2011 AAE recipient Nathan Greno (right), accepting award from Denny Griffith (left)

Sixteen distinguished Columbus College of Art & Design alumni have been nominated for the 2012 Joseph V. Canzani Alumni Award for Excellence (AAE). Nominees range from a fashion knitting queen to a Pixar storyboard artist and an art therapy director to an internationally recognized fine artist.

The nominees are Bryan Ballinger ( CCAD 1990), Charlotte Belland (CCAD 1997), Samantha Bennett (CCAD 1995–1999), Sean Blanton (CCAD 2011), Roy Doty (CCAD 1942), Nicky Epstein (CCAD 1974), Michael Flechtner (CCAD 1981), Scott Hull (CCAD 1977), Matthew Kaser (CCAD 1984), Jon Hair (CCAD 1976–1978), Catherine Hyland Moon (CCAD 1978), Paitoon Ratan (CCAD 1993), William D. Ray (CCAD 1992–1994), Benjamin Roseland (CCAD 2005), Dan Scanlon (CCAD 1998), and Charles Wilkin (CCAD 1992). Read the nominee bios here.

The AAE will be presented on Saturday, Oct. 13, during Family Weekend & Homecoming. This event is part of an entire weekend of events for the whole CCAD family, including alumni, students, parents, faculty, and staff.

Each year CCAD accepts nominations for AAE as a way to acknowledge not only the success and contributions of one very deserving graduate, but also the impact CCAD alumni have all over the world. Alumni are currently voting on the finalists, after which a committee will review the nominees and choose the recipient. To learn more about the nomination and voting process, click here.

Roy Doty

There’s no question that alumnus Roy Doty (CCAD 1942) is still going strong. Even as he approached his 90^th birthday this fall, Inspired Lines, an exhibition featuring 60 pieces of his work, opened at The Ohio State University’s Billy Ireland Cartoon Library and Museum, the largest and most comprehensive academic research facility for cartoon art in the world.

Before the opening, he completed more than 130 full-page, four-color illustrations for an upcoming economics textbook. When asked about his workload, he says with a humble shrug and his signature grin, “I stay busy.”

Which, of course, is a very large understatement. In his 65-year career, Doty has written more than 30 books; illustrated 167; had illustrations featured in the New York Times, Newsweek, Fortune, Business Week, Popular Science, and Elle; and deployed his talents on behalf of advertising clients including Mobil Oil, Macy’s, CBS, Black & Decker, and Ford.

This year, Doty became one of only 13 individuals ever honored with the National Cartoonist Society’s Gold Key award—considered the cartoonists’ hall of fame. But, he says, “The truth is, I’m still trying to be good. No piece is ever good enough. I finish it, and I look at it a year later and say ‘why the hell didn’t I do this?’ Deep down, I’m still trying to be good.”

The story of how Doty got from high school to CCAD to his own freelance studio is best told in his own voice.

“When I was in high school, I drew like every cartoonist,” he says. “Fortunately, I had a good art teacher in high school who thought I was a genius painter, so she sent my paintings to what is now CCAD, and they awarded me a two-year full scholarship, which meant a lot then. After all, this was the Great Depression.”

“I was taught by, among others, Alice Schille, and I can say that my color is only brilliant because of her. But I had the same problem at CCAD that I had when I was in high school: they all wanted me to be a great painter—because back then there was only a fine arts major—but all I ever wanted to do was draw cartoons. I drove them crazy because I was so sure of what I wanted to be.”

“I graduated in 1942 just months after Pearl Harbor, and two days later I ran off with a classmate, Louella Vance, to Chicago to get married. By the end of the year, though, I had been drafted into the Army. In the fifth week of my basic training, I was taken out of the Air Corps and sent first to New Jersey, then to a private mansion on the beach in Georgia.”

“I was a radar man, part of the top secret radar division. While I was there, I was drawing Why We Fight for the camp newspaper, which ran in all Air Force camp newsletters. Then I was flown to New York City, placed on the Queen Mary, and I was now stationed in Paris, living as a cartoonist, drawing for Overseas Woman, Stars and Stripes, and more.”

It was in Paris that Doty developed the style of cartooning that has defined his career—fine lines, bold color, and a lot of detail.

“I left Ohio doing ‘big foot art,’ and I got to Europe doing that,” Doty says. “But all of the artists I was working with in Paris were decorating the page, and I said, ‘You don’t need balloons, gags, or captions to tell a story. You can do without it and still get the laugh. And that is an absolute joy.’”

When the war was over, Doty was discharged with “a nice portfolio and $350 in pay.” He returned to Columbus just long enough to purchase a ticket to New York City and divorce his wife. “She had found religion, and I had found four-letter words; so we parted ways with a kiss, and we always remained friends.”

“The truth is, I came out of the Army wanting to change the world, and I was sure I would,” Doty says. “I came out with something new, and that’s why I got work—because I could take the dullest copy in the world and get a laugh out of it. I started freelancing 65 years ago and haven’t had a job since.”

“I’ve never had a bad year, a slow year. I’ve never been ‘unbusy.’ I’m still busy, and I love it. I work seven days a week. I went to bed at midnight last night, and I’ll go to bed at midnight tonight. What do I have to complain about? As long as I am drawing pictures, I am totally happy. Until I drop dead, I’ll be drawing pictures.”

Media Studies alumnus Nick Burkard worked on feature film Puss in Boots

Classnotes

We do our best to get most of the news you submit to us onto the CCAD News Blog, but since there are more than 10,000 of you making news all over the world, not everything can make it into the blog. We’re glad to have another venue where we can share everything with you—this newsletter’s classnotes.

You, too, can submit classnotes via the easy-to-use form on the alumni landing page. We only post career-related successes, awards, exhibitions, and publications, but we’d also love to know when you move, get married, or have children—just use that same form.

Now, without further ado, your classnotes from June 2011 – August 2011.

Jerry W. McDaniel (CCAD, Illustration, 1957) opened an art gallery and created a process video. Read more here.

Ming Fay (CCAD, Industrial Design, 1965) marked his 20-year anniversary displaying at Butters Gallery with his exhibit Full Circle.

James Markle (CCAD, Industrial Design, 1970) presented a speech about his environmental photography at the Tahoe Art League. Read more here.

Ron Miller (CCAD, Illustration, 1970) illustrates a French youth science magazine. Read more here.

Jamie Berger (CCAD 1975-1978) was featured in a HOW magazine article detailing the rebranding and success of their printing company. Read more here.

Jon Hair (CCAD,  Advertising & Graphic Design, 1976-1978) was featured in North Carolina’s Our State magazine. Read more here.

Kate Rivers (CCAD, Fine Arts, 1977) had an exhibition in Santa Fe, New Mexico. Read more here.

Michele Householder Funk (CCAD, Illustration, 1978) has released her children’s book, The Adventures of Pete and Max and the Lost Sock. Read more here.

David Groff (CCAD, Illustration, 1979) had illustrations featured in a healthcare calendar.

Matthew Kaser (CCAD, Industrial Design, 1984) and his design firm, Kaser Design, were recently awarded another interpretive planning and design job in Texas. The newest project is the historic site Presidio de San Sabá, in Menard, Texas.

Kurt Fondriest (CCAD, Fine Arts, 1985) was included in the annual Misericordia Home group show, which was visited by more than 1,400 guests. Read more here.

Jeff Preston (CCAD, Illustration, 1985) is featured in the DVD Masters of Art: Markers with Jeff Preston. Read more here.

Edward Buchanan (CCAD, Fashion Design, 1988-1991) had his designs  featured in the spring 2011 issue of France’s Blast magazine. Read more here.

Paul Hamilton (CCAD, Illustration, 1988) received the Phil Desind Award, given annually by the Butler Institute of American Art to an outstanding representational work. Read more here.

Scott Musgrove (CCAD, Illustration, 1989) launched an online show and nearly sold out in only three weeks. Read more here.

Tracy Hayes (CCAD 1990) recently moved her design firm SKUBA Designs to a new location on New Orleans’s popular Magazine Street. Read more here.

Peter Wachtel’s (CCAD, Industrial Design, 1990) invention, STAKE, is available for presale on Quirky. Read more here.

Wendy Emrey’s (CCAD, Advertising & Graphic Design, 1991) long career influenced a new pursuit. Read more here.

Julie Abijanac (CCAD, Fine Arts, 1992) has been accepted into the Studios of Key West Artist in Residency Program for the summer 2012. Read more here.

Samantha Bennett (CCAD, Fine Arts, 1995-1999) appeared on an episode of Everyday People on TLC’s NY Ink. Find out more here.

Hiroshi Hayakawa (CCAD, Photography, 1995) showed his kinetic sculptures in a Columbus gallery. Read more here.

Susan Li O’Connor (CCAD, Fine Arts, 1996) was one of three artists featured in an exhibition at the Columbus Metropolitan Library’s Carnegie Gallery. Read more here.

Sara Adrian (CCAD, Fine Arts, 1998) presented in September at FLASH!, an art show in Columbus.

Several CCAD alumni received awards at the opening of this year’s fine arts exhibition at the Ohio State Fair, including Andrew Ina (CCAD, Fine Arts, 2006), Corey Aumiller (CCAD, Media Studies, 2006), Amanda H. Cook (CCAD, Illustration, 1999), Eric Homan (CCAD, Media Studies, 1998), Brandon Antczak (CCAD, Fine Arts, 2007), and Adam Brouillette (CCAD, Fine Arts, 2002) . Find out more here.

Justin Shady (CCAD, Media Studies, 1998) interviewed Michael Altman (CCAD, Media Studies, 2000) in OC Weekly. Read more here.

Danielle Julian-Norton (CCAD, Fine Arts, 1999), a co-founder of Suite 42,  had an open-studio exhibition in Dresden, Germany. Read more here.

Michael Marucco (CCAD, Advertising & Graphic Design, 1999) has been promoted at Limited Brands, Inc., to senior art director of internet content for Victoria’s Secret Direct.

Damian Ward (CCAD, Illustration, 1999) illustrated a book written by Oscar-nominated writers. Read more here.

Anthony M. Nesossis (CCAD, Advertising & Graphic Design, 2000) recently completed a rebrand of various materials for the Educational Council. Read more here.

Brent Woodard (CCAD, Illustration, 2000) helped with a global anti-drug message. Read more and see the image here.

Paul Tepper (CCAD, Illustration, 2001) was recently featured on the cover of Columbus Alive! Read more here.

Nikos Rutowkski, (CCAD, Fine Arts, 2002) helped coordinate Franklinton’s Go West Festival, which featured work by several CCAD Alumni. Read more here.

Michelle Rozic (CCAD, Fine Arts, 2003) was appointed the new assistant professor of art at California State University, Northridge.

Cat Sheridan (CCAD, Fine Arts, 2003) was featured in a Wexner Center blog for her volunteer efforts. Read more here.

Michael Carney (CCAD, Media Studies, 2004) and John Malta (CCAD, Illustration, 2010) were both in the NY Times in August. Read more here.

Jen Chapman (CCAD, Advertising & Graphic Design, 2004) will be featured in HOW magazine in the fall of 2011 for her company Redsnapper Baby & Toddler. Read more here.

The alumni music trio of Beth Murphy (CCAD, Fine Arts, 2004), Adam Elliot (CCAD, Fine Arts, 2004), and Jared Phillips (CCAD, Fine Arts, 2004) performed at the Wexner Center and were featured in the Columbus Dispatch. Read more here.

Manjari Sharma’s (CCAD, Media Studies, 2004) latest project was featured on an NPR blog. Read more here.

Gabe Shultz (CCAD, Advertising & Graphic Design, 2004) created an experimental multimedia project and music album samples from the music of rock band Steely Dan. Read more here.

Elizabeth Weissbrod (CCAD, Illustration, 2004) was one of the featured artists in the June 2011 Hopkins Medicine magazine article “Illustrators of the Century.” Read more here.

Brian Scott Campbell (CCAD, Fine Arts, 2005) was invited to Davidson College in Davidson, North Carolina as a visiting artist in September and will also be an artist in residence this fall at the McColl Center for Visual Arts in Charlotte, North Carolina.

Steven Weinzierl (CCAD, Media Studies, 2005) has been named Favorite Color’s new creative director. Read more here.

Molly Burke (CCAD, Fine Arts, 2006) recently participated in a Cleveland West Art League (CWAL) exhibition with Cleveland painter Julie Morgan. Read more  here.

Andrew Ina’s (CCAD, Fine Arts, 2006) exhibition New Frontier was recently reviewed in the Columbus Dispatch. Read more here.

Melissa (Hofelzer) Spencer (CCAD, Media Studies, 2006) designed an exhibition invite and an interactive website. Read more here.

Seven alumni, including Nate Burns (CCAD, Illustration, 2010), Travis Czekalski (CCAD, Media Studies, 2010), Julie Hall (CCAD, Fine Arts, 2010) Katie Herbst (CCAD, Media Studies, 2010), Michael Lovett (CCAD, Fine Arts 2011), Alex Moore (CCAD, Fine Arts 2011), and Kevin Smalley (CCAD, Media Studies, 2006-08) teamed up to present Fringed: A Fashionably Fine Art Exhibition in Columbus. Read more here.

Nick Burkard, (CCAD, Media Studies, 2007) Dreamworks effects animator, detailed the work he did on the upcoming film Puss in Boots. Read more here.

Michelle Dick (CCAD, Fine Arts, 2008) had her first trunk show hosted by a Columbus boutique. Read more here.

Ashley K. Alexander (CCAD, Fine Arts, 2009) published her first novel. Read more here.

Cory Cantelupe (CCAD, Illustration, 2009) is currently doing work as a freelance sculptor for Hasbro, Inc.

Navy Seaman Jessica M. Pettinger (CCAD, Interior Design, 2009) recently completed U.S. Navy basic training at Recruit Training Command, Great Lakes, Illinois.

Emily Spear (CCAD, Illustration, 2009) is finishing her first year as an associate product designer for Hasbro Inc.

Ian Horn (CCAD, Fine Arts, 2010) has found success with a new NYC business. Read more here.

Mallory McClellan (CCAD, Fine Arts, 2010) was featured in Columbus Alive! for the sculpture she built for Harrison Park in Columbus. Read more here.

Kartika Mediani (CCAD, Animation, 2010) was one of 40 college students across the country to receive a summer internship with the Academy of Television Arts & Sciences Foundation. Read more here.

Ross Caliendo (CCAD, Fine Arts, 2011) was featured in a weekly Cincinnati newspaper for his participation in an exhibition. Read more here.

Jen Hutson (CCAD, Fine Arts, 2011) has been accepted into the St. Petersburg Clay Company’s Artist in Residence Program for the 2011-2012 term.

Angela Mancuso (CCAD, Advertising & Graphic Design, 2011) was appointed as the newest art director at Peebles Creative Group. Read more on their blog.

Amy McQuillin (CCAD, Advertising & Graphic Design, 2011) was hired as the Upper Arlington’s Cultural Arts Division’s intern.

Local tech company Bluemile, ranked in 2010 by Inc. Magazine as one of the nation’s fastest-growing private companies, is featuring artwork by CCAD alumni and faculty in its New Albany office as one way to introduce visitors and other programs to the college. Read more here.

In Memoriam
Edmund Kuehn, (CCAD, Fine Arts, 1938). Read more here.
Charles (Chip) Kirker III, (CCAD, Illustration, 1971). Obituary here.
Dan (Danny) J. Schroll, (CCAD, Fine Arts, 1973). Obituary here.
Gerome Alexander, (CCAD, Advertising & Graphic Design, 1982). Obituary here.
Teresa Williams, (CCAD, Illustration, 1988). Obituary here.
Kathryn A. Gough, (CCAD, 1990). Obituary here.
Lacey L. Pope, (CCAD, Industrial Design, 2002). Obituary here.
Christine Salisbury, (CCAD, Media Studies, 2005). Obituary here.

The nominees are Fine Arts alumni Roy Doty (CCAD 1942), Kate Rhoades (CCAD 2010) and Robert Tavani (CCAD 1985), Industrial Design alumnus Matthew Kaser (CCAD 1984), and associate alumni Nathan Greno (CCAD 1996) and Aminah Robinson (CCAD 1960). Read all the nominee bios here.

The AAE will be presented Saturday, Oct. 8 during the annual Homecoming celebration, which is part of an entire weekend of events for the whole CCAD family—alumni, students, parents, and faculty and staff. Family Weekend and Homecoming is Oct. 7–9, 2011.

In addition to acknowledging the success and contributions of one very deserving person, the award is one way for the college to highlight the impact CCAD alumni have all over the world.

CCAD alumni, students, faculty, and staff can vote on the nominee of their choice  via an online poll through Monday, Aug. 15. Bios on each recipient are available on CCAD’s website, as

well as details about the award and the nomination process.

Roy Doty (CCAD 1942) received the National Cartoonists Society's Gold Key Award.

Fine Arts alumnus Roy Doty (CCAD 1942) will receive the Gold Key Award at the National Cartoonists Society (NCS) annual convention in Boston during Memorial Day Weekend. Recipients of the Gold Key Award are considered to be members of the society’s hall of fame.

In an article on the NCS website, it is written, “Roy Doty’s style has remained largely unchanged throughout his career… and yet it’s never looked dated. As other illustration and cartooning styles fell in and out of fashion, Roy’s clean, simple line work has always looked fresh and current.”

During his 40-plus year career, Doty has illustrated more than 60 books and has had work featured in The New York Times, Newsweek, Fortune, Business Week, Field & Stream, Popular Science, and Elle Magazine. Doty’s client list includes Mobil Oil, Macy’s, CBS, Black & Decker, and Ford among others.

In addition to this award, Doty has also received NCS’s Reuben Illustrator of the Year award in 2006. He is also a six time recipient of The Advertising Council’s Illustrator of the Year award.

In February, Doty served as our 1940s representative for an interview in the CCAD Alumni Newsletter and said, “Be yourself and dedicate yourself to something you think is worth it, even if it’s oddball—especially if it’s oddball! I only do me. And I’ve outlasted everybody.” Read the interview in its entirety here.

The National Cartoonists Society is the world’s largest and most prestigious organization of professional cartoonists. Membership is limited to established professional cartoonists or outstanding persons in an affiliated field. Syndicated cartoonist and CCAD alumnus and board member Jeff Stahler (CCAD 1977)  is also a member of NCS as is  Illustration department chair C.F. Payne, whose work is frequently featured in prominent  U.S. magazines, including Time, Esquire, Rolling Stone, Atlantic Monthly, The New York Times Book Review, Mad Magazine, and Reader’s Digest.

Learn more about Doty on his website.

Edmund Kuehn (CCAD 1938) and wife Liese Kuehn met at CCAD and currently reside in Columbus, OH.

CCAD has educated young artists since 1879, so we’ve got a lot of history—not to mention more than 10,000 living alumni. We just can’t resist dipping into their wealth of untold stories. Most recently, we delved into our records to identify a graduate from every decade for which we are lucky enough to have a living alum. We asked them all just one question: What was CCAD like when you were a student?*

Edmund Kuehn (CCAD 1938)
Unfortunately Edmund was a bit under the weather when we went to do our interview, but we had the pleasure of speaking with his wife, Liese Kuehn (who also studied at CCAD), about his time here.
“Edmund had teachers who knew he was unusually talented and helped push him that way. But his fascination with art developed entirely on his own. At CCAD, he studied all the movements and got to know them well. He just took what suited his style.”

Roy Doty (CCAD 1942)
“My teachers at CCAD wanted me to be a great artist, but all I wanted to be was a cartoonist. I hung in there, didn’t change, and it was tough. People will try to change you, and you may not make it. But be yourself and dedicate yourself to something you think is worth it, even if it’s oddball—especially if it’s oddball! I only do me. And I’ve outlasted everybody.”

Joseph Grey (CCAD 1950)
“In the ’40s and ’50s, the school was much smaller, so students could spend a lot of time after classes sitting around and ‘chewing the fat’ with the instructors. It was like a close-knit family that could discuss all types of creativity—dance, music, art, theater, etc. Every student at the school had his or her own vision of how they saw their field—be it fine art, sculpture, architecture, advertising—and how the school provided the means to achieve their dreams.”

J. Luray Schaffner (CCAD 1962)
“We were all kind of free spirits back then. No real worries, although we thought we had the weight of the world on our shoulders. Nothing compared to today. We were extremely lucky.”

Bing Lee (CCAD 1977)
“In four years of college life, I spent most of my time in the V-Hall, a new concrete building, where the classrooms, workshops and the library were under the same roof. I had no problems working on my photographs, ceramics and prints inside a room without windows, I even enjoyed working long hours in such environments that I rarely paid attention to time. On the other hand, I did admire the huge windows in the library. I spent many hours there looking out those windows enjoying the sun and cleansing my mind. The CCAD extra-curricular programs added another dimension. For one year, I got a work-study job as archive assistant at the Columbus Museum of Art and had the opportunity to take close looks at the works of George Bellows and the Ashcan artists. For another year, I joined the CCAD VanArt program, which was sponsored by the Post Office with their donation of two mail trucks. I drove the VanArt II filled with art supplies to teach drawing in nursing homes. (This service is now considered art therapy, but CCAD was experimenting with it more than three decades ago.) Ultimately, the most memorable event was my first Thanksgiving at CCAD. It was like an intimate family dinner in a big office. Since I became a part of the CCAD family, when people asked me ‘Bing, where are you from?’ I said, ‘CCAD, I grew up there in the seventies.’”

Kellie Lewis (CCAD 1989)
“It was the bridge of time where things were going from handmade to computer generated. I got to stand in both worlds.”

Bruce Hull (CCAD 1998)
“I lived through [all the major] technological changes while going to CCAD. Sometimes it was a mixed blessing. On one hand, homework projects could be completed a little faster. On the other hand, the projects could be completed faster only if you had the computing power to do it. There were more than a few times when the computer would crash because a file was too large. And of course it only happened in the middle of the night before it was due. As computers became more prevailent, I saw more students foregoing handwork for digital work. Our instructors would constantly remind us that the computer was just a tool – like a paintbrush – and not to rely too heavily on its use. You gotta love ‘Undo’ though.”

James Griffin (CCAD 2005)
“We were fortunate enough to have all sorts of great new software and computer labs, but also have teachers adept at teaching a great variety of traditional techniques.”

*Ok, actually we asked a lot of questions, but we can’t tell you everything at once! Stay tuned for more from these fascinating interviews.