Thanks to our title sponsor Limited Brands Foundation

7 p.m.

This is my third year live blogging from our fashion event, and each year I have paused, just before the party starts, to give thanks.

This year I want to get straight to the point—to naming names, as it were.

CCAD is honored and grateful to have such wonderful partners. Each year we go out and ask organizations and individuals to support this event and help us raise money for scholarships. Each year we are humbled by the response.

Below are our 2013 partners. These are individuals and companies that not only support CCAD, but they show a real commitment to making the Columbus community a better place.

Title Sponsor: Limited Brands Foundation

Runway Sponsor: EXPRESS

VIP Cocktail Reception Sponsors: Nationwide and Justice & Brothers

Easton Fashion Award Sponsor: Easton Town Center

Fashion Lookbook Sponsor: Abercrombie & Fitch

Couture Sponsors:  Diamond Cellar, Huntington Bank, Lane Bryant, Macy’s, Nordstrom, Polaris Fashion Place, Porter Wright Morris & Arthur LLP,  R.G. Barry/Dearfoams, and THE LIMITED

Host Committee, chaired by Peg Mativi & Donald Dick: Dana & Mitch Acock, Jakki & Jerry Allen, Pam & Jack Beeler, Teresa & Brian Biernat, Kimberly A. Blackwell, W. Daniel Cordray, Loann W. Crane, Bev & Bob Darwin, Steve & Lynnda Maria Davis, Diane & Andrew Dunn, Phaedra & Michael Edwards, Karen & Michael Fiorile, Erica & Micky Fullen, Nedra Patison Hadley & Alissa Hadley Hines, Fran Horowitz & Michael Bonadies, Alexis Jacobs, Andrew Johnson, Patty & Jerry Jurgensen, Stephanie & Adam Lewin, Tim Maurer & Sanito Mendoza, Jamie & Bill Reinbolt, Arlene & Michael Weiss, and Lyn Williams

Creative Direction: Ologie

Media Sponsors: CD102.5 and Capital Style

In-Kind Sponsors: Baesman Group, Cameron Mitchell Catering, Details and Florabunda Designs Inc., Heidelberg Distributing Company, Lasting Impressions Event Rental, Live! Technologies, LLC, Mukha Custom Cosmetics, Mumm Napa, and Nick Fancher

In-Kind Supporters: Jolie Laide, Middle West Spirits, Pepsi Cola Bottling of Columbus, and Rainer/S77

Check out the 2012 show!

The fashion show tickets are here!

The fashion show tickets are here!

Ok, I got that out of my system (and I swear I wasn’t just jumping around my office shouting that. Really). But seriously, tickets are now on sale for CCAD’s May 10 fashion EVENT. That’s right, I said event, because it is so much more than a show (haven’t been? Check out the video).

The three most important things you need to know right-this-second are:

1. We are once again offering a special advance-purchase price. Buy now, and not only do you save a few bucks but you ensure that you actually get a ticket—we keep selling out and we’ve run out of places to add seats (believe me we’ve tried).
2. Limited Brands Foundation has once again stepped up as our title sponsor. This generous sponsorship is further evidence of the foundation’s commitment to and investment in our creative community.
3. This event raises funds for scholarships—every attendee and sponsor is investing in a CCAD student’s education while having an amazing night on our campus.

Each year we strive to top the year before. This year we have a larger senior class. With so much talent to tap into we are planning to extend the show; however, with so many designers, each allowed to present for consideration up to six garments, there is going to be even more fierce competition to impress the jury and get those looks on the runway.

We’ve brought back fashion blogger Kristen Foley, and she recently shared another exciting twist to this year’s runway show.  Each designer will be truly presenting their own collection. That is, there is no overarching theme. The work we see this year will be a pure reflection of the designer’s inspiration. Soon, Kristen will be sitting down with each designer so we can learn a little bit more about what they have planned for this May.

Each year we are thrilled and humbled by the support we get from our business partners through sponsorships. Their generosity ensures we produce a great event and still raise those critical scholarship dollars.

If you happen to be checking out this post after the publish date there is a very good chance more partners have joined us, so please take a second to visit the event page for a full list of supporters—and show that you appreciate their support of local causes, by supporting them.

Without further ado, a big thanks to: Runway Sponsor, EXPRESS;  Fashion Lookbook Sponsor, Abercrombie & Fitch; Easton Fashion Award Sponsor, Easton Town Center;  VIP Cocktail Reception Sponsors, Nationwide & Justice; Couture Sponsors, Diamond Cellar, Huntington Bank, Lane Bryant, Macy’s, Porter Wright Morris & Arthur LLP, RG Barry/Dearfoams, and THE LIMITED; In-Kind Sponsors, Cameron Mitchell Catering, Heidelberg Distributing Company, Live! Technologies, LLC, Mukha Custom Cosmetics, Mumm Napa, and Ologie; In-Kind Supporters, Middle West Spirits; and Media Sponsor, CD102.5.

While you are heading to our event page to get your tickets, also be sure to check out our ever-growing host committee chaired by the fabulous Peg Mativi and Donald Dick.

Getting ready for the show to start.

9 p.m.

This place is packed. There was another party in the tent for our general admission ticket holders thanks to Union Café and now the two happy crowds are merging—there are approximately 800 people packed into this tent ready to be delighted and excited.

I got here just in time. Fortunately there was a fabulous video running while I got set up.

Andrea  Cambern is already on stage—stunning per usual—and she’s introducing Arlene and Michael Weiss (representing runway sponsor EXPRESS) who will officially get this party started with a classic ribbon cutting (apropos, no?).

Opening the show.

As Andrea begins to thank our generous sponsors, I can see people flipping through their lookbooks, which were printed by Baesman and sponsored by Abercrombie &  Fitch (I’m not sure what the model  on the back cover ad is selling, but I’ll take two). FYI: Click here to find out more about the lookbook and other student-generated visuals for the show.

The music is rising, the tempo is picking up and… here we go.

Up first is Joella Stallard’s collection. Lovely.

We had a smaller senior Fashion Design class this year, but we still have more than 50 looks coming down the runway tonight. This year the designers presented more garments for jurying and some have as many as five or six looks in the show.

Once again, each designer is as unique as the collection she brings to the show (yes, our senior designers this year are all women). If you get a chance, check out their individual interviews and learn how they were inspired to develop these beautiful pieces.

Unfortunately I was not lucky enough to sit down with each designer to do the individual interviews this year (sometimes delegating sucks).  So I’m going to turn this blog post over to Kristen Foley for her take on what is coming down the runway vs what she saw in development during the last six months. Take it from here Kristen…

As I learned during my interview with Joella, she normally gravitates towards simple, tailored pieces; however, as her designs hit the runway they were anything but simple. The free flowing and airy fabrics moved with the model with every step. The pleats that were originally daunting, are now beyond divine as they get instant applause from the crowd.

Next up, Jennifer Tang. Jennifer set out to create movement, flow, and a color palette that matched her artistic muses and she certainly achieved that with her look tonight. Feathered dusty rose chiffon never looked as good as it does tonight.

There is sincere natural and organic element to Michele Watson’s designs. The barefoot models and their foot or toe jewelry only add to the ethnic element that Michele wanted to achieve. Michele was one of the first people who I spoke with and it’s exciting to see her entire collection come together and how each of the printed fabrics work together cohesively on stage.

The art of theater was always something that Tasha Naneth Bolten was drawn to as a child, and her collection is certainly not short on theatrics. A touch of the past mixed with the new is showcased perfectly in her final pieces. Adding a bit of extra drama to the evening are her handmade headpieces. Love the feather. Love the hat.

Next up is Amanda Mae Smith’s collection. Amanda’s goal was to take on big patterns, geometric, and animal shapes, and try to include natural fabrics whenever possible. She succeed. The unique “burnout” technique she used on several of her garments shows well on the runway. The elephant  burnout dress that I saw as a long dress in the classroom is now above-the-knee and worn with booted moccasins. It is somewhat tribal in nature, but still supreme high fashion.

Kristin Rose was the only designer to take on menswear this year. The models strut on the stage and give the audience a full view of the smokin’ wool coats she created. Baby, it’s getting’ hot in here! Rustic with a designer’s edge. Perfect for the guy going hunting on the town.

Wow, we’re already at the halfway point of the show and the crowd is loving every minute of it as Skyler Riggins’ piece takes the stage. The high-waisted pants and shimmering top are remarkable. You can see the detail on stage as the light hits it. It truly is a stand out piece.

Alyssa Johnson was another designer who took it upon herself to trademark her pieces, but this time with silk screening organic shapes onto the fabrics. The music starts a rock beat that perfectly compliments the collection. Her bold accessories show her unique attention to detail and the geometric shape.

A shimmer of sequins blinds us for a second as Rachel Cass’ collection takes the stage. Her collection of lingerie inspired ready-to-wear pieces add an extra couture edge to the evening. The sheer tops complimented by the comfy lounge jackets receive yet another round of applause.

Just knowing all the hard work each designer had to do to make these pieces even appear on stage makes the show that much more enjoyable. Only a few more collections to go!

Although Sarah Pruden described her piece as a little bit goth and girly, it’s really a whole lot of fun and flirty, especially when the model showcases one of the ruffles of the dress.

Julia Ruan’s pieces are like nothing we’ve seen yet. The bold colors precede the unique and powerful designs. Oversized sleeves and fun patterns speak loudly from the stage. The models hair is even dyed to match her designs.

A little surprise for the evening as Annika Simmons collection makes its appearance and the show’s youngest models take the stage. Little bits of pinks and pale greens and a whole lot of childlike wonder full of curtseys and crinoline.

Tasha Dircksen’s collection can be summed up as supreme glam. The fabrics are smooth and shiny with just enough shimmer and form to compliment the female models. Each are complimented by the handmade silver jewelry she created specifically for the show.

Seeing Shirley Weng’s ribbon infused collection onstage in its final form is a thrill. I had the opportunity to watch her as she first starting weaving the ribbons together and now the dress is strutting down the runway. What a rush.

It’s hard to believe but we’re on the last student collection. Rachel Kaplan’s jaw-dropping 1940s inspired evening gowns and pantsuits simply glow, even before the runway light hits them. Gold sequins are showcased through most of the pieces except for the rich, low-cut red dress that unites them all.

Thanks Kristen!

The applause is mind blowing, rightly so. And now the designers are coming down the runway with one of their models for their much-deserved kudos and flowers from Fashion Design Chair Suzanne Cotton (I love that she does that).

And, in return the students take to the stage one more time and are now handing Ms. Cotton a bouquet.

Oh, hello, we are not being told to leave… ah this must be the Easton Fashion Award.

And, Easton Town Center is presenting it to… OUTSTANDING SENIOR RACHEL CASS! AWESOME. What a fantastic way to cap the show.

I can hear a new high-octane beat thumping in the building next door as DJ Rainer gets the dance party started.

Hmmmm I’ve still got a little work to do.

Back stage chaos.

7 p.m.

It is the calm before the storm.

Well, if you don’t include the backstage area where the storm has already struck in the form of whirling dervish hair dressers, make-up artists, models, and frantic senior designers who are about to see their garments shoot down the runway.

The registration tables are armed and ready for the 800 + guests who will soon come to join us to celebrate another year of amazing art and design—and of course a spectacular runway show.

Thanks to Limitedbrands Foundation, who once again stepped up to be the event’s title sponsor, we truly can celebrate knowing we have raised significant dollars to support the scholarships that help make the dream of a college education a reality.

The VIP pre-show party, sponsored by Nationwide, is set up and ready. The caterers are standing by to share delightful tidbits of nosh that look almost too good to eat. (Almost. There really should be a special bloggers snack plate, don’t ya think?) The bartenders are stocked and ready to pour.

The bartenders are well stocked.

Of course, those bartenders will be extra busy later when all of our guests head back towards our mixologist after the runway show to enjoy a drink and some dancing thanks to our Après Runway Sponsors Capital Style Magazine and Justice. But before the post-show party, there will be one hella-good show as one-of-a-kind fashion struts down the runway, which comes to us thanks to EXPRESS; and, at some point in the proceedings, Easton Town Center will honor one of the fashion students with the inaugural Easton Fashion Award.

But, for now, things are calm. Surrounding the runway are neat rows of seats, each topped with a lookbook, sponsored by Abercrombie & Fitch, and gift provided by Mukha Custom Cosmetics. Soon those seats will be filled by VIP ticket holders.

Sponsors, of course, are crucial to a fundraising event and I really do need to take a moment and be sure we thank every generous business and individual who has helped us build this experience.

Our Couture sponsors are Diamond Cellar, Huntington Bank, Lane Bryant, THE LIMITED, Macy’s, NORDSTROM, Polaris Fashion Place, Porter Wright Morris & Arthur LLP, and R.G. Barry/Dearfoams.

Our printing sponsor is Baesman and the General Admission Pre-Party sponsor is Union Café.

This year’s host committee co-chairs are Karen & Michael Fiorile and Ellen & Ed Yen

And our 2012 host committee is: Dana & Mitch Acock, Jakki & Jerry Allen, Jamie & Steve Allen, Trudy & Earl Bartley, Pam & Jack Beeler, Teresa & Brian Biernat, Kimberly A. Blackwell, W. Daniel Cordray, Mary & Colby Crall, Loann W. Crane, Bev Darwin, Phaedra & Michael Edwards, DeeDee & Herb Glimcher, Alexis Jacobs, Patty & Jerry Jurgensen, Charlotte & Jack Kessler, Monica & Doug Kridler, Stephanie & Adam Lewin, Peg Mativi & Donald Dick, Tim Maurer & Sanito Mendoza, Veda Nami, Jamie & Bill Reinbolt, Jody & Jeff Scheiman, Thekla Shackelford, Danielle & George Skestos, Jacqueline & Chris Snell, Arlene & Michael Weiss, and Lyn Williams.

Thank you!

Every aspect of our event is touched by community generosity via in-kind donations for everything from the catering via Cameron Mitchell Catering and the adult beverages from Heidelberg Distributing Company, Mumm Napa, and Middle West Spirits, who designed the event’s signature cocktail ARTini.

Backstage where the pre-show chaos reigns, Mukha Custom Cosmetics is once again making sure our models look fierce on the runway—and they are getting hair support from Studio Fovero.

There are behind the scenes elements (lights, video, sound) that usually go unnoticed other than the feeling the crowd gets when they witness a wonderfully staged event—much of the credit for that goes to Live! Technologies—although the thumping beats that get us from party to runway to party again come via our illustrious DJ Rainer. Oh, and speaking of the post-show party, VJ props go to Rainer and  S77.

And the exquisite lookbook that I mentioned before, well Ologie was a key player in mentoring its production along with the invite and branding for the show.

Flowers, chairs, tables and other event accessories come to us thanks to Lasting Impressions and FLOURISH bespoke floral & event styling.

Yum.

An event isn’t an EVENT, unless we sell tickets. That’s where our our media sponsors Capital Style Magazine and CD101 come in. They have spent the better part of the year helping us get the word out and sell tickets. Did you see our students in the May issue of Capital Style? If not, pick up a copy.

Oh, and despite rumors to the contrary, models need to eat—at least our student models do. Thanks to Donatos and Pepsi Cola Bottling of Columbus for keeping our students fed and hydrated during some long rehearsal hours. Also, walking in those heels…not as easy as it looks. Thanks to Foot Petals, inc for providing shoe inserts.

Big thanks and hearty applause to everyone who helped make this night happen.

Guests are arriving and I hear champagne popping, I wonder if I can sneak a canapé?

Click to view video

I feel like I need a bullhorn—something really dramatic to announce that our fashion show tickets are now available for purchase.

If you’ve attended the fashion show in the past you know three important things about this event:

1. It’s awesome
2.  It’s a fundraiser that supports scholarships for the next generation of creative professionals.
3. It sells out—every year.

Sure you may be thinking:  “No rush. The event isn’t until May. I have plenty of time.” If the possibility of being left out isn’t incentive enough to purchase your ticket today, how about a special offer? Right now there is an advance-purchase opportunity—that is, buy now because the ticket prices will increase on March 15.

OK, now that we’ve talked tickets, I want to take a moment to talk about one more very important thing: Sponsors.

Sponsors make this event spectacular. Without their support there is no event. Their generosity ensures that we raise funds for scholarships. Now more than ever, scholarships are the great equalizer. They ensure that talented students can get the education they need to enter the creative economy.

In particular I want to thank our title sponsor the Limitedbrands Foundation. They have been generous supporters of this event for many years. Their philanthropy is an investment in CCAD. Scholarships lead to education, education develops a creative, competitive workforce.

In addition, big thanks to: Runway Sponsor, EXPRESS;  Fashion Lookbook Sponsor, Abercrombie & Fitch; Easton Fashion Award Sponsor, Easton Town Center;  VIP Cocktail Reception Sponsor, Nationwide; Après-Runway Dance Party Sponsors, alive! & Justice; Couture Sponsors, Diamond Cellar, Huntington Bank, Lane Bryant, Macy’s, Porter Wright Morris & Arthur LLP, & RG Barry/Dearfoams; Printing Sponsor, baseman; In-Kind Sponsors, Cameron Mitchell Catering, Heidelberg Distributing Company, Live!, Mukha Custom Cosmetics, & Ologie; In-Kind Supporters, Lasting Impressions, Pepsi Cola Bottling of Columbus, & Studio Fovero; In-Kind Friends, Donatos, Foot Petals, Inc., & Middle West Spirits; and Media Sponsors, Capital Style & CD101.

As you head over to the Fashion Show Event page please take a moment to note the sponsors listed there and our fabulous host committee co-chaired by Karen & Michael Fiorile and Ellen & Ed Yen.

Finally, on a side note, this is my third year blogging about the fashion show; and I am excited to announce a change—I will not be blogging alone. Another writer will be joining me (you’ll meet her later). It will be awesome to bring a new voice to the blog, but I’ll admit—it’s a little bittersweet. This gig is so fun that it’s hard to share even one interview or story.

There’s a lot coming up in the following months. There will be a photo shoot for the lookbook, a team of fashion professionals will come to review the designer’s collection and jury the final garments for the show, and we’ll introduce you to each of the designers.

OK, go get your tickets now.

Interior Design alumna Jessica Katterheinrich joined WD Partners after graduation.

Every year, more than 200 students join the ranks of the 10,000 CCAD alumni living around the world. But we don’t send them out into the world unprepared. Beginning in freshman year, students work with Career Services and their professors to develop portfolios, resumes, and cover letters. They meet with alumni in mock interviews and experience the rigors of the Directions Career Fair. For some, all of this hard work results in a real-world job lined up before the ink on their diploma is even dry. So we asked them: What’s it feel like to graduate with work lined up?

Dayna Carli Smith, Advertising & Graphic Design
Where she’s headed: GSW Worldwide
“I am so excited to see how dreams can come true. I’ve been working hard for so long it’s amazing to see how it all pays off. It makes me want to work even harder, like I have been given a gift that I do not want to squander. And it makes me happy to make my parents proud, knowing they were worried about me going into a field so difficult to get a job in. I’m glad I can look at them and tell them I made the right decision and have proof to back it up with.”

Ryan Richmond, Fashion Design
Where he’s headed: Abercrombie & Fitch
“It’s a wonderful feeling, having work lined up before graduating, and quite honestly, I wasn’t expecting this outcome. I’m extremely grateful, however, not only for being hired while still a student, but also for the support and instruction I got from my teachers at CCAD; they truly care about the success of their students and make it a point to push us to be the best designers and artists we can be. I’m excited for what my future holds and can only thank CCAD and the people I’ve grown close to over the years!”

Kristen Macauley, Fine Arts
Where she’s headed: The Jones Group
“Honestly, it’s nerve-racking. Looking back on freshman year, I never knew I would be here today. I am about to move into a world filled with creative individuals looking for a moment to shine, and I can’t wait for mine. When I first started to apply for jobs, I thought most of them were a long shot. Then I had an interview with Jones New York and the next thing I knew I started packing for New York City. I feel very fortunate that the Jones Apparel Group provided me with such a wonderful opportunity. Not only do I have a job, but it is in my field of choice. I couldn’t ask for anything more.”

Jessica Katterheinrich, Interior Design
Where she’s headed: WD Partners
“It makes all the nights I slept on the studio floor instead of my own bed feel worth it.”

Taehee Lee, Media Studies
Where she’s headed: Left Channel
“I am relieved and excited to work on something I really love doing. It just feels great. Most of my Korean friends are probably a bit jealous. My main focus was always going to graduate school, and I did get accepted, but I was offered a job and made the last minute decision to accept it over graduate school.  When I was offered the job, all I could think was, I need to seize this opportunity because grad school will always be there but this may not.”
Editor’s Note: Taehee was also this year’s Media Studies Outstanding Senior. You can read a full interview with her here.

(Left to right) Randi Prudden, Cierra Cunningham, Jasmine Stewart, and Anna Fowler

Given that more than 50 CCAD alumni are employed by Abercrombie & Fitch, it’s less of a surprise than you’d think to find four just in the company’s knit bottoms division: Anna Fowler (CCAD 2008), Randi Prudden (CCAD 2010), Cierra Cunningham (CCAD 2010), and Jasmine Stewart (CCAD 2006). We couldn’t resist the opportunity for a group interview. But before we talked to them, we had to ask the company why they love working with CCAD grads.

“Abercrombie & Fitch loves going through the recruitment process at CCAD each year,” said Anne Vetta, senior recruiter for design at Abercrombie & Fitch. “We know we can expect to meet well-rounded, talented students from the design programs.  The foundation year at CCAD is truly unique, and we really appreciate the fine artist skills that are developed during that first year.  We also receive amazing support from the Office of Career Services as well as the Institutional Advancement Office, which is crucial.”

Now without any further ado, a word from our alumnae.

Q) What’s it like to work with three other CCAD alumnae?

Jasmine Stewart (JS) It’s great, because you know the skill set of the other person. You know they learned the same things you did, so you know what you can expect from them.

Randi Prudden (RP) That’s the best part about it. They’ve been through the same thing that you have. Just to be like, “Anna, you know how Mrs. Hannan said this, well what does that mean in Abercrombie terms?”

Cierra Cunningham (CC) It’s really cool to walk around A&F’s campus and recognize a lot of faces. It’s less intimidating, and you feel at home because you recognize so many people.

Editor’s Note: We got to experience this first hand. As we were taking our tour of A&F, we walked past soon-to-graduate Jordan Jones, who was interning for the company at the time and finishing up his collection for the Senior Fashion Show.

Q) Why do you think Abercrombie keeps coming to CCAD for employees?

AF) I think it’s that they know we have the skill set, we’re hard workers, and we come out knowing design.

JS) We’re well-rounded. We’re able to be creative. We’re able to work hard. But most importantly, we’re able to talk about our work, which can be intimidating for designers. CCAD makes you talk about your work and explain your ideas, which is very helpful once you get out into the workforce.

RP) When you step into a design role, you’re not just a designer. You’re a part-time merchant, a part-time graphic designer, a part-time critic. You do everything, and I think that Foundation year at CCAD—when you spend all your time learning about so many different things—helps you to develop the confidence to say “yeah sure, the store should be set up this way.” You know how to do interior design work and how it will look and 2D and 3D presentation and everything. As CCAD grads, we’re like, “throw it at us. Come on. We can take it. ”

JS) Right. You come out knowing all the computer programs. You can draw by hand. You can kind of do everything or at least have the foundation to look to.

AF) I think that’s the biggest thing, having that foundation—because you don’t learn industry until you’re in it, but having that foundation is super important and key. I’ve worked with a couple people who were just coming in and weren’t from CCAD, and they didn’t have the same skill set. It’s nice to work with other people coming from CCAD because you’re like, “oh yeah, you know that.”

Q) Each of you designed a four-piece collection for the senior fashion show the year you graduated. Are you going to this year’s event? Are you looking for future coworkers, or just to support your alma mater?

(All four) “Yes, of course, we’re going!”

RP) I’m going back to support the school, but you never know when Human Resources is going to call.

AF) Just to see the final collections. It’s really cool to see people who come in—and maybe they’ve been sewing since they were four or maybe not—but they have that final collection which is such a big accomplishment.

Q) We have several recent graduates heading to Abercrombie for their first “real” job. What would be your advice for them?

CC) Coming from CCAD, you’re taught to work hard, so it is really an easy transition to working here.

JS) Be passionate and work hard—and be open to learning.

AF) Keep an open mind. Everything you learn in school is a great foundation, but you’ll need to hit the ground running because everything changes when you start.

Q) Why do you love your job?

JS) I have been working here for almost five years, and every day is a challenge, and every day is interesting—and I just love it. I am constantly learning every single day.

AF) It’s a fun, casual atmosphere. What we like today isn’t necessarily what we’re going to like tomorrow, which keeps it interesting.

CC) It is just so inspiring to work here.

RP) I think that people are like “oh, it’s Abercrombie & Fitch. You’re not going to be challenged.” But that predetermined idea is completely wrong. You have to be even more creative than normal because you are working within one brand and each thing has to be different than what it was before—and that’s really hard to do sometimes. You have to find other ways to solve problems. It’s challenging, but I look forward to it every day.

AndrewAndrew

Sometimes I just love my job. Now that we all have a natural fashion high, it’s time to work off that energy on the dance floor—thanks to alive!, our après-runway dance party sponsor.

AndrewAndrew and their magical iPads are BRINGING IT. Add in VJ Rainer’s amazing barrage of images projected on the garage walls, and the high-octane crowd already packing the dance floor—and well, if you’re here, you know, if you’re not … well …  there’s always next year.

If you haven’t already, check out my earlier posts from this evening for lots o pics (they are also on our Facebook page if you want to tag yourself). We’ll have more photos up (including from the dance party) next week (hey a girl can only do so much).

One quick note: as all guests leave tonight they will be taking home a gorgeous catalog sponsored by Abercrombie & Fitch and produced with Ologie. Our Designer Ticket guests will also receive a bottle of Icon, a delicious signature scent inspired by our event and created by Mr. Tim Maurer of Mukha Custom cosmetics.

Time to dance

I need to go now. There’s still a little time left for me to get my dance on. All work and no play … well you know the rest.

(Photos are also available on our Facebook page.)

Thanks to title sponsor Limted Brands Foundation & supporting sponsor Davis Foundation

6:30 p.m.

Very soon our first guests will begin to arrive. I just took a quick walk through of Design Studios on Broad and the big tent. In the “back stage” area all is organized chaos as the models go through hair and make-up. But the front of the house is, for just a moment, pristine and serene.

It’s beautiful.

Every year I am in awe at how all this comes together, and I am reminded of all of the amazing organizations and individuals that make it happen.

This year’s title sponsor is Limited Brands Foundation. Their significant support not only brings this event to life, but ensures that the real purpose of the night is realized—raising money for scholarships. They are joined by our supporting sponsor the William H. Davis, Dorothy M. Davis and William C. Davis Foundation.

As our Designer Ticket guests arrive they will go into an exclusive VIP pre-party thanks to the generosity of Co-Sponsors Justice and Nationwide. They will also enjoy some special perks including a high-end raffle item provided by in-kind sponsor Diamond Cellar.

Serene.

After a few cocktails, all of the guests will gather in the tent for the main event—Masters of Design, the 2011 Senior Fashion Show. And, this is an appropriate time to note our fantastic runway sponsor, EXPRESS.

Following the runway show, all guests are invited to the après-runway dance party sponsored by alive! And as guests leave (much later!) everyone will take home a gorgeous fashion-magazine-style catalog sponsored by Abercrombie & Fitch and created with in-kind sponsor Ologie. Designer Ticket holders will also go home with a bottle of Icon, the signature scent custom blended by in-kind sponsor Mukha Custom Cosmetics just for our event.

In keeping with our theme tonight we also have several couture sponsors: Huntington Bank , Macy’s, R.G. Barry/Dearfoams, State Auto Insurance Companies, and Wells Fargo Insurance Services USA, Inc.

An event is made great by the details and many of these come to us via in-kind sponsors. In addition to the companies I just mentioned,  AKADA Hair Salon joins Mukha in providing hair and makeup for our models; Lasting Impressions Event Rentals  and Live Technologies, Inc., give us that fashion week feel; Cameron Mitchell Catering has created an amazing menu (as always); Heidelberg Distributing Company and Pepsi-Cola Bottling of Columbus join Middle West Spirits in keeping us refreshed—dancing is thirsty work—and FRESH French Floral Boutique brings the ambiance; Scott Cunningham did the amazing photography you will see in the catalog; Rainer Ziehm is our spectacular VJ; and Donatos Pizza made sure our designers, models, and crew were fed during the 5-hour tech rehearsal.

It’s also important to remember that for the last six months our media sponsors, Capital Style, CD101 at 102.5, Radio One, and Fashion Wire Press, have helped us get the word out and sell tickets.

Finally I have to give a shout out to our host committee. They commit themselves to making sure we sell the tickets we need to sell to generate scholarships.

Chairs: George & Danielle Skestos;  Christie Angel & Otto Beatty III, Connie Leal Ballenger, Trudy & Earl Bartley, Pam & Jack Beeler, Bev Bethge, Teresa & Brian Biernat, Kimberly A. Blackwell, W. Daniel Cordray, Mark Corna, Loann W. Crane, Toni M. Cunningham, Bev Darwin, Phaedra & Michael Edwards, Karen & Michael Fiorile, Gigi & Sam Fried, Joy & Mike Gonsiorowski, Patricia R. Hatler & Howard A. Coffin, Joan Hill, Alexis Jacobs, Tad & Nancy Jeffrey, Patty & Jerry Jurgensen, Matt Kallner & Kelly Carter, Gale King, Stephanie & Adam Lewin, Peg Mativi & Donald Dick, Tim Maurer & Sanito Mendoza, Veda Nami, Joel Pizzuti ,Jane & Rich Ramsey, Kara & Scott Razek, Jamie & Bill Reinbolt, Jody & Jeff Scheiman, Eda & David Schottenstein, Thekla Shackelford, Chris & Jacqueline Snell, Jen Walker, Arlene & Michael Weiss, Lyn Williams, and Ed & Ellen Yen.

(And, yes we sold out)

Very soon 700 plus people will enjoy what these supporters have helped to build. And generations of future students will realize their creative potential thanks to the scholarship funds raised tonight.

Thank you, everyone!

I think I see our first guests arriving …

Ryan Richmond

Paul Poiret, Ryan Richmond’s Masters of Design muse, was a hugely influential early-20^th century Parisian designer. His looks are now icons of fashion history, so much so that a modern designer who looks to Poiret for inspiration must be careful not to inadvertently create a collection of period costumes.

Ryan has managed to create a collection that is modern, fun, wearable and, with a few carefully chosen elements, pays homage to Poiret without mimicking the master.

Poiret is credited with several design trends, but probably the most lasting is introducing the brassiere and moving style away from the corset—ironically he is also credited with creating the “hobble skirt,” which forced women to take itsy-bitsy steps. He is quoted saying: “I freed the bust, and I shackled the legs.”

Poiret is noted for lush fabrics, beading, bringing an oriental influence to European fashion, and for a theatrical and romantic aesthetic.

Masters of Design inspiration Paul Poiret.

While Ryan’s looks are contemporary, there is a hint of the roaring ’20s reflected in a fringed tunic top that is part of one of his runway looks. He uses velvets, laces, and beading in a rich color palette—all of which provides a mix of textures that nod to Poiret’s era.

“I looked at how he combined materials into a successful design, rather than interpreting silhouettes,” said Ryan about how he was inspired by Poiret.

Ryan was interested in Poiret’s approach to construction, which was more based on draping then tailoring—a dramatic shift in Poiret’s time and from Ryan’s own approach.

Ryan likes patternmaking. He likes the puzzle of getting all the pieces to work together. Ryan purposely chose a designer who worked off the form, however, and used both approaches in his work.

“To get something to drape well, you need to start with a flat pattern,” Ryan noted.

Illustrations

Patternmaking can be viewed as a planning stage of the design process, and planning is definitely a strength of Ryan’s. Knowing he had to create rich, expensive looks on a strict budget, Ryan was meticulous in his planning to ensure that he bought only what he absolutely needed and that he did not waste precious yardage. One of his favorite fabric finds is an embroidered tulle that he ran across at Virginia Marti Fabrics in Cleveland.

But even with careful planning there are still surprises. As Ryan built his collection, he was playing with a look that strongly referenced a look that Poiret had done. He tested the piece with a denser (less expensive) fabric than was planned for the final construction. As he reviewed his test garment he was concerned about how the fabric was draping on the form (it had a bit of a diaper effect). Fortunately he took a chance and continued on. Once the piece was made with the lighter, final fabric, the look was completely different than the test run and more in line with Ryan’s original concept.

In the end he can be proud that he accomplished all of his design goals and stayed in budget. And, as his collection comes down the runway he can enjoy the show knowing he has already been asked to join the Abercrombie & Fitch team as a technical designer.

For the latest updates on CCAD’s fashion event, follow us on twitter. Get tickets online at www.ccad.edu/fashion.

CCAD's Senior Fashion Show is May 13, 2011

CCAD’s annual Senior Fashion Show fundraiser has become THE event to attend in May. This year’s Master’s of Design event will shift from a high-class brunch followed by a runway show to a high-octane runway show capped by two parties. The event is growing and so are the number of community members and companies that want to be a part of it. With tickets going on sale in less than two weeks, CCAD has announced the roster of sponsors and host committee members who are supporting this year’s fundraiser.

“Our runway show is a high-energy and chic experience,” said Stephanie Hightower, CCAD’s vice president for institutional advancement. “But more importantly this is a benefit to raise funds for scholarships, and the support of these sponsors allows us to not only create an exceptional event, but to leverage the college’s educational opportunities for the next generation of creative leaders.”

Limited Brands is leading the pack as title sponsor.

Additional sponsors include: Après-Runway Dance Party Sponsor: alive!; Runway Sponsor: EXPRESS; VIP Pre-Party Sponsor: Nationwide; ICON Award Sponsor: Justice; Catalogue Sponsor: Abercrombie & Fitch; Couture Sponsors: Huntington Bank, Macy’s, and R.G. Barry/Dearfoams; Media Sponsors: Capital Style, CD101 at 102.5, Radio One, Fashion Wire Press; In-kind Sponsors: AKADA Hair Salon, Cameron Mitchell Catering, The Diamond Cellar, Donatos Pizza, FRESH French Floral Boutique, Heidelberg Distributing Company, Lasting Impressions Event Rentals, Live Technologies Inc., Mukha Custom Cosmetics, Ologie, Pepsi-Cola Bottling of Columbus, Scott Cunningham, Tork.

Find these sponsors and the host committee listed at www.ccad.edu/fashion.

Tickets go on sale with special early-purchase pricing on Feb. 1 at www.ccad.edu/fashion.