boards, concept sketching, pattern drafting, draping, picking out amazing fabrics, getting anxiety over having to cut into those fabrics, and then looking at my finished piece on a form or a body; it’s all incredible!” she says.

While the entire process may seem overwhelming, Kristin also notes that it’s exhilarating, especially when a piece is completed and you get see what all the hard work and dedicated hours created.

“Being able to see the design done is amazing,” she says. “I can stand back and say, ‘Wow, I made that. That was my idea and now it’s a three-dimensional piece on a person.’”

While every designer’s collection was different this year, Kristin was the only one to create a menswear line.

“I’ve always been interested in menswear, but more than anything I wanted to challenge myself,” said Kristin. “I dabbled in it in advance tailoring and just decided to try it on my own and it worked.”

Kristin created three-separate looks for the show, each with three separate pieces that included a pant, shirt, and a coat. The culmination of her collection is the not one, but two double-faced cashmere wool coats. Working with this type of fabric required countless hours of pre-work before she could even think about sewing her designs.

“I had never taken on a challenge like this before, but I absolutely loved it. It was incredibly time consuming and made me think outside the box on how to finish seams and edges,” she remembers. “The amount of hand-sewing and attention to detail was just what I needed to stay challenged and focused.”

Kristin's collection includes two coats using this double-faced cashmere.

Although Kristin knew from the beginning she wanted to do menswear, she still searched for inspiration in her muses. One inspired her color palette, the other offered definition, structure and confirmation of the masculinity she wanted her collection to convey. Her final inspirations included the post impressionistic paintings of Vincent Van Gogh and the romantic bronze sculptures of William Rimmer.

“Van Gogh’s paintings have this sense of rough beauty defined by an unmatched sense of bold color that turns a flat canvas into a deep and dimensional work of art,” notes Kristin. “
I chose William Rimmer’s bronze sculptures because of the masculinity he was able to convey. The incredible detail of muscle definition, for instance in 
”Fighting Lions” blew me away.”

Her love of Rimmer’s bronze work easily mixed with the vibrant reds and golds from Van Gogh’s works and became part of Kristin’s final color palette.

In the end all three of Kristin’s presented looks will find their way to the runway on May 11.  It’s the true finale for everything she and the rest of her classmates have been through over the course of their studies.

“As a fashion major you look forward to this year for three years, but you never think of how many hours you will spend drafting and redrafting patterns or making samples because you are afraid to mess up your expensive fabric,” she says. “Getting the opportunity to showcase things that I designed and created is in itself incredible, but I’m just proud that I have been fortunate enough to have the opportunity to showcase my collection.”

Be sure to get your tickets soon so that you can be part of Kristin and the other designer’s “finale”.

Rachel Cass in the CCAD sewing lab.

Rachel Cass is not one to procrastinate. Last summer she not only chose her muse for her senior thesis, but with her sketch book in hand, she set out on a road trip to New York City and found every single piece of fabric she would later use for her collection. All before classes had officially started.

But, before Rachel took to the road, she researched and uncovered her muse.

“I spent several days in the library digging through different images of some of the paintings that I was in love with and I kept coming across Salvador Dali,” she remembers. The bigger challenge was the second half of the assignment—finding a sculptor of the same era as a second muse. “I just didn’t know who to pair him with because he’s such a different artist, especially with his use of surrealism with color and shape.”

She finally stumbled upon the massive spider sculptures of Louise Bourgeois and found that the armature nature of the spiders were the connection and final key that she needed.

The result includes soft smooth lines, combined with hard angles and structure to form a new mix of lounge ware.

“It’s somewhere between lingerie, lounge, and ready-to-wear,” notes Rachel. “These designs create a true mix-and-match collection, which allow you to feel sexy, sophisticated, and comfortable.”

With muse in mind, it was time for the road trip. Rachel, along with her boyfriend and fellow classmate, ventured to the Big Apple in search of the perfect fabrics.

Louise Bourgeois Spider in front of the Tate Modern in London

“I knew I kind of wanted that soft and hard element in my line, so I started out in the jerseys and let the fabric speak to me,” remembers Rachel. “I just started pulling fabrics that I liked, that I was attracted to, and what spoke to me.  Then I laid them all out.”

Before she knew it she had developed a color palette of fabrics that mimicked the color story in her favorite Salvador Dali painting. Silks, knits, organza and jerseys were all laid out before her and they all complimented her initial inspiration.

“I ended up going with my gut and listened to myself. I knew what felt right and just went for it,” she says. “I bought all my fabric right then and there. I took everything with me. I had my entire six garments worth of fabric.”

Once the fabric was set, Rachel set out on a new goal. To not only produce six garments, the maximum that she could present for the Senior Fashion Show jury, but to get every single one in the show.

“I wanted to push myself and create six looks. It would be one thing if they were single pieces, but all of mine are separates,” says Rachel. “This is a lot of work, and because some of them are lingerie pieces, getting the fit right was very important. Mix that with silk and knits and I gave myself a huge challenge.”

The challenge paid off.  All six of her designs were selected by the jury to appear in the show. But before Rachel even had time to relish in her success, she was already looking to how she could make the garments better before the show.

You’ll have a chance to see Rachel’s new mix of ready-to-wear designs on May 11^th, but tickets are going fast. Buy yours here today!

Michele shows off some of her completed designs

As a young child, Michele Watson carried around a sketchbook and crayons everywhere she went. “I would draw little skinny female figures with huge heads, almost like a Bratz doll, with clothes my friends had worn that day,” says Michele.  “It wasn’t until my teacher’s aid told me that I should start drawing my own designs on my figures that I knew I wanted to have a career in fashion.” That was in second grade.

Michele still carries around a sketchbook, but her style and designs have obviously evolved immensely and are ever-changing. “I always want to do different things,” she says. “I don’t want to get bored with one thing.”

Her selected muses for the senior fashion show encompass that thinking. She knew she wanted to include African culture and fabrics in her collections, but struggled at first to find works that not only spoke to her, but also would connect to her original vision.

She finally discovered the works of Armand Fernandez, a French-born American sculptor, best known for his “accumulations” and destruction/recomposition of objects and Yinka Shonibare, a British-Nigerian artist whose work explores the issues of race and class.

“I chose both these artists because combined, their works embodied the artistic vision I wanted to present in my collection,” says Michele. “My sculptor Armand Fernandez’s work is very repetitive and uses common found objects and presents them as endlessly repeated forms. I tried to show that in my collection through the repetition of pleats.”

Michele’s other muse, Yinka Shonibare’s is known for using the richly patterned Dutch wax fabric produced in Europe for a West African market in his work. For this reason, Michele’s artistic vision included the use of multiple versions of handmade printed fabric that she acquired from a woman who makes frequent trips to Africa.

“Mixing the prints together was very hard because I didn’t want to use just one print for each garment, I wanted to mix them up,” she adds. “I really had to focus on where I would place the fabrics in each piece so they wouldn’t overpower the design.”

Michele's early sketches and fabric swatches

During this process, Michele was also surprised by how much her collection’s direction changed from sketch to final garment, especially during the fabric placement stage.

“I drew out what I thought I wanted but when I started to construct the designs, they started to change,” says Michele. “Some designs that I drew didn’t match the fabric so I had to rethink it and redesign it.”

In the end, her hard work and attention to detail paid off as all four of her presented designs made it into the show. When asked what advice she would give to a designer about to embark on the same journey she is close to completing, she quickly advises that doing your research is key.

“I know I have a lot of ideas, which isn’t bad,” she laughs. “But, you want to be able to narrow those ideas down to see which ones you can combine to create your final vision”

Be sure to purchase your tickets now before they are gone, so you can see Michele’s final vision take the runway on May 11.

The judges carefully examine each garment.

Before the flashing lights; before the heart-pounding music; before the runway, there is the jury. One of the key moments before the CCAD Senior Fashion Show is truly “buttoned-up” is when each senior designer’s garments is evaluated by a group of professionals from the fashion industry. Their spot in the show is not guaranteed until this process is complete and their designs are ruled ready for the runway.

This year designers could show up to six garments, and many pieces in this year’s collections were also complimented by the designer’s pick of diverse accessories, some of which were handcrafted by the student. Not only will the jury impact which designers will participate in the fashion show, but their evaluations will be a deciding factor in which of the specific designs ultimately grace the runway.

The nine-member jury included Richard Aschenbrand, CCAD dean of visual communications; Jackie Ayers, senior designer for Lane Bryant; Katie Brennan director of design at Abercrombie & Fitch; Julie Dean, associate vice president of technical design and Sally Ewing, technical design manager for LaSenza; Maren Roth, owner of Rowe Boutique; Kristy Eckert, editor for Capital Style;  Lucia Murillo, vice president of design at Justice; and Sara Zimmerman, stylist for Express.

Suzanne Cotton, chair of the fashion design department kicked off the event by asking the jury to look at the garments as a whole, providing comments on the overall design as well as the, fit, quality, chosen fabric, and construction. The jury members were also asked to take careful notes on each piece, as they would later be shared anonymously with each of the designers, regardless of the final outcome.

Designers were not present during the actual review, leaving the jury members to view each garment knowing only the designer’s name and garment number.

As the first model stepped forward the jury sat poised and prepared to see what the class of 2012 had to offer. Jury members asked the models to turn or step closer to the jury table in order to take a closer look while others requested to touch and feel the fabric’s texture. Some even asked the models how it felt to wear and walk in the piece. The process continued for several hours until the final garment was shown.

It will take a few days to review and collect all of the jury’s comments before the final selections are announced, so be sure to check back here for the details. And, coming soon,  individual profiles of each designer presenting in the show.

If you want to ensure you have a seat to see the chosen pieces, buy your tickets online now. They are selling quickly and prices go up soon. Based on the collections shown today, it’s a night you don’t want to miss.