Classnotes, June 2013

We do our best to get most of the news you submit to us onto the CCAD News Blog, but because there are more than 10,000 of you making news all over the world, not everything can make it into the blog. We’re glad to have another venue where we can share everything with you—this newsletter’s classnotes.

You can submit classnotes via the easy-to-use form on the alumni landing page. We only post career-related successes, awards, exhibitions, and publications, but we’d also love to know when you move, get married, or have children—just use that same form.

Now, without further ado, your classnotes from March, April, and May.

Mark Hazlerig ’74 and ’77 and James Lutz ’78 received the Teaching Excellence Award at CCAD. Read more here.

Denise Romecki ’76 exhibited her work at the Zanesville Museum of Art in Zanesville, OH. Read more here.

Scott Hull ’77, Steve Prescott ’95, Jason Jourdan ’98, and Graham Erwin ’11 served as judges for the 2013 Art of Illustration Show. Read more here.

Tim Rietenbach ’77, Julie Abijanac ’92, Susan Li O’Connor ’96, Danielle Julian Norton ’99, and Mariana Smith ’02 had work shown at Wehrle Gallery at Ohio Dominican University. Read more here.

Hiroshi Hayakawa ’85 published his book Paper Pups: 35 Dogs to Copy, Cut & Fold. Read more here.

Mike Martin ’85, Clinton Reno ’95, Jason Goad ’96, Ryan Mowry ’04, Graham Erwin ’11, and Miles Tsang ’12 were part of a group exhibition at Rivet Gallery in Columbus, OH. Read more here.

Juliette Montague ’85 had her work exhibited at Hayley Gallery in New Albany, OH. Read more here.

Vincent Mattina ’87 won a Stellar Art Award through Digital Arts’ Simply the Best 2 online exhibit.

Craig Carlisle ’88 had a solo exhibition at Sharon Weiss Gallery in Columbus, OH. Read more here.

Laura Sanders ’88 and Sarah Fairchild ’94 were part of a group exhibition at Lindsay Gallery in Columbus, OH. Read more here.

Peter Wachtel ’90 had his invention the Grill Wrangler featured on the Tonight Show with Jay Leno. Read more here.

Inka Essenhigh ’91 had two paintings reproduced in Artist Daily, an online forum for the art community. Read more here.

Chun Arthur Wang ’94 had a solo exhibition at the Muscatine Art Center in Muscatine, IA. Read more here.

Sam Chung ’95 owns Luna Pier Beach Café in Michigan. Read more here.

John Urbano ’96 directed the album countdown video for singer and actor Justin Timberlake. Read more here.

Robyn Meadows ’98 had work in a group exhibition at the Textile Center in Minneapolis, MN. Read more here.

Soo Sunny Park ’98 has an installation on view at Rice University Art Gallery in Houston. Read more here.

Amanda Hope Cook ’99 had work in a group exhibition presented by the Ohio Art Council’s Riffe Gallery. Read more here.

Danielle Julian Norton ’99 had work featured in Art13 London, a fair in West London dedicated to international contemporary art. Read more here.

Anthony Nesossis ’00 branded, designed, and developed a logo and responsive website for Caring Access Solutions, Inc.

Michelle Brickner ’01 was selected as a Champion of Sustainability by Entrepreneurs for Sustainability (E4S) in Cleveland, OH. Read more here.

Andy Hayes ‘01 created an event poster for the Columbus Society of Communicating Arts. Read more here.

Adam Brouillette ’02, Thom Glick ’04, Andrew Ina ’06, Christopher Tennant ’06, Jamie Sommer ’07, and Jen Wrubles ’10 all had work in Easton Town Center’s Celebrate Local retail store. Read more here.

Manjari Sharma ’04 had her photography project Darshan featured in Yoga Journal. Read more here.

Steven Weinzierl ’05 worked on a promo for HBO’s film Behind the Candelabra. Read more here.

Boryana Rusenova Ina ’06 was featured in the spring volume of Studio Visit. Read more here.

Michelle Dick ’08 is now an interior designer with Organized Home Remodeling in Columbus, OH.

Greg Beck ’09 was part of the team at Longstride that received a Gold award at the Columbus ADDYs. Read more here.

Steve Hubbard ’10 was the recipient of a Visual Effects Society award for his work on the movie Life of Pi. Read more here.

Graham Erwin ’11 created illustrations for the April issue of Wired magazine. Read more here.

Jessica Lipps ’12 is now an assistant graphic designer for Hollister Bettys Fleece at Abercrombie & Fitch.

Dion Utt ’12 is working as a goldsmith at Worthington Jewelers.

In Memoriam:

Joe Reiff ‘12

Karen Elizabeth Leach ’98

Kraft’s paper was “Research and Inquiry: Pedagogical Tools to Engender Responsibility;” Yates presented his paper “Research as Catalyst” in the same session.

The two also participated in the Integrative Teaching International ThinkTank along with Vice President for Academic Affairs Kevin Conlon, Assistant Professor Lori Faist, Assistant Professor and Fine Arts alumna Julie Abijanac (CCAD 1992), and Associate Professor and Fine Arts alumna Tam Peterson (CCAD 1983).

FATE is a national association dedicated to the promotion of excellence in development and teaching of college-level foundation courses. The ThinkTank is part of the FATE conference and includes a facilitated discussion and intensive workshop designed to improve teaching at the college level.

Kraft also presented her paper “Rurality Then and Now: Re-visioning the Landscape in Contemporary Irish Art Practice” at the International Meeting of the American Conference for Irish Studies in Chicago, April 10-13.

Classnotes, March 2013

We do our best to get most of the news you submit to us onto the CCAD News Blog, but because there are more than 10,000 of you making news all over the world, not everything can make it into the blog. We’re glad to have another venue where we can share everything with you—this newsletter’s classnotes.

You can submit classnotes via the easy-to-use form on the alumni landing page. We only post career-related successes, awards, exhibitions, and publications, but we’d also love to know when you move, get married, or have children—just use that same form.

Now, without further ado, your classnotes from December, January, and February!

Tim Rietenbach ’77, Joel Gundlach ’86, David Burghy ’89, and Danielle Julian Norton ’99 showed their work in a CCAD faculty exhibition at Columbus’ Cultural Arts Center. Read more here.

Jamie Berger ’78 curated PUSH Print, a book on contemporary printmaking published by Lark Crafts. Read more here.

Paul Emory ’78, Ellen O’Connell Bazzoli ’83, Alex Conrad MFA ’12, Nicole Crock MFA ’12, and Virginia Kistler MFA ’12 showed their work in the Ohio Art League Curated Exhibition, presented at the Ohio Arts Council’s Riffe Gallery. Read more here.

Richard Cowdrey ’81 illustrated the re-released children’s book The Legend of the Candy Cane. Read more here.

Joel Gundlach ’86 designed new starting blocks for New Albany High School’s natatorium. Read more here.

Ed Valentine ’91 and Michael Stillion ’02 had exhibitions at Linda Warren Projects in Chicago. Read more here.

Julie Abijanac ’92 had her piece Disease Mapping selected for the Fiberart International 2013 exhibition. Read more here.

Anthony Weiler ’94, Annie Weihrauch ’03, Hazel Tarr ’07, and Maggy O’Reilly VanOrder ’09 are participants in CCAD’s MindMarket Incubator. Read more here.

Benjamin Lane ’96 is now a story artist at Disney Feature Animation Studio in Burbank, CA.

Daniel King ’00 was featured in Temporary Art Review discussing his artistic career and inspiration. Read more here.

Anne Holman ’02 had a busy winter full of exhibitions and art sales. Read more here.

Mariana Smith ’02 showed work in exhibitions from the East Coast to the West Coast. Read more here.  She also had her piece Untitled (After Tarkousky Stalker) in the 34th Bradley International Print and Drawing Exhibition, hosted by Bradley University, Peoria, IL. Read more here.

Brian Williams ’03 had an illustration featured in ARTnews. Read more here.

Lea Gray ’04 and Eric Jefferson ’04 were featured in Alive!, a weekly magazine that covers events and culture in Columbus, OH. Read more on Gray here and Jefferson here.

Sean Conner ’05, Nate Reese ’05, Chris Meister ’06, Andrew Mark ’07, Scott Ulliman ’10, and Chavilah Bennett ’12 took home Columbus Society of Communicating Arts (CSCA) Creative Best Awards for their work with S77, a motion graphics company in Columbus, OH. Read more here.

Joaquin Baldwin ’06 was a juror for the 40^th Annual Annie Awards. Read more here.

Andrew Ina ’06 received a Greater Columbus Arts Council (GCAC) Individual Art Fellowship in Media Arts this year. Read more here.

Boryana Rusenova Ina ’06 was in two group exhibitions in Michigan. Read more here.

Brent Payne ’06 was included in two juried exhibitions in Ohio. Read more here. He was also had work in an exhibition hosted by Del Mar College in Corpus Christi, TX. Read more here.

Michelle Dick ’08 is now working as an interior designer with Organized Home Remodeling, in Columbus, OH.

Brian Uhl ’08 had a solo exhibition at Static Age Gallery in Cincinnati. Read more here.

Steve Hubbard ’10 worked on animations for the movie Life of Pi. Read more here.

John Malta ’10 had his third illustration published in The New York Times. Read more here.

Kerry Kunze ’11 showed work in a group exhibition at Mount Vernon University. Read more here.

Alex Conrad MFA ’12, Nicole Crock MFA ’12, Leah Fisher ’12, and Crystal Tursich MFA ’12 had work included in the 13^th annual ImageOhio exhibition organized by Roy G Biv Gallery. Read more here.

Amanda Rouse MFA ’12 had a busy exhibition schedule including three juried and two group exhibitions. Read more here.

“Forth Wall, Starring Barbara Bloemink” by Danielle Julian Norton

CCAD faculty and alumni will exhibit their work at Wehrle Gallery at Ohio Dominican University, March 17–April 12.

This is: on the subject of art was curated by Fine Arts alumna and Assistant Professor Julie Abijanac (CCAD 1992) and features work from 11 CCAD-affiliated artists including Assistant Professor Shannon Benine; visiting faculty Matthew Flegle; adjunct faculty Nicole Gibbs; Director of Exhibitions Michael Goodson; Fine Arts alumna and Assistant Professor Danielle Julian Norton (CCAD 1999); Assistant Professor Kelly Malec-Kosak; adjunct faculty Andrea Myers; Fine Arts alumna and adjunct faculty Susan Li O’Connor (CCAD 1996); Fine Arts alumnus and Associate Professor Tim Rietenbach (CCAD 1977); Fine Arts alumna and adjunct faculty Mariana Smith (CCAD 2002); and adjunct faculty Melissa Vogley-Woods.

“Janette Knowles, the gallery director, asked if I would be interested in curating a show, and I nervously said sure, but I instantly knew I wanted to put a show together focused on the subject of art,” Abijanac said. “My goal was to bring together a strong group of artists who have very strong ideas about their subject matter as well as their approach in visually communicating that information. Along with this, I wanted to have an art historian to align and connect this idea historically, which is done in the foreword for the show.”

The foreword was written by Assistant Professor Carla Cesare, who describes the relationship between the artists, their message and medium, and reality.

There is an opening reception March 17, 1–3 p.m.

Detail of Julie Abijanac’s “Disease Mapping”

Assistant professor and Fine Arts alumna Julie Abijanac (CCAD 1992) had her piece Disease Mapping selected for the Fiberart International 2013 exhibition.

Jurors evaluated 1,200 works submitted by 525 artists from 36 countries for the show. Eighty-one pieces from 64 artists will be in the final exhibition presented by the Fiberarts Guild Of Pittsburgh, Inc. at the the Society for Contemporary Craft and the Pittsburgh Center for the Arts. The exhibition will run April 19–Aug. 18, 2013.

Fiberart International includes innovative work rooted in traditional fiber materials, structure, processes, and history. The exhibition explores the unexpected relationships between fiber and other creative disciplines.

Abijanac creates two-dimensional paper pieces that visually describe her personal experience with Hodgkin’s lymphoma. Her work questions mortality by approaching it from both a microscopic and psychological point of view.

From left to right: Mike Lorenz, Sean Svendsen, Sherry Jones, Chris Daniels, Todd Mendoza, Mark Mnich, Harlan Peden, Rob Green, and Kiel Mohrman

If you visit Priority Designs in Columbus you will likely run into some CCAD alumni, whether in the engineering studio, the prototype shop, browsing through fabrics in the materials library, or playing racquetball on the court they have in their lunchroom.

Priority Designs is a leading industrial design consultant and product development firm that works with companies such as Adidas, Mead, Lowe’s, TaylorMade, and more. We talked with several CCAD alumni employed there to ask what it’s like to work not only in a creative environment, but also alongside fellow CCAD alumni.

Meet Model Maker Rob Green (Illustration 1997), Senior Industrial Designer Michael Lorenz (Industrial Design 1991), Industrial Designer/Prototypist Todd Mendoza  (Industrial Design 2008), Senior Designer/Director Business Development Mark Mnich (Industrial Design 1997), Industrial Designer/Model Maker Kiel Mohrman (Industrial Design 2009), Senior Industrial Designer Harlan Peden (Industrial Design 2004), and Senior Industrial Designer/Insights & Brand Director Sean Svendsen (Industrial Design 1992).

Q) What is it like to work with other CCAD alumni?

Rob Green (RG): It’s strangely similar to the group projects we participated in during school. CCAD put an emphasis on group projects while I was there. It is how most projects are done in the workplace; multiple people are involved in the process of taking a project from idea to final deliverable. Knowing how to work in a group setting, being able to set egos aside to complete a task, and the ability to pull your own weight are abilities I have noticed in other CCAD grads.

Michael Lorenz (ML): One characteristic that stands out, in my experience, is the ability of CCAD alumni to communicate visually, through rapid sketching and other techniques, with confidence. Early in the design process when concepts are generated through sketching, whether digitally or [with] pen and paper, it should be clear what the intent of function and form are. Also, [CCAD grads have] a tendency to push the envelope in terms of material, form, color, mechanism, etc., and really get the details nailed down, which is revealing of a fine arts background.

Todd Mendoza (TM): We’re all family here. Working with CCAD alumni is really is no different than working with other industrial designers or mechanical engineers. We all come from various backgrounds that complement each other’s skills.

Mark Mnich (MM): Of course we often know many of the same people and, depending on our age, can sometimes recall the same instructors. We respect each other knowing that we’ve gone through the same grind and pulled those all-nighters. Eventually, we discover that most designers have a lot in common, no matter where they went to school.

Kiel Mohrman (KM): It’s great! Alumni are easy to work with and the projects always run smoothly. I’m guessing that what we learned at CCAD contributes to this.

Harlan Peden (HP): It definitely makes for a fun environment. Sharing our stories, ideas, and experiences from CCAD adds to our creative environment.

Sean Svendsen (SS): CCAD alumni are great to work with—CCAD grads are highly creative and generally have amazing artistic skills.

Q) Why do you think Priority Designs has a lot of CCAD alumni?

RG: With several other design schools close by, I doubt that proximity plays a large role in the decision. I would have to say that the students that are hired at Priority are the standouts in their class. When coming out of school, the strength of one’s portfolio and the internships that are under your belt are two key factors for getting hired, and a positive attitude always helps.

ML: Just a guess, but there is an emphasis on versatility at Priority Designs in terms of product category, material application, and level of mechanical complexity that creates a working environment that is suitable for a designer that is multifaceted in skill set, or at least multifaceted in interests.

TM: We’re a local company, minutes away from campus. Not to mention the talent that arises from basic foundation studies to extensive studio classes, all directly related to that specific career field.

MM: Proximity certainly has a hand in it, but we try to stay engaged with [CCAD] students by hosting tours of our office, reviewing portfolios, critiquing projects, etc. This interaction helps us identify the top students, so when it’s time to hire we know who to call.

KM: The hard work ethic and skills acquired at CCAD have a lot to do with it. When you’re done with the program, and if you’ve applied yourself, you’ll have a decent skill set to work with.

HP: For starters, Priority Design is located in Columbus. PD over the years has also been available to CCAD for critiques, in studio workshops, and assists with senior theses. This involvement allows for students to have an early exposure to PD, as well as helps develop a rapport that can lend itself to opening up future job opportunities.

SS:  I’ve found that CCAD alumni have higher visual communication skills than [those from] many other schools. Because of CCAD’s focus on fundamental art skills development, students get a deep grounding in fine arts. I find them generally better at sketching and 3D form sensitivity, which I think makes designs more emotionally compelling.

Q) Any advice for current students or fellow alumni who want to become involved with a company like Priority Designs?

RG: Make your portfolio as strong as possible. Feel free to contact any potential employer for portfolio reviews prior to graduating. Learn what they are looking for, because that will be applicable to most companies you will be applying to. Take the suggestions given to you and attempt to work them into your portfolio; it will usually improve the quality of your presentation. It also never hurts to get involved in portfolio competitions and win awards before you graduate; prospective employers look at those activities.

ML: When I was in college I had the benefit of being in a class where there was competitiveness, but also a willingness to share and critique each others’ ideas. I think that having a sharing attitude and not being afraid to critique and be critiqued while in school pays off big in professional life.

TM: Networking is key. While in school it’s important to meet and keep in touch with as many people in the industry as possible. Timing is everything, just as much as having a strong portfolio that accentuates your skill sets. We hire people not only for what they do, but who they are.

MM: Extend yourself beyond the requirements of the assignment. Like most employers, we’re looking for skills, passion, and commitment. We want people who are willing to keep asking questions and continue pushing themselves and those around them. You have to be highly adaptable; our world can change with a phone call.

KM: Don’t be afraid to reach out to [an employer] and show them your best work; if the quality is there then there is no problem getting matched up with a company like Priority Designs.

HP: Take an active role in visiting/touring or even having a portfolio review with local design firms. The design community is a close-knit group and having exposure and a line of communication open with any design firm can go a long way in helping a student find their first job.

SS: Work at making your portfolio visually impactful. We get tons of portfolios sent to us, and most of them don’t stick in our minds—they all look the same. You need to be distinctive, but in a way that is still appropriate. Use fewer words, and instead tell your story with simple compelling visuals. We see so many portfolios with tons of text and diagrams trying to tell a complicated story about the innovations they’ve created. The sad reality is when we get portfolios sent to us, they literally get about 10 seconds to catch our attention. If you didn’t instantly grab us with amazing visuals that tell a simple story, we move on. The marketplace of real products is the same. Consumers only give products on the shelf the same 10 seconds. Your portfolio is your shot to prove you know how to design successful products that can sell. If you want a great job out of school, your portfolio better be amazing.

Q)  Why do you love your job/working in a creative environment?

RG: What I like the most about my work environment is that we are rarely doing the same thing twice. There are projects that you are not as excited about, but that is always tempered by interesting and sometimes exciting projects that do come along. Plus, learning new skills is something that is always encouraged. It helps everyone when you can add a new skill set to the company’s bag of tricks.

ML: For me, the variety of experiences and challenges are fulfilling; there are always things to learn about technology, how things work, and human nature. And in a creative environment people tend to be optimistic and willing to share ideas. And of course, getting those projects that really improve life for others is what you tend to appreciate the most.

TM: I love being able to use my creativity to solve complex problems that arise in every product or project we work on. I also love that it’s different every day at Priority Designs. Since we’re a consultancy, we’d be working on appliances for Electrolux one day and then Nike golf clubs the next. We’ve fabricated concept bicycles, designed firearms, and engineered medical equipment. You really don’t know what client or what type of product you’ll be working on when you come into the studio on Monday morning.

MM: After 15 years, I can still make the claim that every day is different. It’s hard to imagine another job or career that can make that claim.

KM: I get to work on different projects every day; work never gets boring. I could be working on a project the size of a fork-lift one day and as small as surgical devices the next. Anything from prototyping to ideation, we do on a daily basis, so it stays super fresh.

HP: It’s fun, creative, goofy, exciting, and always different each day. Creative minds in a collective group can get crazy. Each day is a whole new task, and a whole new set of constraints, and a whole new objective. Projects can go from the most complex to the most simple and to-the-point. It’s great to have that uncertainty of what you are getting your hands into each day—it adds to the excitement. And having a group of people who you can bounce ideas off and work with to come to a common final result is extremely gratifying.

SS: I love the diversity of projects that we get at Priority Designs. It’s a fast-paced environment where we never know what we will be working on next. I can be designing golf clubs in our studio one week and the next week be conducting insight research on industrial equipment at the world’s largest copper mine in Utah. (That really happened.) The size and experience of our firm allows us to enjoy ever more challenging projects from the world’s most recognizable brands.

Q) What past experiences do you share and remember from being a student at CCAD? How has this impacted your professional career?

RG: The ability to work with deadlines and under pressure are two experiences that I will never forget from my time at CCAD. Short-timeline projects, especially in a group setting, were emphasized while I was there. Working at a consultancy, those skills are used over and over to deliver projects to our clients in a timely fashion. We always try to over-deliver our services to keep our clients coming back and telling others about Priority Designs.

ML: Honestly, what I remember the most is the exhaustion and sometimes despair of trying to get everything done well and on time. Also, being in a group of students that shared and critiqued out of a spirit of competitiveness, but also good will is something I remember. As trite as it may sound, these are the kind of experiences that prepare you for the real world.

TM: All-nighters. You may tend to think that once you’re in the “real world” they don’t exist anymore, but they do, at least they do here, anyway. Far too often we have large corporate clients with ridiculous lead times, and the bottom line is they have to get done. Unlike school, though, you can obviously not miss a deadline.

MM: Many of the design assignments at CCAD left some latitude for interpretation. Being resourceful and planning your work was critical to performing well. That holds true outside the classroom; not every client comes in with a clearly identified development path. You have to adapt to the situation, utilize your skills (and those of your co-workers), and follow through with passion and commitment.

KM: The hands-on experience was great. Being able to try everything or anything I wanted to do really helped me figure out the direction I wanted to go when I graduated.

HP: All-nighters, staying in the studio burning the midnight oil trying to get work done for a critique the next morning. It is still so true in the real world. There are times when it’s “all hands on deck.” Clients in the real world can sometimes have an unrealistic deadline that you have to meet; that’s when you buckle down, cancel any plans, and work till it’s done.

SS: I met some wonderful students when I was at CCAD. I still work with several of those people today. These relationships allowed me to find a great job at a great studio and have helped me build a great career.

Classnotes, September 2012 Issue

We do our best to get most of the news you submit to us onto the CCAD News Blog, but because there are more than 10,000 of you making news all over the world, not everything can make it into the blog. We’re glad to have another venue where we can share everything with you—this newsletter’s classnotes.

You can submit classnotes via the easy-to-use form on the alumni landing page. We only post career-related successes, awards, exhibitions, and publications, but we’d also love to know when you move, get married, or have children—just use that same form.

Now, without further ado, your classnotes from June, July, and August 2012.

John Schaffner ’60 and J. Luray Schaffner ’62 both exhibited their work at the Annmarie Sculpture Garden and Arts Center in Solomons, MD. Read more here.

Elena Osterwalder ’76 showed work in Celebrating UA, an exhibition at the Concourse Gallery in Upper Arlington, OH. Read more here.

Joe Howard ’72 had his piece Stone, Steel and Wood chosen for the permanent Western Art Collection of the Pearce Museum at Navarro College in Corsicana, TX. Read more here.

Jeff Stahler ’77 was interviewed in The Illustrator’s Market. Read more here.

Tim Bowers ’79 illustrated Dinosaur Pet, which climbed the best-seller lists. Read more here.

David Groff ’79 received gold and bronze awards in the 29^th annual Aster Awards for his illustrations in a hospital calendar.

Marty Husted ’79, Mark Thomas ’90, and Heather Nibert ’12 are each participating in a public arts project in Columbus, OH. Read more here.

Laura Sanders ’88, Sarah Fairchild ’94, Chris Rankin ’94, Adam Brouillette ’02,  Anne Holman ’02, Lauren Mudd ’04,  and Boryana Rusenova Ina ’06, participated in Art for the Environment, a silent auction benefiting the Ohio Environmental Council. Read more here.

Kaname Takada ’89, William Shearrow ’97,  and Michael Bonardi ’04 are featured in a group exhibition at the  Johnson-Humrickhouse Museum in Coshocton, OH. Read more here.

Peter Wachtel ’90 is now selling his product STAKE, an all-in-one BBQ tool, via Quirky, Target, Fab, and ThinkGeek. Read more here.

James Alicea ’92 organized a fundraiser for the victims of the 2011 tsunami and earthquake in Japan, involving artists from Japan and New York. Read more here.

Laurie Brown ’94 showed her work in a group exhibition at the Mansion at Strathmore in Bethesda, MD. Read more here.

Chad Hunt ’94 spent time training with a U.S. Special Operations Command team, and his resulting photographs were featured in an issue of Popular Mechanics. Read more here.

Chris Rankin ’94 exhibited his work in two Columbus, OH, venues this summer. Read more here.

David Hartman ’95 is a supervising director for the show Transformers: Prime, which won a 2012 Daytime Emmy®. Read more here.

Jason Goad ’96 has partnered on projects for some big-name brands and projects, including Mattel’s Hot Wheels. Read more here.

John Urbano ’96 released a limited edition photography book and directed a music video for British pop band One Direction that has been nominated for an MTV Video Music Award. Read more here.

Nathaniel Galka ’98 had work in the exhibition The Birds and Bees. Read more here.

Mike Hein ’98 exhibited his work at Mulherin + Pollard gallery in New York City. Read more here.

Dan Scanlon ’98 was featured in the LA Times for his upcoming directorial debut on Pixar’s Monsters University. Read more here.

Michael Phillips ’99 was profiled in All4You, a contemporary culture magazine based in Croatia. Read more here.

Clint Davidson ’00 worked on a mural for a public park in Columbus, OH. Read more here.

Olga Ziemska ’00 installed a sculpture at the Columbus State Community College (CSCC) main library.  Read more here.

Adam Brouillette ’02, Nikos Fyodor Rutkowski ’02, and Corey Aumiller ’06 are participating in the Columbus Arts Pop-Up Project (CAP-UP), a public art project. Read more here.

Carl Bork ’03 exhibited his paintings at the Heart of the Rockies Regional Medical Center in Salida, CO. Read more here.

Sarah DeAngulo Hout ’04 worked on a mural that is now in the Columbus Metropolitan Library. Read more here.

Michael Lai ’04 presented as a special guest for the Columbus Society of Communicating Arts in Columbus, OH. Read more here

Jill Raymundo ’04 exhibited her work in the City Center Gallery of the OSU Urban Arts Space in Columbus, OH. Read more here.

Manjari Sharma ’04 was featured in the Huffington Post’s iPad issue for her photography project Darshan. Read more here.

Corey Aumiller ’06 worked on a video project featuring CCAD President Denny Griffith. Read more here.

Martina Nikova ’07 had a solo exhibition at the Ohio Art League in Columbus, OH. Read more here.

Greg Beck ’09 helped start Longstride, a creative marketing company in Columbus, OH, that was featured in a local business journal. Read more here.

John Malta ’10 received a grant from the Xeric Foundation to self-publish his comic book The Professor and the Paperboy. Read more here.

Kartika Mediani ’10 showed her film The Box at the 2012 Comic-Con’s San Diego International Children’s Film Festival in California. Read more here.

Kerry Kunze ’11 displayed her work at ZenClay Gallery in Morgantown, WV. Read more here.

Rachel Cass ’12 was featured in Easton Town Center’s 2012 directory after being awarded Easton’s Fashion Design Award. Read more here.

Kathryn Chamberlin ’12 became the graphic designer at Origo Branding Company in downtown Columbus, OH.

Alex Conrad ’12 showed his work in a national MFA competition. Read more here.

Brianne Schulze ’12 earned a goldsmithery apprenticeship at the Diamond Cellar in Columbus, OH. Read more here.

Assistant professor and Fine Arts alumna Julie Abijanac (CCAD 1992) took home first place in Fiber/Textiles for her structure La Poursuite de Prendre Une Vie, and professor and Fine Arts alumnus Kaname Takada (CCAD 1989) took home first place in Ceramics and Glass for his work Plate–23123.

The 68^th Annual Ohio Show exhibits work by Ohio artists. Out of the 215 entries received, a panel of jurorists selected 85 works to exhibit from 72 artists, representing 39 Ohio towns/cities.

2011 AAE recipient Nathan Greno (right), accepting award from Denny Griffith (left)

Sixteen distinguished Columbus College of Art & Design alumni have been nominated for the 2012 Joseph V. Canzani Alumni Award for Excellence (AAE). Nominees range from a fashion knitting queen to a Pixar storyboard artist and an art therapy director to an internationally recognized fine artist.

The nominees are Bryan Ballinger ( CCAD 1990), Charlotte Belland (CCAD 1997), Samantha Bennett (CCAD 1995–1999), Sean Blanton (CCAD 2011), Roy Doty (CCAD 1942), Nicky Epstein (CCAD 1974), Michael Flechtner (CCAD 1981), Scott Hull (CCAD 1977), Matthew Kaser (CCAD 1984), Jon Hair (CCAD 1976–1978), Catherine Hyland Moon (CCAD 1978), Paitoon Ratan (CCAD 1993), William D. Ray (CCAD 1992–1994), Benjamin Roseland (CCAD 2005), Dan Scanlon (CCAD 1998), and Charles Wilkin (CCAD 1992). Read the nominee bios here.

The AAE will be presented on Saturday, Oct. 13, during Family Weekend & Homecoming. This event is part of an entire weekend of events for the whole CCAD family, including alumni, students, parents, faculty, and staff.

Each year CCAD accepts nominations for AAE as a way to acknowledge not only the success and contributions of one very deserving graduate, but also the impact CCAD alumni have all over the world. Alumni are currently voting on the finalists, after which a committee will review the nominees and choose the recipient. To learn more about the nomination and voting process, click here.

Poster from “S.O.S”

Advertising & Graphic Design alumnus James Alicea (CCAD 1992) recently finished a project where he was not only able to rally artists from Japan and New York, but also helped raise money and awareness for victims of the 2011 tsunami and eathquake in Japan.

Alicea and his business partner Shin Ono created S.O.S: Suns of Silence, a one-day exhibition featuring work from 28 artists, 14 from Japan and 14 from New York City. The show was held in Tokyo, Japan, on April 13, 2012.

“I connected with artists from my everyday movements,” Alicea said. “Creatives that I have met or have had the pleasure of working with all helped out.”

The artists had to put their own artistic touch on a 3D mold of a human skull. The designs ranged from an abstract neon painting to a realistic recreation of a face.

“There were no guidelines as to what was suppose to be painted,” Alicea said. “[The skulls] were meant to represent the destruction that the earthquake and tsunami left in their wakes.”

The exhibition served as an auction for the skulls. Guests also enjoyed a live photo session with internationally known photographer Yone. Every skull was sold, and the money raised was donated to Bond&Justice, a grassroots organization helping the victims of the 2011 disaster.

“It was a successful turnout not just because of the cause and the money that was raised, but it introduced artists from two different worlds,” Alicea said.

Alicea and Ono have started planning and creating a similar exhibition for next year, which will tour through Japan, Hong Kong, and Singapore and end in New York City.

Additional photos from the event can be viewed here, and video here.

Richard Cowdrey’s illustration for the children’s book “Searching for the You We Adore”

We do our best to get most of the news you submit to us onto the CCAD News Blog, but since there are more than 10,000 of you making news all over the world, not everything can make it into the blog. We’re glad to have another venue where we can share everything with you—this newsletter’s classnotes.

You can submit classnotes via the easy-to-use form on the alumni landing page. We only post career-related successes, awards, exhibitions, and publications, but we’d also love to know when you move, get married, or have children—just use that same form.

Now, without further ado, your classnotes from March, April, and May 2012.

Eileen Mueller Neill ’65 had an exhibition, Imaginaries, at the University of Wisconsin-Parkside’s Fine Arts Gallery. Read more here.

Richard Cowdrey ’81 illustrated Searching for the You We Adore, written by Valerie Westfall. Read more here.

Janet Sopp-Sims ’85 was a finalist in the 2012 Hunting Art Prize. Read more here.

Anthony Baker ’86 presented at a conference about the importance of art in the classroom. Read more here.

Creative Arts of Women (CAW) members Helma Groot ’89, Roxanne Smith-Mansell ’87, Kristin Morris ’94–’02, Mary Ann Crago ’95, and Cat Sheridan ’03 were in a group exhibition honoring Women’s History Month. Read more here.

Richard Hughes ’88–’95 was chosen to create a poster for the eighth annual Art Affair on the Square in Urbana, OH. Read more here.

Don Slobodien ’88 earned first place in the Art at the Arnold competition. Read more here.

Chris Cosnowski ‘92 had a solo exhibition at Lyons Wier Gallery in New York City. Read more here.

Daniel Hopper ’94 had a chandelier chosen to be displayed in Coup d’Etat, a design showroom in San Francisco.

Jason Moore ’96 was named to Columbus Business First’s 40 under 40 2012 Honorees list. Read more here.

Danielle Julian Norton ’99 was in a group exhibition in New Jersey. Read more here.

Nicole Bruckman ’00 co-curated Cella Gallery’s exhibition Femme Fatale in North Hollywood. Read more here.

Irina Grebennik ’02 exhibited work in the  Orville J. Hanchey Gallery at Northwestern State University in the Inaugural 40 under 40 show.

Michael Bonardi ’04 had a solo exhibition in Columbus, OH. Read more here.

Eliza Kinkz ’04 premiered her film Chocolate Milk at the 2012 South by Southwest® (SXSW®) Film Conference and Festival. Read more here.

Michael Litzau ’04 was offered a two-week residency at Ragdale in Illinois. Read more here.

Steve Weinzierl ’05 became the creative director at Favorite Color in New York City.

Anna Porreca ’06 was hired as an apparel graphic designer for Victoria’s Secret Pink in New York City.

John O’Reilly ’07 had his first solo exhibition at RH Gallery in New York City. Read more here.

These are Things, founded by Jen Adrion ’08 and Omar Noory ’08, was featured in two trade publications (read more here) and was used as a case study for a New York Times bestselling author’s book (read more here).

Ashley K. Alexander ’09 published her second novel, The Hanged Man’s Ghost. Read more here.

Annie Kocher ’09 was featured in Alive! Read more here.

Rachel Ridgley ’10 had her photography and personal story featured in Wolfdogs magazine. Read more here.

Mason Miller ’11 was hired as a graphic designer for Big Red Rooster, a multidimensional brand experience firm.

Pallavi Sen ’11 was awarded the Lifchez/Stronach nine-month, paid curatorial internship with the Antonio Ratti Textile Center of The Metropolitan Museum of Art. Read more here.

Nationwide downtown office

They can be found working on branding or pulling together a commercial or photograph. They’re our alumni, and they work for one of the leading insurance companies in the country, Nationwide. We recently got a chance to chat with four CCAD grads about what it is like to work with fellow alumni at Nationwide.

Meet Brand/Reputation Director Tara Roe (Illustration, 1999), Campaign Manager Pamela Watkins (Advertising & Graphic Design, 1983), Creative Director Marc Lincewicz (Illustration, 1992), and Multimedia Senior Coordinator Mary Kay Kemper (Advertising & Graphic Design, 1991).

Q) What is it like to work with other CCAD alumni?

Tara Roe (TR):  It’s fun! There is a common understanding of design and color because we all had the same foundation courses. CCAD grads have a lot of pride in their work and it helps Nationwide’s design continue to grow and evolve.

Pamela Watkins (PW): It’s great to find out someone is a graduate of CCAD—because of foundation courses and instructors, you immediately have a bond with a co-worker. It is also fun to see where we have landed; our careers can take such diverse courses.

Marc Lincewicz (ML): I guess I would say that when I discover that someone I’m working with has graduated from CCAD it forms sort of an instant bond. We have an understanding that we both went through a similar learning experience and probably have similar levels of understanding with regards to finding creative solutions to complex problems. It’s sort of that unsaid wink and smile that we get each other.

Mary Kay Kemper (MK): It’s great to re-connect with people I went to school with and to meet other alumni. It’s almost like they get it and they have a slightly better work ethic then others (at times).

Q) Why do you think Nationwide has a lot of CCAD alumni?

TR: Nationwide is a great place to work! We have a great creative culture within our design teams and they are encouraged to challenge ideas and push the envelope. There are also a variety of projects and opportunities to move within the company.

PW: There are so many opportunities at Nationwide that incorporate a part of your education from CCAD. We have great creative teams. Having both CCAD and Nationwide as such a big part of Columbus’ culture, it only makes sense that so many of us end up here.

ML:  Some people may be surprised to learn that Nationwide recognizes the impact that strong creativity has on our ability to communicate with our members. In my experience, on the design side of my training, CCAD taught me to always create with users in mind. People may be unaware that Nationwide sells much more than just auto insurance. Our in-house creative also consists of an internal photography department, web and interactive teams, video production, photo retouching, and we’re even moving towards 3D modeling. I also think Nationwide understands that CCAD turns out quality people who are prepared to take on a variety of creative challenges. Finally, the combination of the company wanting to be a creative leader and having a leading creative institution in the same city simply works well together.

MK: A big perk is having Nationwide located conveniently near the school. I was out of state for a while and when I returned to find work in Columbus I knew having a CCAD education on my resume would be a big benefit.

Remodeled Nationwide plaza/lobby

Q) Any advice for current students or fellow alumni who want to become involved at Nationwide?

TR: I started at Nationwide as an intern after attending a job fair just before graduating. My advice is to show up to job fairs and make connections. It truly is a key to building your network. It’s all about who you know. That will help you get the time to prove yourself to a potential employer. Have a strong portfolio, practice interviewing, and continue to push yourself creatively.

PW: Never close the door on what you might bring to the table as a result of your excellent education at CCAD. After a long career in graphic design, my first job at Nationwide was as a print buyer. That opened so many doors, and now I’m a campaign manager for Nationwide Financial, who would have thought!

ML: It can be a long, hard, and competitive process to break into Nationwide. The best approach is to be willing to start in a junior position and work your way up. If you are an alumnus with experience, your book needs to show serious talent and a commitment to your craft. Either way, a candidate’s book needs to be excellent, clean, and professional.

MK: A good way is to start as a contractor and test the water, see if Nationwide is right for you while the company will see if you will work out. I contracted for a while before going full time.

Q) Why do you love your job?

TR: I love managing a team of campaign managers and working daily with designers and writers. Although I’m no longer designing myself, I know that I need to stay close to it. Creative people bring so much more energy to the table.

PW: I still get to be a huge part of the creative process without doing the actual designs. I co-lead projects from strategy through completion. I’m always working on various platforms from collateral to conferences to web presence. I still get to partake in the background I love, while learning new things and developing new relationships every day.

ML: I love that Nationwide offers more creative opportunities than many people realize. I love the variety of creative challenges—there’s something new each day. I’ll be honest, I love a steady paycheck; the freelance world wasn’t for me, although I understand the corporate world is certainly not for everyone. I also like that what I do plays a small part in helping people get their lives back together after a problem. This company believes in the success of our city and our community.

MK: I just love it here and love the people! It’s a great creative environment!

Q) What past experiences do you share and remember from being a student at CCAD? How has this impacted your professional career? 

TR: I do lunch with Marc Lincewicz. We challenge each other to work on our art outside of Nationwide since we are both in management roles. I continue using my Color Concept and 2D skills in creating cards and occasionally selling them at the CCAD Art Sales, and Marc has showed his drawings/paintings in local art galleries. It’s great to have a fun, creative full-time gig, but also express our art on the side.

PW: All nighters! I worked part time, so my time was valuable and every minute counted. That taught me the discipline it takes to run a large campaign, work with so many teams, and balance budgets and deadlines. I also have an eye for what works and what doesn’t from messaging through design and that doesn’t come naturally. My education taught me to look at the details.

ML: My experience at CCAD was about constant work, a ton of pressure, and deadlines. I learned those deadlines had to be met. (Even the time I was at the hospital at 3 a.m. getting stitches for an Exacto knife cut.) It was an endless period of trial and error, of reworking and refining. I remember on my orientation day, President Cazani said to the freshmen, “Look to your left, look to your right, those people will not be with you on graduation day.” I knew at that moment I was probably facing a tough four and half years (it took 4.5 years to earn a BFA when I attended CCAD).  But the program being that tough taught me that I could take on seemingly impossible challenges. While I was never the smartest or the most talented artist, I knew I could hold my own. That core idea has stayed with me during my 17 years with Nationwide. It also applies to my fine art work that I do outside of the office.

Chris Cosnowski's painting "Cheerleaders"

Alumnus Chris Cosnowski (CCAD 1992) has a solo exhibition, at Lyons Wier Gallery in New York City.

Cosnowski’s exhibition, American Metal, features paintings depicting gold trophies. The Illustration alumnus’ paintings are a metaphor for his view of American society.

“I used this imagery to represent the need for excessive security just to live freely today,” Cosnowski said. “America is ostensibly a meritocracy, and I think we can all agree that hard work, talent, creativity, and integrity should be rewarded. American exceptionalism, however, seems to have been largely replaced with greed and a craving for celebrity.”

According to the gallery’s press release, the Cosnowski’s painting called Cheerleaders is meant to “embody America’s obsession with sports, beauty, and social standing.”

The exhibition is open March 1–31, 2012.

The first-place student design team with executives from Scotts LawnService

In a recent collaboration with ScottsMiracleGro Company a group of CCAD students competed to design an interior focal point for the company’s corporate offices.

The objective of the project was to design an artistic covering for 22 stone pillars that are a part of Scotts’ interior structure. The coverings needed to reflect the ScottsMiracleGro Company brand and also provide a wayfinding tool for employees and visitors.

Assistant professors Dawson Kellogg and Julie Abijanac (CCAD 1992) led the project involving the Studio Professions class.

Each student presented a concept to the professors. The original 37 designs were then narrowed down to 15.

Tiffany Peoples, the vice president of global innovation at Scotts, evaluated these 15 designs and selected the top six designs to move on to the next round.

The top six designers each became the artistic director of a team that they selected to work on a final design and presentation.

The final round of judging included Peoples and Jim Lyski, the chief marketing officer of Scotts. Each student group presented its designs and ideas to the judges in an open presentation. Peoples and Lyski then chose and ranked the top three designs.

First prize went to a design entitled Elements of Nature created by Fine Arts juniors Devin Broadnax and Chris Pack; Advertising & Graphic Design senior Maggie Malloy; Advertising & Graphic Design junior Richard Coyne; and Fine Arts sophomore Yunji Choi.

“We loved the detail in this group; we look at these designs every day so we wanted them to be generally appealing, but have a sense of detail to keep them fresh,” said Lyski.

First place design being presented to Scotts executives

Second place went to Drawn from the Roots. This design concept was created by Fine Arts sophomores Jamie Turner, Emily Ruff, and Allie Raines; Fine Arts juniors Emily Cook and Alexandria Goeltzenleuchter; and Advertising & Graphic Design junior Ashley Lyon.

The third place design, Hands of Appreciation, was created by Fines Arts sophomores Kyle Franklin, Gabrielle Hirth, and Angela Ryu; Illustration seniors Alyssa Gottlieb and Hannah Mu; and Fine Arts junior Yezen Abusharkh.

Scotts is one of several community clients that CCAD has recently provided significant creative services for including, Easton Town Center, The Central Ohio Transit Authority, the Governor’s office, and Nationwide Insurance.

Alumna Kristi Kalkman's font created for Victoria's Secret

We do our best to get most of the news you submit to us onto the CCAD News Blog, but since there are more than 10,000 of you making news all over the world, not everything can make it into the blog. We’re glad to have another venue where we can share everything with you—this newsletter’s classnotes.

You, too, can submit classnotes via the easy-to-use form on the alumni landing page. We only post career-related successes, awards, exhibitions, and publications, but we’d also love to know when you move, get married, or have children—just use that same form.

Now, without further ado, your classnotes from September, October, and November (2011).

William Walker (CCAD, 1953) was featured in a Chicago Sun-Times article about the mark he left on the city with his murals; read more here.

Ben Mahan (CCAD, Illustration, 1965) participated in the 16th International Competition of Illustration in Italy. Read more here.

Robert Tavani (CCAD, Fine Arts, 1985) participated in an exhibition at the Cummings Art Gallery featuring recent works from members of the Mercyhurst College Art Department. He showed oil paintings including both portraits and landscapes.

Anthony Baker (CCAD, Illustration, 1986) was appointed the team lead, medical illustrator at The Ohio State University’s health science library.

Christopher Yates ( CCAD, Fine Arts, 1987), Steve Bush (CCAD, Fine Arts, 1994), Hiroshi Hayakawa (CCAD, Photography, 1995), Casey Bradley (CCAD, Fine Arts, 2001), Mariana Smith (CCAD, Fine Arts, 2002), Tina Matthews (CCAD, Fine Arts, 2003), Lauren Mudd (CCAD, Fine Arts, 2004), Mylesant Carreno (CCAD, Fine Arts, 2005), Brandon Noblet (CCAD, Fine Arts, 2005), and Nicki Strouss ( CCAD, Fine Arts, 2008) all were involved in the exhibition Crossroads. Read more here.

Julie Abijanac (CCAD, Fine Arts, 1992) had work in a two-person exhibition with Dean of Faculty Char Norman. Read more here.

Steve Bush (CCAD, Fine Arts, 1994) was commissioned for a public art piece in Creekside Plaza (Gahanna, Ohio). Read more here.

Craig Swoboda (CCAD, Illustration, 1994) took the position of package creative manager at Anheuser-Busch Inc.

Nathan Greno (CCAD, Illustration, 1996) won the Joseph V. Canzani Alumni Award for Excellence. Read more here.

Kelly Weik (CCAD, Illustration, 1996) was featured as artist of the month in the Chicago-based company Faux by Kathy.

Michael Auger (CCAD, Illustration, 1998) was featured in DC Conspiracy magazine. Read more here.

Johnny Yanok (CCAD, Illustration, 1998) was featured in an exhibition at Rivet Gallery in the Short North (Columbus, Ohio). Read more here.

Josh Sutton (CCAD, Illustration, 2000) was featured in a (614) magazine article detailing his work as a freelance toy sculptor.

Matthew Klos (CCAD, Fine Arts, 2001) had an exhibition at the Still Life Gallery in Ellicott City, MD, this fall.

Ryan Green (CCAD, Media Studies, 2003) and Fawn Veerasunthorn (CCAD, Media Studies, 2005) were both hired as story artists at Walt Disney Animation Studios. Read more here.

Jen Chapman (CCAD, Advertising & Graphic Design, 2004) and her company, Redsnapper Baby & Toddler, were featured in HOW magazine. Read more here.

Holly Koskinen’s (CCAD, Advertising & Graphic Design, 2005) freelance agency won a 2011 American Graphic Design Award.

Molly Burke (CCAD, Fine Arts, 2006) participated in the Sculpture X Symposium and its 2011 fall juried exhibition in Cleveland, OH. Read more here.

Justin Cohen (CCAD, Industrial Design, 2006) won a 2010 Good Design award.

Kendra L. Meyer (CCAD, Fashion Design, 2007) has joined Albright College as assistant professor of fashion design.

Angela Svarda (CCAD, Fine Arts, 2008) was in ArtSpan’s 2011 SF Open Studios in San Francisco. Read more here.

Christie S. Craven (CCAD, Advertising & Graphic Design, 2009) is now working as a web designer for Direct Brands/Columbia House in Manhattan and also started her own venture, www.samplesaleavenue.com.

Kristi Kalkman (CCAD, Advertising & Graphic Design, 2010) created a font for a Victoria’s Secret campaign. Read more here.

Catherine Proctor (CCAD, Media Studies, 2010) had images published in The Ohio State University Dance Department’s annual magazine, InFORM.

Alex Alvarado (CCAD, Illustration, 2011) received a job as a look development artist at Walt Disney Animation Studios. Read more here.

Eric Coolidge (CCAD, Fine Arts, 2011) was featured on the Ohio Department of Education website to promote National Arts in Education Week. Read more here.

Ryan Monroe (CCAD, Photography, 2011) did the photography for the 10^th anniversary calendar for a restaurant in Columbus, OH. Read more here.

In Memoriam:

Walker, Steve (CCAD, 1970) Obituary here.

William, Walker (CCAD, 1953) Obituary here.

Exhibition put on by Julie Abijanac and Char Norman

The cycle and beauty of life can be expressed in many different forms and CCAD faculty member and alumna, Julie Abijanac (CCAD 1992) and staff member Char Norman showcase this in their two-person exhibition Reaction∫Response.

Norman and Abijanac’s exhibition questions the relationship humans have with nature and science. It deals with the psychical and psychological process of life and death.

Fine arts alumna, Abijanac questions mortality in her artwork by approaching it in from both a microscopic and psychological point of view.

Norman, dean of faculty, focuses on environmental aspects. Her work showcases man’s impact on earth and questions the harm people may be inflicting on nature.

This exhibition is a visual response to  their life experiences through the use of fiber, handmade paper, repurposed materials, and drawings.

After being diagnosed with Hodgkin’s Lymphoma, Abijanc was told by doctors that the carcinogens in oil-based paint would leave her having to wear a mask and gloves, disconnecting her from her art.

Abijanac found herself switching mediums and inspiration for her work. She had to had to “relearn how to be an artist.”

She now works with paper, deconstructing and then rebuilding her artwork into representations of life’s cycle and obstacles.

“My work is very labor intensive and it is a journal for me, every tear and every layer is what I went through that day,” Abijanac said.

One of her pieces, La Poursuite de Prendre une Vie, illustrates a microscopic look at the disease taking over. Its title translates into, the pursuit to take a life.

“I wanted to create something pretty out of something so devastating and showcase the possibilities this material can take, by having something so ordinary become unusual and beautiful,” Abijanac said.

Paper is incorporated in Norman’s work also.

Norman works closely with handmade paper, fiber, and paint to create sculptures.

“I will wake up at four in the morning and work for two hours on making paper before going into work, and then I will come home and make more paper,” Norman explained of her diligent art process.

One piece Norman is excited to showcase is Pearl Gate.  This piece is a walk through sculpture that she collaborated on with her brother, Kurt Steger, who is also a sculptor. The piece is a free standing structure and was originally debuted in Roanoke College in Virginia at Steger’s solo exhibition.

“I think what makes Julie and I a good pair for this exhibition is our different, but similar takes on life and our responses to it, while also using similar labor intensive mediums,” Norman said

Reaction∫Response will be on display Oct.1–Nov. 12, 2011 at the Cultural Arts Center, 139 West Main St., Columbus, Ohio. The opening reception will take place Oct. 1, 4:30-7 p.m.

Media Studies alumnus Nick Burkard worked on feature film Puss in Boots

Classnotes

We do our best to get most of the news you submit to us onto the CCAD News Blog, but since there are more than 10,000 of you making news all over the world, not everything can make it into the blog. We’re glad to have another venue where we can share everything with you—this newsletter’s classnotes.

You, too, can submit classnotes via the easy-to-use form on the alumni landing page. We only post career-related successes, awards, exhibitions, and publications, but we’d also love to know when you move, get married, or have children—just use that same form.

Now, without further ado, your classnotes from June 2011 – August 2011.

Jerry W. McDaniel (CCAD, Illustration, 1957) opened an art gallery and created a process video. Read more here.

Ming Fay (CCAD, Industrial Design, 1965) marked his 20-year anniversary displaying at Butters Gallery with his exhibit Full Circle.

James Markle (CCAD, Industrial Design, 1970) presented a speech about his environmental photography at the Tahoe Art League. Read more here.

Ron Miller (CCAD, Illustration, 1970) illustrates a French youth science magazine. Read more here.

Jamie Berger (CCAD 1975-1978) was featured in a HOW magazine article detailing the rebranding and success of their printing company. Read more here.

Jon Hair (CCAD,  Advertising & Graphic Design, 1976-1978) was featured in North Carolina’s Our State magazine. Read more here.

Kate Rivers (CCAD, Fine Arts, 1977) had an exhibition in Santa Fe, New Mexico. Read more here.

Michele Householder Funk (CCAD, Illustration, 1978) has released her children’s book, The Adventures of Pete and Max and the Lost Sock. Read more here.

David Groff (CCAD, Illustration, 1979) had illustrations featured in a healthcare calendar.

Matthew Kaser (CCAD, Industrial Design, 1984) and his design firm, Kaser Design, were recently awarded another interpretive planning and design job in Texas. The newest project is the historic site Presidio de San Sabá, in Menard, Texas.

Kurt Fondriest (CCAD, Fine Arts, 1985) was included in the annual Misericordia Home group show, which was visited by more than 1,400 guests. Read more here.

Jeff Preston (CCAD, Illustration, 1985) is featured in the DVD Masters of Art: Markers with Jeff Preston. Read more here.

Edward Buchanan (CCAD, Fashion Design, 1988-1991) had his designs  featured in the spring 2011 issue of France’s Blast magazine. Read more here.

Paul Hamilton (CCAD, Illustration, 1988) received the Phil Desind Award, given annually by the Butler Institute of American Art to an outstanding representational work. Read more here.

Scott Musgrove (CCAD, Illustration, 1989) launched an online show and nearly sold out in only three weeks. Read more here.

Tracy Hayes (CCAD 1990) recently moved her design firm SKUBA Designs to a new location on New Orleans’s popular Magazine Street. Read more here.

Peter Wachtel’s (CCAD, Industrial Design, 1990) invention, STAKE, is available for presale on Quirky. Read more here.

Wendy Emrey’s (CCAD, Advertising & Graphic Design, 1991) long career influenced a new pursuit. Read more here.

Julie Abijanac (CCAD, Fine Arts, 1992) has been accepted into the Studios of Key West Artist in Residency Program for the summer 2012. Read more here.

Samantha Bennett (CCAD, Fine Arts, 1995-1999) appeared on an episode of Everyday People on TLC’s NY Ink. Find out more here.

Hiroshi Hayakawa (CCAD, Photography, 1995) showed his kinetic sculptures in a Columbus gallery. Read more here.

Susan Li O’Connor (CCAD, Fine Arts, 1996) was one of three artists featured in an exhibition at the Columbus Metropolitan Library’s Carnegie Gallery. Read more here.

Sara Adrian (CCAD, Fine Arts, 1998) presented in September at FLASH!, an art show in Columbus.

Several CCAD alumni received awards at the opening of this year’s fine arts exhibition at the Ohio State Fair, including Andrew Ina (CCAD, Fine Arts, 2006), Corey Aumiller (CCAD, Media Studies, 2006), Amanda H. Cook (CCAD, Illustration, 1999), Eric Homan (CCAD, Media Studies, 1998), Brandon Antczak (CCAD, Fine Arts, 2007), and Adam Brouillette (CCAD, Fine Arts, 2002) . Find out more here.

Justin Shady (CCAD, Media Studies, 1998) interviewed Michael Altman (CCAD, Media Studies, 2000) in OC Weekly. Read more here.

Danielle Julian-Norton (CCAD, Fine Arts, 1999), a co-founder of Suite 42,  had an open-studio exhibition in Dresden, Germany. Read more here.

Michael Marucco (CCAD, Advertising & Graphic Design, 1999) has been promoted at Limited Brands, Inc., to senior art director of internet content for Victoria’s Secret Direct.

Damian Ward (CCAD, Illustration, 1999) illustrated a book written by Oscar-nominated writers. Read more here.

Anthony M. Nesossis (CCAD, Advertising & Graphic Design, 2000) recently completed a rebrand of various materials for the Educational Council. Read more here.

Brent Woodard (CCAD, Illustration, 2000) helped with a global anti-drug message. Read more and see the image here.

Paul Tepper (CCAD, Illustration, 2001) was recently featured on the cover of Columbus Alive! Read more here.

Nikos Rutowkski, (CCAD, Fine Arts, 2002) helped coordinate Franklinton’s Go West Festival, which featured work by several CCAD Alumni. Read more here.

Michelle Rozic (CCAD, Fine Arts, 2003) was appointed the new assistant professor of art at California State University, Northridge.

Cat Sheridan (CCAD, Fine Arts, 2003) was featured in a Wexner Center blog for her volunteer efforts. Read more here.

Michael Carney (CCAD, Media Studies, 2004) and John Malta (CCAD, Illustration, 2010) were both in the NY Times in August. Read more here.

Jen Chapman (CCAD, Advertising & Graphic Design, 2004) will be featured in HOW magazine in the fall of 2011 for her company Redsnapper Baby & Toddler. Read more here.

The alumni music trio of Beth Murphy (CCAD, Fine Arts, 2004), Adam Elliot (CCAD, Fine Arts, 2004), and Jared Phillips (CCAD, Fine Arts, 2004) performed at the Wexner Center and were featured in the Columbus Dispatch. Read more here.

Manjari Sharma’s (CCAD, Media Studies, 2004) latest project was featured on an NPR blog. Read more here.

Gabe Shultz (CCAD, Advertising & Graphic Design, 2004) created an experimental multimedia project and music album samples from the music of rock band Steely Dan. Read more here.

Elizabeth Weissbrod (CCAD, Illustration, 2004) was one of the featured artists in the June 2011 Hopkins Medicine magazine article “Illustrators of the Century.” Read more here.

Brian Scott Campbell (CCAD, Fine Arts, 2005) was invited to Davidson College in Davidson, North Carolina as a visiting artist in September and will also be an artist in residence this fall at the McColl Center for Visual Arts in Charlotte, North Carolina.

Steven Weinzierl (CCAD, Media Studies, 2005) has been named Favorite Color’s new creative director. Read more here.

Molly Burke (CCAD, Fine Arts, 2006) recently participated in a Cleveland West Art League (CWAL) exhibition with Cleveland painter Julie Morgan. Read more  here.

Andrew Ina’s (CCAD, Fine Arts, 2006) exhibition New Frontier was recently reviewed in the Columbus Dispatch. Read more here.

Melissa (Hofelzer) Spencer (CCAD, Media Studies, 2006) designed an exhibition invite and an interactive website. Read more here.

Seven alumni, including Nate Burns (CCAD, Illustration, 2010), Travis Czekalski (CCAD, Media Studies, 2010), Julie Hall (CCAD, Fine Arts, 2010) Katie Herbst (CCAD, Media Studies, 2010), Michael Lovett (CCAD, Fine Arts 2011), Alex Moore (CCAD, Fine Arts 2011), and Kevin Smalley (CCAD, Media Studies, 2006-08) teamed up to present Fringed: A Fashionably Fine Art Exhibition in Columbus. Read more here.

Nick Burkard, (CCAD, Media Studies, 2007) Dreamworks effects animator, detailed the work he did on the upcoming film Puss in Boots. Read more here.

Michelle Dick (CCAD, Fine Arts, 2008) had her first trunk show hosted by a Columbus boutique. Read more here.

Ashley K. Alexander (CCAD, Fine Arts, 2009) published her first novel. Read more here.

Cory Cantelupe (CCAD, Illustration, 2009) is currently doing work as a freelance sculptor for Hasbro, Inc.

Navy Seaman Jessica M. Pettinger (CCAD, Interior Design, 2009) recently completed U.S. Navy basic training at Recruit Training Command, Great Lakes, Illinois.

Emily Spear (CCAD, Illustration, 2009) is finishing her first year as an associate product designer for Hasbro Inc.

Ian Horn (CCAD, Fine Arts, 2010) has found success with a new NYC business. Read more here.

Mallory McClellan (CCAD, Fine Arts, 2010) was featured in Columbus Alive! for the sculpture she built for Harrison Park in Columbus. Read more here.

Kartika Mediani (CCAD, Animation, 2010) was one of 40 college students across the country to receive a summer internship with the Academy of Television Arts & Sciences Foundation. Read more here.

Ross Caliendo (CCAD, Fine Arts, 2011) was featured in a weekly Cincinnati newspaper for his participation in an exhibition. Read more here.

Jen Hutson (CCAD, Fine Arts, 2011) has been accepted into the St. Petersburg Clay Company’s Artist in Residence Program for the 2011-2012 term.

Angela Mancuso (CCAD, Advertising & Graphic Design, 2011) was appointed as the newest art director at Peebles Creative Group. Read more on their blog.

Amy McQuillin (CCAD, Advertising & Graphic Design, 2011) was hired as the Upper Arlington’s Cultural Arts Division’s intern.

Local tech company Bluemile, ranked in 2010 by Inc. Magazine as one of the nation’s fastest-growing private companies, is featuring artwork by CCAD alumni and faculty in its New Albany office as one way to introduce visitors and other programs to the college. Read more here.

In Memoriam
Edmund Kuehn, (CCAD, Fine Arts, 1938). Read more here.
Charles (Chip) Kirker III, (CCAD, Illustration, 1971). Obituary here.
Dan (Danny) J. Schroll, (CCAD, Fine Arts, 1973). Obituary here.
Gerome Alexander, (CCAD, Advertising & Graphic Design, 1982). Obituary here.
Teresa Williams, (CCAD, Illustration, 1988). Obituary here.
Kathryn A. Gough, (CCAD, 1990). Obituary here.
Lacey L. Pope, (CCAD, Industrial Design, 2002). Obituary here.
Christine Salisbury, (CCAD, Media Studies, 2005). Obituary here.

Image from Julie Abijanac

Fine Arts alumna Julie Abijanac (CCAD 1992) has been accepted into The Studios of Key West Artist in Residency Program for summer 2012.

Abijanac is one of 25 residency artists from five countries and 20 different cities selected to advance the visual, performing and literary arts through an array of disciplines and mediums.

During the Key West program, Abijanac, an assistant professor of Foundation Studies, Media Studies, and Graduate Studies, will continue her work of the past few years on two dimensional paper pieces and digital drawings that address her personal experience with Hodgkin’s Lymphoma.

The disease, a cancer of the lymphatic system, has lead her through an investigation of its psychological aspects and, most recently, the microscopic patterning of the disease. She explores the patterning of what is seen in a ‘field stain’ of a blood specimen and applies a controlled application of line, value and positioning of multiple compositions and/or parts to create larger works. 

Abijanac said one of her goals for this opportunity is to give back to the Key West art community by providing work for an exhibition based on her time in the four-week residency. She hopes to create an installation for exhibit in the Armory Main Hall or in the TSKW Space 2.

Abijanac said a long-term goal is to venture into the world of installation. She will be on sabbatical during spring semester 2012 and then will participate in the residency program before returning to CCAD in the autumn to teach.

Illustration alumnus David Breaux worked as an animator on feature film "Thor."

We do our best to get most of the news you submit to us onto the CCAD News Blog, but since there are more than 10,000 of you making news all over the world, not everything can make it into the blog. We’re glad to have another venue where we can share everything with you—this newsletter’s classnotes.

You, too, can submit classnotes via the easy-to-use form on the alumni landing page. We only post career-related successes, awards, exhibitions, and publications, but we’d also love to know when you move, get married, or have children—just use that same form.

Now, without further ado, your classnotes from February-May 2011.

Ron Miller (CCAD 1970) has provided cover and interior art for Astronomy, Sky & Telescope, Scientific American, and Geo magazines. His work has also been featured on two Scientific American sites and on the cover of a new science fiction novel. Miller has also written and illustrated three new young adult books for Lerner Publishing and is working on a coffee table art book for Farrar, Strauss, and Giroux. Read more on the CCAD News Blog.

Kurt Fondriest (CCAD 1985) partnered with the Brookfield Zoo to provide a learning experience for his students at Misericordia Home North through expressive art. Read a complete article and see the amazing footage here.

Lisa Horkin (CCAD 1985), Marty Husted (CCAD 1979), Ryan Orewiler (CCAD 2004), and Denise Romecki (CCAD 1976) all exhibited in Face 2 Face: 25 Years of Art and Community, which opened Friday, April 15. Read an article about this show on the CCAD News Blog.

Tracy Hayes (CCAD 1990) has opened a new Skuba Design Studio location on Magazine Street in New Orleans. Click here to learn more.

Peter Wachtel (CCAD 1990) has published two new e-books—Kid Toyology and The Wonderous World of Wonders. Read more here.

Hilary Frambes (CCAD 1992) was chosen as the Ohio Delegate to Parenting magazine’s Mom Congress, April 10-13. More information about her trip is available in the CCAD News Blog.

Celene Hawkins (CCAD 1992) was awarded a 2010 Aid to Individual Artists grant through the Summerfair Foundation in Cincinnati. Read more here.

David Breaux (CCAD 1995) completed animation work on Iron Man 2, Tron Legacy, Real Steel, and Thor. Read an interview with Breaux on the CCAD News Blog.

Tiffany Liss (CCAD 1995) has accepted the position of marketing communications specialist manager for Rexford Industries, LLC, in Indianapolis.

Christopher Maslon (CCAD 1996) was the first foreign elected official appointed to Daejeon Health and Sciences College’s board for the Executive Committee of Liberal Arts. The college is located in Daejeon, South Korea. Included in his nomination was a move by the board to add more arts and design courses to the college’s curriculum. Maslon will head the arts courses offered. Read a complete story about his appointment in the CCAD News Blog.

Anthony Anselmo (CCAD 1998) recently returned to CCAD to provide mock interviews to current students. He shared this album from his self-guided tour with us.

Justin Shady (CCAD 1998) wrote about Joshua Peters (CCAD 2008) on his blog. Peters recently designed a poster for Billy West’s appearance at Packrat Comics in Hilliard, Ohio. Read the blog here.

Michael Guinane (CCAD 2000), Marc Lincewicz (CCAD 1992), Ryan Orewiler (CCAD 2004), Michele Ulmer (CCAD 2005), Molly McNitt (CCAD 2004), and Jurate Phillips (CCAD 2002) participated in the German Village Art League exhibition The Language of Art. Learn more on the CCAD News Blog.

Anthony Nesossis (CCAD 2000) worked as creative director and graphic designer—along with MediaFLOW’s Vincent Blake—to create a new logo, tagline, and web presence for the Educational Council Foundation of Ohio.

Beth Dean (CCAD 2003) has accepted the position of director of user experience at Ongo.

Anousone Panyanouvong (CCAD 2007) received a $10,000 grant from Microsoft to launch her urban forest plan as part of the company’s Make it Great competition. Read more about her project (and how CCAD helped to make it happen) on the CCAD News Blog.

Chelstin Ross (CCAD 2009) exhibited her work during the 2011 Columbus Arts Festival. She was one of 10 central Ohio artists selected to participate in this year’s Emerging Artists Program. She was also featured in the Columbus Dispatch. Read the article here.

Nick Cavalier (CCAD 2010) directed the Felix Culpa’s Our Holy Ghost music video, which debuted at Alternative Press magazine and was featured on Absolute Punk and Blank TV (and the CCAD News Blog). The video has also been entered into the Chicago Underground Film Festival and the Chicago, NY, and SF United Film Festivals.

Katrina Seitter (CCAD 2010) was promoted from freelance designer to graphic designer at Stonefly Communications Group in central Ohio.  She has also taken up a freelance position with the Creative Good, which was started by CCAD alumnus Brian Greenwood (CCAD 1999).

Have news you’d like to share? Click here.

Six CCAD alumni will participate in the German Village Art League's "The Language of Art."

Works by six CCAD alumni will be on display at the third annual exhibition, The Language of Art, hosted by the German Village Art League (GVAL). Participating alumni are: Illustration alumni Michael Guinane (CCAD 2000), Marc Lincewicz (CCAD 1992), and Ryan Orewiler (CCAD 2004); Fine Arts alumnae Michele Ulmer (CCAD 2005) and Molly McNitt (CCAD 2004); and Interior Design alumna Jurate Phillips (CCAD 2002).

The Language of Art features visual art complemented by poetry. Selected artworks were assigned to a poet, who produced a poem to reflect their experience with the art.

The show runs June 1-25 at The High Road Gallery in Worthington, Ohio. An opening reception and poetry reading is June 5 from 2-4:30 p.m.

To read artist biographies or to learn more about GVAL, visit their website.

Alumna Hilary (Meyers) Frambes will head to Washington D.C. in April to serve in Parenting Magazine's Mom Congress.

Illustration alumna Hilary (Meyers) Frambes (CCAD 1992) was chosen as the Ohio Delegate to Parenting magazine’s Mom Congress to be held at Georgetown University in Washington D.C., April 10–13.

“When the Mom Congress contest came up, I saw it as an opportunity to have my voice heard regarding the importance of art education,” Frambes said.  “As a mother of two school-aged children and an art advocate, I’m proud to represent Ohio at the 2011 Mom Congress in Washington, DC this year.”

Frambes volunteers at her children’s school, launching a weekly art enrichment after school program. She is also pursuing her Master of Art Education through University of Florida’s online program and hopes to teach upon graduation.

Parenting magazine launched the Mom Congress initiative in March 2009 to celebrate and connect moms fighting for better schools. During the event, the moms meet with the country’s most prominent education and advocacy leaders to discuss the importance of family engagement in helping America achieve its education goals.

Read more about Frambes’ work here.

Kevin Buckland and Pertain Gillespie launched the "Art at the Arnold" competition in 2010.

Husband-and-wife design team Kevin Buckland (CCAD 1992) and Pertain Gillespie (1981) helped select the more than 50 artists for the second annual “Art at the Arnold” competition. During the March Arnold Sports Festival, CCAD President Denny Griffith will select the competition’s first, second, and third place winners.

Held March 4-6, the competition asks artists to create an original artwork inspired by the festival’s athletes during a two day studio session. On the final day of the event, President Griffith will select the winners. The event’s namesake, Arnold Schwarzenegger, will also honor his personal favorite with the Arnold’s Choice award.

Buckland and Gillespie worked with the Arnold Sports Festival for 11 years before launching the art competition in 2010. In a Columbus City Scene Magazine article, the pair said they launched the competition to help the festival make an investment in “the beauty of the physical form from an artist’s perspective.”

Buckland and Gillespie own Buckland Gillespie Design, specializing in design work for corporate clients and the publishing and entertainment industry. Learn more on their website.

The Arnold Sports Festival is the largest multi-sport event in the nation, boasting more than 170,000 attendants. The event runs March 3-6 at numerous Columbus venues. For more information, click here.

"Traveler," by Celene Hawkins

Celene Hawkins (CCAD ’92) was awarded one of Summerfair Cincinnati’s 2010 Aid to Individual Artists (AIA) grants and an invitation to participate in the 2013 triennial Summerfair Select exhibition.

She is one of four Cincinnati artists to receive the $3,000 grant for use in the creation of new works. Hawkins will use the grant to help finance an AutoCAD system to expand the possibilities of her work.

Hawkins incorporates aspects of biology, hybridization, organic form and the influence of people to explore the concept of “landscape” in her sculpture. She holds a Master of Fine Arts degree in sculpture from the University of Cincinnati and is currently a co-partner at her studio, Hawkins & Hawkins Custom.

Summerfair Cincinnati has been supporting Cincinnati artists and arts for more than 40 years. Since the AIA program’s initiation in 1983, the organization has awarded grants to more than 80 artists.

Dining set from www.brookeowensmith.com

The designs, craftsmanship and carving talent of furniture builder Brooke Smith (CCAD ’92) are highlighted in the October issue of Popular Woodworking magazine.

The Design Matters column by George R. Walker traces the steps Smith takes in designing and building pieces to grace clients’ homes—from rough sketches to a series of design options and helping clients visualize the final concept as well as the various wood tones by using watercolors in his final pencil drawings.

To see Smith’s portfolio go to www.brookeowensmith.com.

For more about the magazine article go to www.popularwoodworking.com.

This post was included in the spring 2011 issue of IMAGE Magazine.

The lost footage: Alex filming James

Hello strangers! It’s been awhile, I missed your face.
I thought you could all use an update on the project, so here it goes!

I’ve got 99 problems but editing ain’t one, hit me!