Classnotes, March 2013

We do our best to get most of the news you submit to us onto the CCAD News Blog, but because there are more than 10,000 of you making news all over the world, not everything can make it into the blog. We’re glad to have another venue where we can share everything with you—this newsletter’s classnotes.

You can submit classnotes via the easy-to-use form on the alumni landing page. We only post career-related successes, awards, exhibitions, and publications, but we’d also love to know when you move, get married, or have children—just use that same form.

Now, without further ado, your classnotes from December, January, and February!

Tim Rietenbach ’77, Joel Gundlach ’86, David Burghy ’89, and Danielle Julian Norton ’99 showed their work in a CCAD faculty exhibition at Columbus’ Cultural Arts Center. Read more here.

Jamie Berger ’78 curated PUSH Print, a book on contemporary printmaking published by Lark Crafts. Read more here.

Paul Emory ’78, Ellen O’Connell Bazzoli ’83, Alex Conrad MFA ’12, Nicole Crock MFA ’12, and Virginia Kistler MFA ’12 showed their work in the Ohio Art League Curated Exhibition, presented at the Ohio Arts Council’s Riffe Gallery. Read more here.

Richard Cowdrey ’81 illustrated the re-released children’s book The Legend of the Candy Cane. Read more here.

Joel Gundlach ’86 designed new starting blocks for New Albany High School’s natatorium. Read more here.

Ed Valentine ’91 and Michael Stillion ’02 had exhibitions at Linda Warren Projects in Chicago. Read more here.

Julie Abijanac ’92 had her piece Disease Mapping selected for the Fiberart International 2013 exhibition. Read more here.

Anthony Weiler ’94, Annie Weihrauch ’03, Hazel Tarr ’07, and Maggy O’Reilly VanOrder ’09 are participants in CCAD’s MindMarket Incubator. Read more here.

Benjamin Lane ’96 is now a story artist at Disney Feature Animation Studio in Burbank, CA.

Daniel King ’00 was featured in Temporary Art Review discussing his artistic career and inspiration. Read more here.

Anne Holman ’02 had a busy winter full of exhibitions and art sales. Read more here.

Mariana Smith ’02 showed work in exhibitions from the East Coast to the West Coast. Read more here.  She also had her piece Untitled (After Tarkousky Stalker) in the 34th Bradley International Print and Drawing Exhibition, hosted by Bradley University, Peoria, IL. Read more here.

Brian Williams ’03 had an illustration featured in ARTnews. Read more here.

Lea Gray ’04 and Eric Jefferson ’04 were featured in Alive!, a weekly magazine that covers events and culture in Columbus, OH. Read more on Gray here and Jefferson here.

Sean Conner ’05, Nate Reese ’05, Chris Meister ’06, Andrew Mark ’07, Scott Ulliman ’10, and Chavilah Bennett ’12 took home Columbus Society of Communicating Arts (CSCA) Creative Best Awards for their work with S77, a motion graphics company in Columbus, OH. Read more here.

Joaquin Baldwin ’06 was a juror for the 40^th Annual Annie Awards. Read more here.

Andrew Ina ’06 received a Greater Columbus Arts Council (GCAC) Individual Art Fellowship in Media Arts this year. Read more here.

Boryana Rusenova Ina ’06 was in two group exhibitions in Michigan. Read more here.

Brent Payne ’06 was included in two juried exhibitions in Ohio. Read more here. He was also had work in an exhibition hosted by Del Mar College in Corpus Christi, TX. Read more here.

Michelle Dick ’08 is now working as an interior designer with Organized Home Remodeling, in Columbus, OH.

Brian Uhl ’08 had a solo exhibition at Static Age Gallery in Cincinnati. Read more here.

Steve Hubbard ’10 worked on animations for the movie Life of Pi. Read more here.

John Malta ’10 had his third illustration published in The New York Times. Read more here.

Kerry Kunze ’11 showed work in a group exhibition at Mount Vernon University. Read more here.

Alex Conrad MFA ’12, Nicole Crock MFA ’12, Leah Fisher ’12, and Crystal Tursich MFA ’12 had work included in the 13^th annual ImageOhio exhibition organized by Roy G Biv Gallery. Read more here.

Amanda Rouse MFA ’12 had a busy exhibition schedule including three juried and two group exhibitions. Read more here.

Front of Brian Uhl’s exhibition postcard

Illustration alumnus Brian Uhl (CCAD 2008) has a solo exhibition The Tower at Static Age Gallery in Cincinnati, Jan. 25–March 29.

The exhibition will feature 18 of Uhl’s most recent illustrations along with a few multimedia prints and T-shirt designs.

Uhl works with pen, ink, and markers, illustrating primarily in black and white. He has been influenced by punk, metal, and other subcultures.

“The work will be from commission work I’ve done for bands and businesses over the past year, as well as some large-scale personal pieces,” Uhl said. “The personal works will be displayed both in their original format and as multimedia prints that I will make in collaboration with Southpaw Prints, the screen printing shop in Static Age Gallery.”

Uhl is also working on a quarterly comic for a new magazine, Decompression, based in the United Kingdom. The magazine will report on current industrial, punk, and metal music.

“I’m really excited about this since he’s letting me just do whatever I want, which means I can get as weird as I want to,” Uhl said.

Static Age Gallery is located at 1334 Main Street in Cincinnati. The exhibition will open on Jan. 25 during Cincinnati’s monthly Last Friday event, which features open galleries and shops in the Over-the-Rhine historic neighborhood.

Classnotes, December 2012 Issue

We do our best to get most of the news you submit to us onto the CCAD News Blog, but because there are more than 10,000 of you making news all over the world, not everything can make it into the blog. We’re glad to have another venue where we can share everything with you—this newsletter’s classnotes.

You can submit classnotes via the easy-to-use form on the alumni landing page. We only post career-related successes, awards, exhibitions, and publications, but we’d also love to know when you move, get married, or have children—just use that same form.

Now, without further ado, your classnotes from September, October, and November 2012.

Aminah Robinson ’60 was inducted into the city of Columbus’ Hall of Fame. Read more here.

Aminah Robinson ’60 and Linda Fowler ’74 participated in the Ohio Craft Museum’s exhibition Columbus Collects Fine Crafts. Read more here.

Joan Hall ’74 had a solo exhibition at Bruno David Gallery in St. Louis, MO. Read more here.

CV Mansoor ’77 exhibited work at the Contemporary Arts Center in Cincinnati. Read more here.

Dean Mitchell ’80 had an exhibition with Cutter & Cutter Fine Art in St. Augustine, FL. The exhibition also featured an article written by Walter King ’81. Read more here.

Salli Swindell ’81, co-creater of They Draw & Cook, had her illustrated cookbook reviewed in Gastronomic magazine. Read more here.

Jenny Vogt ’81 exhibited her series The Nature of Birds at the Village Hall Gallery of Arts in Bartlett, IL. Read more here.

Helen Hoffelt ’82, Rachel Girard Reisert ’02, Lian Dziura ’12, Cosby Lindquist ’12, and Crystal Tursich ’12 participated in a monthlong photography event in Cincinnati, OH. Read more here.

Kurt Fondriest ’85 was part of a group exhibition at the Life Force Arts Center in Chicago, IL. Read more here.

Hiroshi Hayakawa ’85 was featured in the fifth annual edition of the magazine Diffusion: Unconventional Photography. Read more here.

Lisa Horkin ’85, Susan Li  O’Connor ’96, Anne Holman ’02, Jennifer Deafenbough ’04, Joseph Lombardo ’06, Chris Harman ’12, and Jack Ramunni ’12 received Supply Grants from the Greater Columbus Arts Council. Read more here.

Christopher Madden ’87 works as a journeyman banknote engraver at the U.S. Bureau of Engraving and Printing. Read more here.

Kirsten Bowen ’89, Clint Davidson ’00, Nikos Fyodor Rutkowski ’02, Daric Gill ’04, Lea Gray ’04, Adam Crum ’06, Christopher Tennant ’06, Joel Atkinson ’09, and Julia McCann ’11 participated in Urban Scrawl, an annual festival in the Franklinton neighborhood of Columbus. Read more here.

Christopher Cole ’89 became the Senior VP/Creative Director for the Sprint wireless at Leo Burnett-Chicago.

Richard Mills ’89 participated in the Ashes to Art Project, an art auction benefiting volunteer fire departments in Colorado that were affected by wildfires in 2012. Read more here.

Kaname Takada ’89 and Julie Abijanac ’92 received awards for their work exhibited in the Zanesville Museum of Art’s 68^th Annual Ohio Show. Read more here.

Kurt Lightner  ’93 participated in the group exhibition Assembly 2012 at Edward Thorp Gallery in New York City. Read more here.

David Breaux ’94 had a busy year, working on productions including Terra Nova, Hunger Games, Tron: Legacy, and Iron Man 2. Read more here.

Phil Hastings ’94 is the recipient of a New York Foundation for the Arts Artist Fellowship in Film and Video. Read more here.

Jason Goad ’96 created a pair of limited edition sunglasses for Anarchy Eyewear. Read more here.

Susan Li O’Connor ’96 is part of a group exhibition at Steinhilber Art Gallery in Madison, WI. Read more here.

Susan Li O’Connor ’96 and Mariana Smith ’02 were selected for GCAC’s Dresden Residency Program. Read more here.

John Urbano ’96 received two VMAs for the music video he directed for the band One Direction. Read more here.

Kate Labmeier ’02 and Michael Stillion ’02 exhibited their work at Marshall University’s Birke Art Gallery. Read more here.

Nikos Fyodor Rutkowski ’02 and Corey Aumiller ’06 placed in the Columbus Arts Pop-Up Project (CAP-UP). Read more here.

Nikos Fyodor Rutkowski ’02 created and installed a volcano wall at a tiki bar in Columbus, OH. Read more here.

Mariana Smith ’02 exhibited her work at Swing Space Gallery at Ohio State University; read more here. She also had an exhibition at Hammond Harkins Galleries in Columbus, OH; read more here.

Brian Williams ’03 was featured in Map Magazine, an arts and culture magazine based in Australia. Read more here.

Shannon Bonatakis ’04 had a solo exhibition, Now I Lay Me Down to Sleep, at Rivet, a designer toy and fine art gallery in the Short North, Columbus’ arts district. Read more here.

Manjari Sharma ’04 showed her work in a group exhibition, Social Order: Photographs from Iran, India, and Afghanistan in Seattle, WA. Read more here.

Holly Koskinen ’05 won an American Graphic Design Award. Read more here.

Joseph Lombardo ’06 has a solo exhibition at Art Access Gallery in Bexley, OH through Jan. 9. Read more here.

Michelle Dick ’08 is now working as an art teacher with After-School All-Stars, an after-school program for students in Columbus City Schools.

Evens Joseph ’09 was a featured artist in Juxtapoz magazine. Read more here.

Krista Peterson ’09 received a full-tuition scholarship to DePaul University for graduate study in the field of Human Computer Interaction. Read more here.

Kartika Mediani ’10 had work in the graphic novel One Drop. Read more here.

Amanda C. VanDenberg ’10 showed work in a group exhibition at the Little Art Gallery in North Canton, OH. Read more here.

Elena Harvey Collins ’12 had her video When They’re Gone, They’re Gone in an exhibition at Roy G Biv gallery in Columbus, OH. Read more here.

Nathan Gorgen ’12 and Elena Harvey Collins ’12 participated in Shifting Margins, a group exhibition put on by OFF Space in San Francisco. Read more here.

Jessica Miera ’12 is a concept artist for Animation Hero, an independent animation studio located in Columbus, OH. She is also working part time as an assistant film editor at HotBed Media LLC in Bexley, OH.

From left to right: Mike Lorenz, Sean Svendsen, Sherry Jones, Chris Daniels, Todd Mendoza, Mark Mnich, Harlan Peden, Rob Green, and Kiel Mohrman

If you visit Priority Designs in Columbus you will likely run into some CCAD alumni, whether in the engineering studio, the prototype shop, browsing through fabrics in the materials library, or playing racquetball on the court they have in their lunchroom.

Priority Designs is a leading industrial design consultant and product development firm that works with companies such as Adidas, Mead, Lowe’s, TaylorMade, and more. We talked with several CCAD alumni employed there to ask what it’s like to work not only in a creative environment, but also alongside fellow CCAD alumni.

Meet Model Maker Rob Green (Illustration 1997), Senior Industrial Designer Michael Lorenz (Industrial Design 1991), Industrial Designer/Prototypist Todd Mendoza  (Industrial Design 2008), Senior Designer/Director Business Development Mark Mnich (Industrial Design 1997), Industrial Designer/Model Maker Kiel Mohrman (Industrial Design 2009), Senior Industrial Designer Harlan Peden (Industrial Design 2004), and Senior Industrial Designer/Insights & Brand Director Sean Svendsen (Industrial Design 1992).

Q) What is it like to work with other CCAD alumni?

Rob Green (RG): It’s strangely similar to the group projects we participated in during school. CCAD put an emphasis on group projects while I was there. It is how most projects are done in the workplace; multiple people are involved in the process of taking a project from idea to final deliverable. Knowing how to work in a group setting, being able to set egos aside to complete a task, and the ability to pull your own weight are abilities I have noticed in other CCAD grads.

Michael Lorenz (ML): One characteristic that stands out, in my experience, is the ability of CCAD alumni to communicate visually, through rapid sketching and other techniques, with confidence. Early in the design process when concepts are generated through sketching, whether digitally or [with] pen and paper, it should be clear what the intent of function and form are. Also, [CCAD grads have] a tendency to push the envelope in terms of material, form, color, mechanism, etc., and really get the details nailed down, which is revealing of a fine arts background.

Todd Mendoza (TM): We’re all family here. Working with CCAD alumni is really is no different than working with other industrial designers or mechanical engineers. We all come from various backgrounds that complement each other’s skills.

Mark Mnich (MM): Of course we often know many of the same people and, depending on our age, can sometimes recall the same instructors. We respect each other knowing that we’ve gone through the same grind and pulled those all-nighters. Eventually, we discover that most designers have a lot in common, no matter where they went to school.

Kiel Mohrman (KM): It’s great! Alumni are easy to work with and the projects always run smoothly. I’m guessing that what we learned at CCAD contributes to this.

Harlan Peden (HP): It definitely makes for a fun environment. Sharing our stories, ideas, and experiences from CCAD adds to our creative environment.

Sean Svendsen (SS): CCAD alumni are great to work with—CCAD grads are highly creative and generally have amazing artistic skills.

Q) Why do you think Priority Designs has a lot of CCAD alumni?

RG: With several other design schools close by, I doubt that proximity plays a large role in the decision. I would have to say that the students that are hired at Priority are the standouts in their class. When coming out of school, the strength of one’s portfolio and the internships that are under your belt are two key factors for getting hired, and a positive attitude always helps.

ML: Just a guess, but there is an emphasis on versatility at Priority Designs in terms of product category, material application, and level of mechanical complexity that creates a working environment that is suitable for a designer that is multifaceted in skill set, or at least multifaceted in interests.

TM: We’re a local company, minutes away from campus. Not to mention the talent that arises from basic foundation studies to extensive studio classes, all directly related to that specific career field.

MM: Proximity certainly has a hand in it, but we try to stay engaged with [CCAD] students by hosting tours of our office, reviewing portfolios, critiquing projects, etc. This interaction helps us identify the top students, so when it’s time to hire we know who to call.

KM: The hard work ethic and skills acquired at CCAD have a lot to do with it. When you’re done with the program, and if you’ve applied yourself, you’ll have a decent skill set to work with.

HP: For starters, Priority Design is located in Columbus. PD over the years has also been available to CCAD for critiques, in studio workshops, and assists with senior theses. This involvement allows for students to have an early exposure to PD, as well as helps develop a rapport that can lend itself to opening up future job opportunities.

SS:  I’ve found that CCAD alumni have higher visual communication skills than [those from] many other schools. Because of CCAD’s focus on fundamental art skills development, students get a deep grounding in fine arts. I find them generally better at sketching and 3D form sensitivity, which I think makes designs more emotionally compelling.

Q) Any advice for current students or fellow alumni who want to become involved with a company like Priority Designs?

RG: Make your portfolio as strong as possible. Feel free to contact any potential employer for portfolio reviews prior to graduating. Learn what they are looking for, because that will be applicable to most companies you will be applying to. Take the suggestions given to you and attempt to work them into your portfolio; it will usually improve the quality of your presentation. It also never hurts to get involved in portfolio competitions and win awards before you graduate; prospective employers look at those activities.

ML: When I was in college I had the benefit of being in a class where there was competitiveness, but also a willingness to share and critique each others’ ideas. I think that having a sharing attitude and not being afraid to critique and be critiqued while in school pays off big in professional life.

TM: Networking is key. While in school it’s important to meet and keep in touch with as many people in the industry as possible. Timing is everything, just as much as having a strong portfolio that accentuates your skill sets. We hire people not only for what they do, but who they are.

MM: Extend yourself beyond the requirements of the assignment. Like most employers, we’re looking for skills, passion, and commitment. We want people who are willing to keep asking questions and continue pushing themselves and those around them. You have to be highly adaptable; our world can change with a phone call.

KM: Don’t be afraid to reach out to [an employer] and show them your best work; if the quality is there then there is no problem getting matched up with a company like Priority Designs.

HP: Take an active role in visiting/touring or even having a portfolio review with local design firms. The design community is a close-knit group and having exposure and a line of communication open with any design firm can go a long way in helping a student find their first job.

SS: Work at making your portfolio visually impactful. We get tons of portfolios sent to us, and most of them don’t stick in our minds—they all look the same. You need to be distinctive, but in a way that is still appropriate. Use fewer words, and instead tell your story with simple compelling visuals. We see so many portfolios with tons of text and diagrams trying to tell a complicated story about the innovations they’ve created. The sad reality is when we get portfolios sent to us, they literally get about 10 seconds to catch our attention. If you didn’t instantly grab us with amazing visuals that tell a simple story, we move on. The marketplace of real products is the same. Consumers only give products on the shelf the same 10 seconds. Your portfolio is your shot to prove you know how to design successful products that can sell. If you want a great job out of school, your portfolio better be amazing.

Q)  Why do you love your job/working in a creative environment?

RG: What I like the most about my work environment is that we are rarely doing the same thing twice. There are projects that you are not as excited about, but that is always tempered by interesting and sometimes exciting projects that do come along. Plus, learning new skills is something that is always encouraged. It helps everyone when you can add a new skill set to the company’s bag of tricks.

ML: For me, the variety of experiences and challenges are fulfilling; there are always things to learn about technology, how things work, and human nature. And in a creative environment people tend to be optimistic and willing to share ideas. And of course, getting those projects that really improve life for others is what you tend to appreciate the most.

TM: I love being able to use my creativity to solve complex problems that arise in every product or project we work on. I also love that it’s different every day at Priority Designs. Since we’re a consultancy, we’d be working on appliances for Electrolux one day and then Nike golf clubs the next. We’ve fabricated concept bicycles, designed firearms, and engineered medical equipment. You really don’t know what client or what type of product you’ll be working on when you come into the studio on Monday morning.

MM: After 15 years, I can still make the claim that every day is different. It’s hard to imagine another job or career that can make that claim.

KM: I get to work on different projects every day; work never gets boring. I could be working on a project the size of a fork-lift one day and as small as surgical devices the next. Anything from prototyping to ideation, we do on a daily basis, so it stays super fresh.

HP: It’s fun, creative, goofy, exciting, and always different each day. Creative minds in a collective group can get crazy. Each day is a whole new task, and a whole new set of constraints, and a whole new objective. Projects can go from the most complex to the most simple and to-the-point. It’s great to have that uncertainty of what you are getting your hands into each day—it adds to the excitement. And having a group of people who you can bounce ideas off and work with to come to a common final result is extremely gratifying.

SS: I love the diversity of projects that we get at Priority Designs. It’s a fast-paced environment where we never know what we will be working on next. I can be designing golf clubs in our studio one week and the next week be conducting insight research on industrial equipment at the world’s largest copper mine in Utah. (That really happened.) The size and experience of our firm allows us to enjoy ever more challenging projects from the world’s most recognizable brands.

Q) What past experiences do you share and remember from being a student at CCAD? How has this impacted your professional career?

RG: The ability to work with deadlines and under pressure are two experiences that I will never forget from my time at CCAD. Short-timeline projects, especially in a group setting, were emphasized while I was there. Working at a consultancy, those skills are used over and over to deliver projects to our clients in a timely fashion. We always try to over-deliver our services to keep our clients coming back and telling others about Priority Designs.

ML: Honestly, what I remember the most is the exhaustion and sometimes despair of trying to get everything done well and on time. Also, being in a group of students that shared and critiqued out of a spirit of competitiveness, but also good will is something I remember. As trite as it may sound, these are the kind of experiences that prepare you for the real world.

TM: All-nighters. You may tend to think that once you’re in the “real world” they don’t exist anymore, but they do, at least they do here, anyway. Far too often we have large corporate clients with ridiculous lead times, and the bottom line is they have to get done. Unlike school, though, you can obviously not miss a deadline.

MM: Many of the design assignments at CCAD left some latitude for interpretation. Being resourceful and planning your work was critical to performing well. That holds true outside the classroom; not every client comes in with a clearly identified development path. You have to adapt to the situation, utilize your skills (and those of your co-workers), and follow through with passion and commitment.

KM: The hands-on experience was great. Being able to try everything or anything I wanted to do really helped me figure out the direction I wanted to go when I graduated.

HP: All-nighters, staying in the studio burning the midnight oil trying to get work done for a critique the next morning. It is still so true in the real world. There are times when it’s “all hands on deck.” Clients in the real world can sometimes have an unrealistic deadline that you have to meet; that’s when you buckle down, cancel any plans, and work till it’s done.

SS: I met some wonderful students when I was at CCAD. I still work with several of those people today. These relationships allowed me to find a great job at a great studio and have helped me build a great career.

CCAD alumni pictured in front of the Disney Animation Studios

Disney Animation has created beloved movies such as Tangled, Winnie the Pooh, and Bolt, and CCAD alumni have worked on story boarding, sketching, and programming for all of these hit features. We got a chance to talk to seven of our graduates about what it’s like to work with CCAD peers in this creative environment.

Meet Director Nathan Greno (Illustration 1993–1996), Story Artist Ben Lane (Illustration 1996), Character Designer Chris Oatley (Illustration 2001), Story Artist Ryan Green (Media Studies 2003), Story Artist Fawn Veerasunthorn (Media Studies 2005), CG Layout Artist Joaquin Baldwin (Media Studies 2006), and Stereoscopic Artist Trainee Darren Simpson (Media Studies 2011).

Q)  What is it like to work with other CCAD alumni?

Nathan Greno (NG): For me, it’s always a pleasure to be working with CCAD alumni. CCAD teaches a strong work ethic and a strong work ethic, gets the job done on time.

Ben Lane (BL): It’s a bit like old soldiers who can share war stories of late nights, rubylith, and scars from dull X-Acto blades. We grumble about the young punks who have it so easy these days with them computers, unseasonably warm winters, and the ability to tote their entire portfolio on miniscule flash drives. In all seriousness, it’s nice to have a common background with people, especially when starting a new job in LA. It’s comforting to know there are people who have been in the same trenches.

Chris Oatley (CO): The CCAD alumni who have made it to Disney are top talent. Ryan Green and Fawn Veerasunthorn are not only some of my best friends at the studio, but they are also some of the most talented people I know. It’s ridiculous and inspiring.

Ryan Green (RG): I feel that we have a bond, not just because we came from the same school, but because the animation jobs we wanted were unfortunately in a city other than Columbus. We all had to venture away from home, a little naive of the rules of the LA animation industry. Some of us had more roundabout career paths than others, but in the end, we kept learning and making connections until we were finally invited into the Disney family. By the nature of our school’s distance from LA, every CCAD animation student who wants to work for Disney will have to deal with a similar journey, and I think all alumni are aware and empathetic to that fact.

Fawn Veerasunthorn (FV): Most of the people I work with went to school in southern California, so I feel this instant bond whenever I meet another CCAD alum working at Disney or other studios. It is a small group of us, but a strong one. Even if we’re from various majors, we all fought through the same tough foundation year that allowed us to be where we are today.

Joaquin Baldwin (JB): Because we are all in different departments, I don’t really work directly with any other CCAD alumni. It’s great to know that they are around in the same studio.

Darren Simpson (DS): It’s exciting knowing that there are people in the same building that graduated from the same college. I have a friend here in particular that graduated the same year as me, and we were roommates freshman year. To eventually reconnect in a professional environment is very nice.

Q)  Why do you think Disney Animation has a lot of CCAD alumni?

NG: CCAD focuses on teaching the fundamentals. Every artist that works at the Disney Animation Studios need a strong fundamental structure to succeed. It’s been over a decade since I attended classes at CCAD, but what I learned there I use every day. The technology will change over the years, but the fundamentals stay the same.

BL: CCAD has a great program. Any artist could benefit from the foundation year alone. I think Disney recognizes that quality in the students and sees the school as a good source to draw its future employees.

CO: Disney Animation is still all about strong drawing and painting. If you submit a portfolio to Disney, people will go nuts for beautiful life drawings or plein air paintings. A high value is placed on classical art skill because it’s an inextricable part of the Disney legacy, regardless of the pervasive obsession with [Computer Graphics].

RG: Disney artists who come from CCAD embody the school’s foundation program. These individuals have found strength in their drawing, painting, or design skills and deliver high-quality craftsmanship on the job.

FV: CCAD focuses so much on the strong foundation in drawing, color, and design. Those are very important skills to have regardless of the department you’re working for. Not many schools emphasize them. Technology will always be changing, but the principles you learned from color concept classes will always be relevant in your career.

JB: I have no clue! I think it’s all due to random chance, depending mostly on the amount of available positions. Our studio has been hiring a lot of new people lately.

DS: There are a lot of passionate artists from CCAD doing many great things. I feel that having a desire to be in your respective profession will get you anywhere you want to be.

Q)  Any advice for current students or fellow alumni who want to become involved with Disney?

NG: It takes a lot of hard work to become an artist at the Disney Animation Studios. It’s not easy to get in the door, but it’s a goal worth fighting for. At Disney it’s possible to create films that will be loved worldwide. Tangled is a film I will be proud of for the rest of my life. Our animated films inspire toys, theme park rides, and attractions. It’s an amazing place to work. Aim high and never stop fighting for your goals.

BL: Many people who work in the animation industry, including some of Disney’s best artists, have websites, post on twitter, and regularly blog. Google search these guys and study their work, read what they have to say, contact them (if their contact info is readily available), and get their opinion of your work. The only caveat I would add is that they may not respond—these guys are busy. If you don’t hear anything, don’t get discouraged, but don’t become a pest, either. Also, start a website, or a blog or anything accessible via the internet. It doesn’t entirely replace having a portfolio, but it comes in handy when getting opinions of your work.

CO: Do great work and be great to work with. Every investment of time, money, and energy that you make as a professional artist should be in service of one or both of these goals. So the next time you start to get overwhelmed or depressed, just ask yourself:  Is this (time, energy, emotional, financial) investment helping me to focus on one of the two principles for success in the industry?

RG: Get personally involved with artists who do what you want to do. Be proactive. Use the internet to your advantage. If you want to be a Disney story artist, find a current Disney story artist’s website, study his/her work, and email him/her questions about what it takes to get into that specific position. Show your work and ask for a brutally honest critique. If that professional feels you’re not quite up to par yet, then make new samples and get a new critique in a few months. Ultimately, keep communicating with professionals and don’t stop making new art.

FV: The internet has opened up a new world full of great references to study. I’d recommend for students to look up artist’s blogs that are currently working in the industry, and don’t be shy to ask for their advice. Lastly, keep on practicing and never be discouraged by rejections.

JB: Definitely try for the talent development program. I would say it’s even better than being hired regularly, because they train you, give you tons of free classes, have you meet other departments and great people, and they pay you for it all. It’s also easier to get in since they expect you to prove yourself once in, rather than depend entirely on previous work experience like most of the other standard positions.

DS: It’s not required, but it helps living close to the studios. I think being around the studios and creative people fuels creativity further. Also, be persistent when trying to achieve a goal, and be open minded. You will never know which skill of yours will eventually get your foot in the door—It took me by surprise.

Q)  Why do you love your job/working in a creative environment?

NG: I can’t imagine not working in a creative environment. I don’t have an easy job, but I have a very rewarding one. I can’t imagine doing anything else in the world. I’ve been at Disney Animation for 16 years. There’s no other place I’d rather work.

BL: I love working with like-minded people. It’s amazing to be surrounded by so many artists who are passionate about animation, telling stories, and creating entertainment. The caliber of talent at Disney is humbling, and I can’t help but be inspired to be a better artist.

CO: I make a living from my imagination. It’s what I was born to do, so the privilege to do that 24/7 is overwhelmingly awesome. I’m also a people person. Some folks are made to go off into the woods, live life in a log cabin and paint lakes—that’s not me. I am made to collaborate, encourage, challenge, argue, etc. So to be released to just be myself in an environment where I can learn from and be challenged by everyone…well, it’s a dream come true.

RG: Animation is a collaborative medium, especially at a studio like Disney. For me, doing my art amongst creative peers is not only inspiring and informative, but in a racehorse kind of way, keeps me focused on being the best I can be, offering the best solutions for our films.

FV: Disney Animation has a long line of legacy and knowledge that has been passed along from one generation to the next. I learn so much from my colleagues each day, and they inspire me to be better at my craft.

JB: I feel like I can provide a lot of creative input into the films we are making. There is a hierarchy here, but it doesn’t mean that only the directors and producers have a say on it all. I tend to be very vocal and push new ideas. I feel that if I was just creating the shots that I was assigned to without questioning them, I’d get bored very quickly.

DS: I love it because I get to be creative. In any creative environment with passionate people, you will get sucked up in a whirlwind of creative magic—and it feels great.

Q) What past experiences do you share and remember from being a student at CCAD? How has this impacted your professional career?

NG: CCAD really taught me the importance of getting the job done on time and putting the most into everything I do. I learned work ethic and skills at CCAD that I apply every day at the studio. Without CCAD, my artistic toolbox would be empty. I owe a lot to all of my instructors at CCAD. I worked hard while I was in Columbus, and my reward has been a successful career at the Disney Animation Studios.

BL: I had to explore a few different directions in art before settling on animation. CCAD exposed me to many different artistic paths and helped me discover where I wanted to go. Specifically, Ron Saks’ class on storyboarding opened my eyes to an exciting new world that I had never considered before.

CO: When I was at CCAD, the animation industry was getting turned upside-down by the likes of Woody, Buzz, and Shrek. Meaning, CG [Computer Graphics] was changing everything and art schools everywhere were trying to figure it out. The internet wasn’t really “The Internet” yet, so information moved more slowly. My teachers at CCAD knew something that has been proven true in my life over and over and over, that regardless of what changes are happening in any area of commercial art, the art part should always be your main focus. CCAD taught me to set unreachable high standards for myself and to focus on drawing and painting above all else. It took me six years to break into the industry, but ever since then I haven’t had a single day without work. I owe a great deal of that consistent success to CCAD. CCAD is unlike many art schools in that they don’t chase software trends. They focus on drawing, painting, color, composition, etc. That’s the important stuff. That’s the stuff that will get you through the long haul.

RG: Around my junior year, the Media Studies department invited Dr. Stuart Sumida, a paleontologist and animal locomotion expert, to give an intensive seminar at our school. In his “You Are What You Eat” presentation, he broke down and defined the differences between herbivores and carnivores and how their anatomy affects their movement and behavior. Fast forward to my current Disney project, a movie involving a fictitious animal. In what started as a casual conversation with my director about this animal’s movement, I was eventually asked to create a presentation for the team that would clarify how this animal would move and what features needed to be changed so the character would be more believable to the audience.

FV: During my junior year at CCAD, I took Mr. Tardino’s illustration class, despite being a Media Studies major. I learned so much about character development and story, that I went back and took it again the next semester. The knowledge I gained then has been very helpful to me as a story artist today.

JB: I remember a lot of cheap ramen. I remember freezing my butt off. I remember cleaning the ceramics lab as a student worker, and growing clay stalactites in my nostrils. I also remember picking the hard teachers on purpose so I’d be pushed harder, and always trying to do a bit more than what any assignment asked for. I think that CCAD was as much about learning art concepts and skills as it was about learning to be self dependent and self driven. In a creative work environment they look for people that can handle the tools well, but that are also able to take initiative and improve the tool set and quality of the work.

DS: Foundation year. We all have our own experiences and memories from foundation year, but it was a huge stepping stone for me. I learned a lot about so much, and I still have a lot of learning and growing to do. I’m always trying to better myself and discover/learn new ideas, techniques, etc.

Check out our alums’ websites for more information:
Ben Lane
Chis Oatley
Ryan Green and Fawn Veerasunthorn have Bluefoot Studios
Joaquin Baldwin
Darren Simpson

Richard Cowdrey’s illustration for the children’s book “Searching for the You We Adore”

We do our best to get most of the news you submit to us onto the CCAD News Blog, but since there are more than 10,000 of you making news all over the world, not everything can make it into the blog. We’re glad to have another venue where we can share everything with you—this newsletter’s classnotes.

You can submit classnotes via the easy-to-use form on the alumni landing page. We only post career-related successes, awards, exhibitions, and publications, but we’d also love to know when you move, get married, or have children—just use that same form.

Now, without further ado, your classnotes from March, April, and May 2012.

Eileen Mueller Neill ’65 had an exhibition, Imaginaries, at the University of Wisconsin-Parkside’s Fine Arts Gallery. Read more here.

Richard Cowdrey ’81 illustrated Searching for the You We Adore, written by Valerie Westfall. Read more here.

Janet Sopp-Sims ’85 was a finalist in the 2012 Hunting Art Prize. Read more here.

Anthony Baker ’86 presented at a conference about the importance of art in the classroom. Read more here.

Creative Arts of Women (CAW) members Helma Groot ’89, Roxanne Smith-Mansell ’87, Kristin Morris ’94–’02, Mary Ann Crago ’95, and Cat Sheridan ’03 were in a group exhibition honoring Women’s History Month. Read more here.

Richard Hughes ’88–’95 was chosen to create a poster for the eighth annual Art Affair on the Square in Urbana, OH. Read more here.

Don Slobodien ’88 earned first place in the Art at the Arnold competition. Read more here.

Chris Cosnowski ‘92 had a solo exhibition at Lyons Wier Gallery in New York City. Read more here.

Daniel Hopper ’94 had a chandelier chosen to be displayed in Coup d’Etat, a design showroom in San Francisco.

Jason Moore ’96 was named to Columbus Business First’s 40 under 40 2012 Honorees list. Read more here.

Danielle Julian Norton ’99 was in a group exhibition in New Jersey. Read more here.

Nicole Bruckman ’00 co-curated Cella Gallery’s exhibition Femme Fatale in North Hollywood. Read more here.

Irina Grebennik ’02 exhibited work in the  Orville J. Hanchey Gallery at Northwestern State University in the Inaugural 40 under 40 show.

Michael Bonardi ’04 had a solo exhibition in Columbus, OH. Read more here.

Eliza Kinkz ’04 premiered her film Chocolate Milk at the 2012 South by Southwest® (SXSW®) Film Conference and Festival. Read more here.

Michael Litzau ’04 was offered a two-week residency at Ragdale in Illinois. Read more here.

Steve Weinzierl ’05 became the creative director at Favorite Color in New York City.

Anna Porreca ’06 was hired as an apparel graphic designer for Victoria’s Secret Pink in New York City.

John O’Reilly ’07 had his first solo exhibition at RH Gallery in New York City. Read more here.

These are Things, founded by Jen Adrion ’08 and Omar Noory ’08, was featured in two trade publications (read more here) and was used as a case study for a New York Times bestselling author’s book (read more here).

Ashley K. Alexander ’09 published her second novel, The Hanged Man’s Ghost. Read more here.

Annie Kocher ’09 was featured in Alive! Read more here.

Rachel Ridgley ’10 had her photography and personal story featured in Wolfdogs magazine. Read more here.

Mason Miller ’11 was hired as a graphic designer for Big Red Rooster, a multidimensional brand experience firm.

Pallavi Sen ’11 was awarded the Lifchez/Stronach nine-month, paid curatorial internship with the Antonio Ratti Textile Center of The Metropolitan Museum of Art. Read more here.

Book cover of "The $100 Startup"

Alumni-founded design company These are Things will be featured in The $100 Startup, a book by New York Times bestselling author Chris Guillebeau.

These are Things is owned by 2008 grads Jen Adrion and Omar Noory. In the book, Guillebeau highlights 50 case studies where individuals have built businesses earning $50,000 or more from a modest investment, in many cases $100 or less.

“The book is a step-by-step guide to starting a micro-business without tons of cash and a formal business plan—which is exactly what we did,” Adrion said. “We have been fans of Chris’ work for a while, so this is pretty exciting for us.”

Adrion and Noory started their company in 2010. Their first product design was a map originally created for their personal use. Upon selling the extras online they realized the product’s business potential.

Guillebeau’s book will be published May 8, 2012. He will stop in Columbus during his international book tour to speak at the Garden Theater in the Short North on May 22.

Noory and Adrion

A design company founded by CCAD Advertising & Graphic Design alumni Jen Adrion (CCAD 2008) and Omar Noory (CCAD 2008) was recently featured in two trade publications.

Adrion and Noory started their company, These are Things, in 2010. Their first product design was a map originally created for their personal use. Upon selling the extras online they realized the product’s business potential.

Since then they have been featured in both online and print media. Most recently, they have been profiled in two published books. The first, I Heart Stationery: Fresh Inspirations for Handcrafted Cards, Note Cards, Journals, & Other Paper Goods, is an overview of the best designers and techniques used for handcrafted stationery and paper goods.

“We’re so proud to have our work profiled in I Heart Stationery amongst great designers and illustrators from around the globe,” Adrion said.

World map created by These are Things

Their work also graced the pages of The Crafter’s Guide to Taking Great Photos: The Best Techniques for Showcasing Your Handmade Creations. The book is an instructional guide to documenting and photographing artists’ handmade items in a simple, inexpensive way.

“When author Heidi Adnum approached us last year to have our product photography featured in her upcoming book, we jumped at the chance,” said Adrion.

To learn more about These Are Things and browse their shop visit them at thesearethings.com.

John Jude Palencar’s illustration for the best-selling children’s novel “Eragon”

We do our best to get most of the news you submit to us onto the CCAD News Blog, but since there are more than 10,000 of you making news all over the world, not everything can make it into the blog. We’re glad to have another venue where we can share everything with you—this newsletter’s classnotes.

You can submit classnotes via the easy-to-use form on the alumni landing page. We only post career-related successes, awards, exhibitions, and publications, but we’d also love to know when you move, get married, or have children—just use that same form.

Now, without further ado, your classnotes from December 2011, January 2012, and February 2012.

Ron Miller ’70 created the illustrations for an iPad app Journey to the Exoplanets. Read more here.

Nicky Epstein ’74 has finished her 24^th book about knitting design. Read more here.

Tim Rietenbach ’77, Danielle Julian Norton ’99, Mariana Smith ’02, and Michael Litzau ’04 were among 10 CCAD-affiliated artists in a recent exhibition. Read more here.

Tim Rietenbach ’77 is a participating artist in FINDING TIME: Columbus Public Art 2012, a multi-artist public art project to celebrate the city of Columbus’ 200^th birthday. Read more here.

Kent Roberts ’77 had his work accepted in the Pennsylvania Watercolor Society’s Annual Show.

Wong Wo Bik ’77 was in the group exhibition Memory and Fiction at Blindspot Gallery in Hong Kong. Read more here.

John Jude Palencar ’80 illustrated the newest book in a best-selling children’s series, the Inheritance Cycle. Read more here.

Michael Neno ’84, Andy Bennett ’94, and Ryan Brinkerhoff ’08 all worked on the fourth issue of a Columbus based comic book. Read more here.

Kurt Fondriest ’85 was featured in the film Operation Rhino, which received a Midwest/Chicago Emmy from the National Academy of Television Arts and Sciences. Read more here.

Inka Essenhigh ’91 had a solo exhibition at Tomio Koyama Gallery in Kyoto, Japan. Read more here.

Anita Miller ’91–’99 continues to tour her exhibition The Eyes of Freedom: the Lima Company Memorial. Read more here.

Nathan Greno ’93–’96 co-directed Disney’s animated short Tangled Ever After. Read more here.

David Breaux ’94 is a senior animator on the FOX television series Terra Nova, produced by Steven Spielberg. Read more here.

Sandy Kessler Kaminski ’93 had her piece Around 65 featured in Studio Visit magazine, vol. 14.

Ron Stasko ’93 had his work Liquid Color displayed in Tsunami, a Baton Rouge restaurant.

Kathleen ’94 and David Hartman ’95 both worked on the film John Dies at the End, which premiered at the Sundance Film Festival. Read more here.

Samantha Bennett ’95–’99 had a solo exhibition, Scars, Portraits and Beyond, at Hayley Gallery in New Albany, OH. Read more here.

Michael Newton ’96 and Jeremy Sorrell ’04, exhibited their work at Rivet Gallery in downtown Columbus, OH. Read more here.

Laine Bachman ’97 had a solo exhibition, Birds of a Feather, which was reviewed by The Columbus Dispatch. Read more here.

Nicole Bruckman ’00 was in a group exhibition at WWA Gallery in Culver City, California. Read more here.

Michael Guinane ’00 showed his work at the Cultural Arts Center in Columbus, OH.

Adam Brouillette ’02 and Boryana Rusenova Ina ’00 were on the Best Local Artists list of 2011 in Columbus Underground. Read more here.

Anne Holman ’02 is featured in The New Artisans: Handmade Designs for Contemporary Living. Read more here.

Carl Bork ’03 had a solo exhibition at Tointon Gallery in Greeley, CO. Read more here.

Kenneth Hall ’04 had a solo exhibition at Parkland College Art Gallery in Champaign, Ill. Read more here.

Manjari Sharma ’04 was featured in The New York Times discussing her photography project Darshan. Read more here.

Melissa Spencer ’06 displayed her photography in Cleveland, OH at Sunny Side Up Gallery.

Maris Turner ’07 and Sara Renner ’08 opened a boutique in Ann Arbor. Read more here.

Genoveva Christoff ’09 was a finalist in the E! Live from the Red Carpet Design Contest and presented her work at the Mercedes Benz Fashion Week.

Turner and Renner pictured in their store. Photograph by Paul DiStefano

Two CCAD graduates have opened a new boutique in Ann Arbor that was recently featured in Lead Magazine.

Maris Turner (CCAD 2007) and Sara Renner (CCAD 2008) decided to start a business together after meeting during their internships at American Eagle in New York.

Their shop, Avtomobile, sells clothing, jewelry, and accessories. The pieces found in the store are either created by the graduates or found on their many buying trips.

“Maris and I will go on road trips all over the state or out of state and map out all different kinds of antique stores, vintage shops, random garage sales; sometimes the best finds are the places we happen upon,” Renner said in the article.

According the the magazine article, Turner uses his illustration background to create designs for shirts, while Renner’s fashion design background supports her work on projects ranging from creating original bags to re-fitting vintage clothes for a more modern look.

Photograph by Paul DiStephano

The owners want shoppers to have an experience in Avtomobile similar to those that they have had visiting vintage and antique stores. Shoppers will dig through stacks of merchandise to find that something special like a treasure hunt.

Avtomobile hopes to make their products available to purchase online soon.

Read the full article from Lead Magazine, a student run publication from the University of Michigan, here.

Alumna Kristi Kalkman's font created for Victoria's Secret

We do our best to get most of the news you submit to us onto the CCAD News Blog, but since there are more than 10,000 of you making news all over the world, not everything can make it into the blog. We’re glad to have another venue where we can share everything with you—this newsletter’s classnotes.

You, too, can submit classnotes via the easy-to-use form on the alumni landing page. We only post career-related successes, awards, exhibitions, and publications, but we’d also love to know when you move, get married, or have children—just use that same form.

Now, without further ado, your classnotes from September, October, and November (2011).

William Walker (CCAD, 1953) was featured in a Chicago Sun-Times article about the mark he left on the city with his murals; read more here.

Ben Mahan (CCAD, Illustration, 1965) participated in the 16th International Competition of Illustration in Italy. Read more here.

Robert Tavani (CCAD, Fine Arts, 1985) participated in an exhibition at the Cummings Art Gallery featuring recent works from members of the Mercyhurst College Art Department. He showed oil paintings including both portraits and landscapes.

Anthony Baker (CCAD, Illustration, 1986) was appointed the team lead, medical illustrator at The Ohio State University’s health science library.

Christopher Yates ( CCAD, Fine Arts, 1987), Steve Bush (CCAD, Fine Arts, 1994), Hiroshi Hayakawa (CCAD, Photography, 1995), Casey Bradley (CCAD, Fine Arts, 2001), Mariana Smith (CCAD, Fine Arts, 2002), Tina Matthews (CCAD, Fine Arts, 2003), Lauren Mudd (CCAD, Fine Arts, 2004), Mylesant Carreno (CCAD, Fine Arts, 2005), Brandon Noblet (CCAD, Fine Arts, 2005), and Nicki Strouss ( CCAD, Fine Arts, 2008) all were involved in the exhibition Crossroads. Read more here.

Julie Abijanac (CCAD, Fine Arts, 1992) had work in a two-person exhibition with Dean of Faculty Char Norman. Read more here.

Steve Bush (CCAD, Fine Arts, 1994) was commissioned for a public art piece in Creekside Plaza (Gahanna, Ohio). Read more here.

Craig Swoboda (CCAD, Illustration, 1994) took the position of package creative manager at Anheuser-Busch Inc.

Nathan Greno (CCAD, Illustration, 1996) won the Joseph V. Canzani Alumni Award for Excellence. Read more here.

Kelly Weik (CCAD, Illustration, 1996) was featured as artist of the month in the Chicago-based company Faux by Kathy.

Michael Auger (CCAD, Illustration, 1998) was featured in DC Conspiracy magazine. Read more here.

Johnny Yanok (CCAD, Illustration, 1998) was featured in an exhibition at Rivet Gallery in the Short North (Columbus, Ohio). Read more here.

Josh Sutton (CCAD, Illustration, 2000) was featured in a (614) magazine article detailing his work as a freelance toy sculptor.

Matthew Klos (CCAD, Fine Arts, 2001) had an exhibition at the Still Life Gallery in Ellicott City, MD, this fall.

Ryan Green (CCAD, Media Studies, 2003) and Fawn Veerasunthorn (CCAD, Media Studies, 2005) were both hired as story artists at Walt Disney Animation Studios. Read more here.

Jen Chapman (CCAD, Advertising & Graphic Design, 2004) and her company, Redsnapper Baby & Toddler, were featured in HOW magazine. Read more here.

Holly Koskinen’s (CCAD, Advertising & Graphic Design, 2005) freelance agency won a 2011 American Graphic Design Award.

Molly Burke (CCAD, Fine Arts, 2006) participated in the Sculpture X Symposium and its 2011 fall juried exhibition in Cleveland, OH. Read more here.

Justin Cohen (CCAD, Industrial Design, 2006) won a 2010 Good Design award.

Kendra L. Meyer (CCAD, Fashion Design, 2007) has joined Albright College as assistant professor of fashion design.

Angela Svarda (CCAD, Fine Arts, 2008) was in ArtSpan’s 2011 SF Open Studios in San Francisco. Read more here.

Christie S. Craven (CCAD, Advertising & Graphic Design, 2009) is now working as a web designer for Direct Brands/Columbia House in Manhattan and also started her own venture, www.samplesaleavenue.com.

Kristi Kalkman (CCAD, Advertising & Graphic Design, 2010) created a font for a Victoria’s Secret campaign. Read more here.

Catherine Proctor (CCAD, Media Studies, 2010) had images published in The Ohio State University Dance Department’s annual magazine, InFORM.

Alex Alvarado (CCAD, Illustration, 2011) received a job as a look development artist at Walt Disney Animation Studios. Read more here.

Eric Coolidge (CCAD, Fine Arts, 2011) was featured on the Ohio Department of Education website to promote National Arts in Education Week. Read more here.

Ryan Monroe (CCAD, Photography, 2011) did the photography for the 10^th anniversary calendar for a restaurant in Columbus, OH. Read more here.

In Memoriam:

Walker, Steve (CCAD, 1970) Obituary here.

William, Walker (CCAD, 1953) Obituary here.

NCQ cover by Michael Neno

CCAD alumni are contributing to the comic scene in Columbus with Nix Comics Quarterly (NCQ).

NCQ is an open submission comic book/magazine with a focus on horror, humor, and garage-punk theme.

The series is on its fourth issue and three CCAD alumni are involved. They include Ryan Brinkerhoff (2008 Advertising & Graphic Design), Michael Neno (1984 Illustration), and Andy Bennett (1994 Illustration).

The magazine has become a creative outlet for those who enjoy illustration and the comic book scene. Interested people will submit pitches to the creator, Ken Eppstein. He then selects artists to contribute their work.

The alumni all work on outside projects, but will combine their skills in this magazine, which contains four feature stories and four recurring shorts.

“I always enjoy working with a new writer, especially someone as talented as Ken,” Bennett said. “Every creator has a unique approach to storytelling and cool things happen when you start to combine those aesthetics into a brand new thing.”

This is Bennett’s first contribution to the magazine and he illustrated a story called Eddie & the Squid Contemplate the Great Beyond. Bennett is currently working as Art Director at Brighter Minds Media, a book and software publisher.

The cover of this issue was illustrated by Michael Neno. His favorite part of working on this magazine was being able to paint again, since he has recently worked with digital tools and pencils. Neno’s cover features The Vicar, a vampire-killing rock’n’roll priest. In previous issues, Neno had illustrated The Vicar in various stories and shorts. He is currently working toward publishing his own comic book.

Brinkerhoff, much to his excitement, is working on a Bus Stop Ned story. This reoccurring short personifies a man at a public transit bus stop and his antics. Brinkeroff has been worked on all four issues of the magazine and is also working on creating a promo poster for Nix. He is the art director at Origo Branding Company and also runs Bandito Design Company.

NCQ is currently on Kickstarter.com, an online funding platform for creative projects. You can donate and view the project here.  

work by Mylesant Carreno

An exhibition that centers on the unique approach to art making through the collaboration and mixing of media will feature 15 artists affiliated with Columbus College of Art & Design.

Alumni, faculty, and staff are all involved in Crossroads, an invitational exhibition at the Schumacher Gallery at Capital University.

Casey Bradley (CCAD 2001), a Fine Arts alumnus and Lab manager at CCAD, developed the exhibition.

“Crossroads is an exhibition devoted to the enduring spirit of the artist as a creative seeker,” Bradley said.

Bradley invited 20 artists to participate in the show. He went through a jurying process with the Schumacher Gallery director and the director’s assistant to choose the work.

“All of the artists were selected based upon the ability of their work to push the boundaries of the materials and the processes that they are working with,” he said.

The final show comprises of 55 pieces with mediums including watercolors, glass, ceramics, printmaking, found objects, and more.

“It is the orchestration methods and interactions with each artist’s materials that allow a sense of discovery to translate to the experience of the viewer,” Bradley said.

CCAD artists involved in the exhibition include Bradley, and Carol Boram-Hays (adjunct faculty),  Steven Bush (1994 Fine Arts alumnus), Mylesant Carreno (SMAC instructor and 2005 Fine Arts alumna), Elizabeth Fergus-Jean (adjunct faculty), Nicole Gibbs (adjunct faculty), Michael Goodson (Exhibitions Director), Hiroshi Hayakawa (associate professor and 1995 Photography alumnus), Kelly Malec-Kosak (assistant professor),  Tina Matthews (2003 Fine Arts alumna), Lauren Mudd (2004 Fine Arts alumna),  Brandon Noblet (adjunct faculty  and 2005 Fine Arts alumnus), Mariana Smith (adjunct faculty and 2002 Fine Arts alumna),  Nicki Strouss (SMAC instructor and 2008 Fine Arts alumna), and Christopher Yates (associate professor and 1987 Fine Arts alumnus).

For more information and the full list of participating artists click here.

The exhibition will be at the Schumacher Gallery at Capital University through Dec. 9, 2011 with a reception on Friday, Nov. 11 5–7 p.m.

Media Studies alumnus Nick Burkard worked on feature film Puss in Boots

Classnotes

We do our best to get most of the news you submit to us onto the CCAD News Blog, but since there are more than 10,000 of you making news all over the world, not everything can make it into the blog. We’re glad to have another venue where we can share everything with you—this newsletter’s classnotes.

You, too, can submit classnotes via the easy-to-use form on the alumni landing page. We only post career-related successes, awards, exhibitions, and publications, but we’d also love to know when you move, get married, or have children—just use that same form.

Now, without further ado, your classnotes from June 2011 – August 2011.

Jerry W. McDaniel (CCAD, Illustration, 1957) opened an art gallery and created a process video. Read more here.

Ming Fay (CCAD, Industrial Design, 1965) marked his 20-year anniversary displaying at Butters Gallery with his exhibit Full Circle.

James Markle (CCAD, Industrial Design, 1970) presented a speech about his environmental photography at the Tahoe Art League. Read more here.

Ron Miller (CCAD, Illustration, 1970) illustrates a French youth science magazine. Read more here.

Jamie Berger (CCAD 1975-1978) was featured in a HOW magazine article detailing the rebranding and success of their printing company. Read more here.

Jon Hair (CCAD,  Advertising & Graphic Design, 1976-1978) was featured in North Carolina’s Our State magazine. Read more here.

Kate Rivers (CCAD, Fine Arts, 1977) had an exhibition in Santa Fe, New Mexico. Read more here.

Michele Householder Funk (CCAD, Illustration, 1978) has released her children’s book, The Adventures of Pete and Max and the Lost Sock. Read more here.

David Groff (CCAD, Illustration, 1979) had illustrations featured in a healthcare calendar.

Matthew Kaser (CCAD, Industrial Design, 1984) and his design firm, Kaser Design, were recently awarded another interpretive planning and design job in Texas. The newest project is the historic site Presidio de San Sabá, in Menard, Texas.

Kurt Fondriest (CCAD, Fine Arts, 1985) was included in the annual Misericordia Home group show, which was visited by more than 1,400 guests. Read more here.

Jeff Preston (CCAD, Illustration, 1985) is featured in the DVD Masters of Art: Markers with Jeff Preston. Read more here.

Edward Buchanan (CCAD, Fashion Design, 1988-1991) had his designs  featured in the spring 2011 issue of France’s Blast magazine. Read more here.

Paul Hamilton (CCAD, Illustration, 1988) received the Phil Desind Award, given annually by the Butler Institute of American Art to an outstanding representational work. Read more here.

Scott Musgrove (CCAD, Illustration, 1989) launched an online show and nearly sold out in only three weeks. Read more here.

Tracy Hayes (CCAD 1990) recently moved her design firm SKUBA Designs to a new location on New Orleans’s popular Magazine Street. Read more here.

Peter Wachtel’s (CCAD, Industrial Design, 1990) invention, STAKE, is available for presale on Quirky. Read more here.

Wendy Emrey’s (CCAD, Advertising & Graphic Design, 1991) long career influenced a new pursuit. Read more here.

Julie Abijanac (CCAD, Fine Arts, 1992) has been accepted into the Studios of Key West Artist in Residency Program for the summer 2012. Read more here.

Samantha Bennett (CCAD, Fine Arts, 1995-1999) appeared on an episode of Everyday People on TLC’s NY Ink. Find out more here.

Hiroshi Hayakawa (CCAD, Photography, 1995) showed his kinetic sculptures in a Columbus gallery. Read more here.

Susan Li O’Connor (CCAD, Fine Arts, 1996) was one of three artists featured in an exhibition at the Columbus Metropolitan Library’s Carnegie Gallery. Read more here.

Sara Adrian (CCAD, Fine Arts, 1998) presented in September at FLASH!, an art show in Columbus.

Several CCAD alumni received awards at the opening of this year’s fine arts exhibition at the Ohio State Fair, including Andrew Ina (CCAD, Fine Arts, 2006), Corey Aumiller (CCAD, Media Studies, 2006), Amanda H. Cook (CCAD, Illustration, 1999), Eric Homan (CCAD, Media Studies, 1998), Brandon Antczak (CCAD, Fine Arts, 2007), and Adam Brouillette (CCAD, Fine Arts, 2002) . Find out more here.

Justin Shady (CCAD, Media Studies, 1998) interviewed Michael Altman (CCAD, Media Studies, 2000) in OC Weekly. Read more here.

Danielle Julian-Norton (CCAD, Fine Arts, 1999), a co-founder of Suite 42,  had an open-studio exhibition in Dresden, Germany. Read more here.

Michael Marucco (CCAD, Advertising & Graphic Design, 1999) has been promoted at Limited Brands, Inc., to senior art director of internet content for Victoria’s Secret Direct.

Damian Ward (CCAD, Illustration, 1999) illustrated a book written by Oscar-nominated writers. Read more here.

Anthony M. Nesossis (CCAD, Advertising & Graphic Design, 2000) recently completed a rebrand of various materials for the Educational Council. Read more here.

Brent Woodard (CCAD, Illustration, 2000) helped with a global anti-drug message. Read more and see the image here.

Paul Tepper (CCAD, Illustration, 2001) was recently featured on the cover of Columbus Alive! Read more here.

Nikos Rutowkski, (CCAD, Fine Arts, 2002) helped coordinate Franklinton’s Go West Festival, which featured work by several CCAD Alumni. Read more here.

Michelle Rozic (CCAD, Fine Arts, 2003) was appointed the new assistant professor of art at California State University, Northridge.

Cat Sheridan (CCAD, Fine Arts, 2003) was featured in a Wexner Center blog for her volunteer efforts. Read more here.

Michael Carney (CCAD, Media Studies, 2004) and John Malta (CCAD, Illustration, 2010) were both in the NY Times in August. Read more here.

Jen Chapman (CCAD, Advertising & Graphic Design, 2004) will be featured in HOW magazine in the fall of 2011 for her company Redsnapper Baby & Toddler. Read more here.

The alumni music trio of Beth Murphy (CCAD, Fine Arts, 2004), Adam Elliot (CCAD, Fine Arts, 2004), and Jared Phillips (CCAD, Fine Arts, 2004) performed at the Wexner Center and were featured in the Columbus Dispatch. Read more here.

Manjari Sharma’s (CCAD, Media Studies, 2004) latest project was featured on an NPR blog. Read more here.

Gabe Shultz (CCAD, Advertising & Graphic Design, 2004) created an experimental multimedia project and music album samples from the music of rock band Steely Dan. Read more here.

Elizabeth Weissbrod (CCAD, Illustration, 2004) was one of the featured artists in the June 2011 Hopkins Medicine magazine article “Illustrators of the Century.” Read more here.

Brian Scott Campbell (CCAD, Fine Arts, 2005) was invited to Davidson College in Davidson, North Carolina as a visiting artist in September and will also be an artist in residence this fall at the McColl Center for Visual Arts in Charlotte, North Carolina.

Steven Weinzierl (CCAD, Media Studies, 2005) has been named Favorite Color’s new creative director. Read more here.

Molly Burke (CCAD, Fine Arts, 2006) recently participated in a Cleveland West Art League (CWAL) exhibition with Cleveland painter Julie Morgan. Read more  here.

Andrew Ina’s (CCAD, Fine Arts, 2006) exhibition New Frontier was recently reviewed in the Columbus Dispatch. Read more here.

Melissa (Hofelzer) Spencer (CCAD, Media Studies, 2006) designed an exhibition invite and an interactive website. Read more here.

Seven alumni, including Nate Burns (CCAD, Illustration, 2010), Travis Czekalski (CCAD, Media Studies, 2010), Julie Hall (CCAD, Fine Arts, 2010) Katie Herbst (CCAD, Media Studies, 2010), Michael Lovett (CCAD, Fine Arts 2011), Alex Moore (CCAD, Fine Arts 2011), and Kevin Smalley (CCAD, Media Studies, 2006-08) teamed up to present Fringed: A Fashionably Fine Art Exhibition in Columbus. Read more here.

Nick Burkard, (CCAD, Media Studies, 2007) Dreamworks effects animator, detailed the work he did on the upcoming film Puss in Boots. Read more here.

Michelle Dick (CCAD, Fine Arts, 2008) had her first trunk show hosted by a Columbus boutique. Read more here.

Ashley K. Alexander (CCAD, Fine Arts, 2009) published her first novel. Read more here.

Cory Cantelupe (CCAD, Illustration, 2009) is currently doing work as a freelance sculptor for Hasbro, Inc.

Navy Seaman Jessica M. Pettinger (CCAD, Interior Design, 2009) recently completed U.S. Navy basic training at Recruit Training Command, Great Lakes, Illinois.

Emily Spear (CCAD, Illustration, 2009) is finishing her first year as an associate product designer for Hasbro Inc.

Ian Horn (CCAD, Fine Arts, 2010) has found success with a new NYC business. Read more here.

Mallory McClellan (CCAD, Fine Arts, 2010) was featured in Columbus Alive! for the sculpture she built for Harrison Park in Columbus. Read more here.

Kartika Mediani (CCAD, Animation, 2010) was one of 40 college students across the country to receive a summer internship with the Academy of Television Arts & Sciences Foundation. Read more here.

Ross Caliendo (CCAD, Fine Arts, 2011) was featured in a weekly Cincinnati newspaper for his participation in an exhibition. Read more here.

Jen Hutson (CCAD, Fine Arts, 2011) has been accepted into the St. Petersburg Clay Company’s Artist in Residence Program for the 2011-2012 term.

Angela Mancuso (CCAD, Advertising & Graphic Design, 2011) was appointed as the newest art director at Peebles Creative Group. Read more on their blog.

Amy McQuillin (CCAD, Advertising & Graphic Design, 2011) was hired as the Upper Arlington’s Cultural Arts Division’s intern.

Local tech company Bluemile, ranked in 2010 by Inc. Magazine as one of the nation’s fastest-growing private companies, is featuring artwork by CCAD alumni and faculty in its New Albany office as one way to introduce visitors and other programs to the college. Read more here.

In Memoriam
Edmund Kuehn, (CCAD, Fine Arts, 1938). Read more here.
Charles (Chip) Kirker III, (CCAD, Illustration, 1971). Obituary here.
Dan (Danny) J. Schroll, (CCAD, Fine Arts, 1973). Obituary here.
Gerome Alexander, (CCAD, Advertising & Graphic Design, 1982). Obituary here.
Teresa Williams, (CCAD, Illustration, 1988). Obituary here.
Kathryn A. Gough, (CCAD, 1990). Obituary here.
Lacey L. Pope, (CCAD, Industrial Design, 2002). Obituary here.
Christine Salisbury, (CCAD, Media Studies, 2005). Obituary here.

Bridal accessories by alumna Michelle Dick at Big Rock Little Rooster

A Fine Arts alumna’s first trunk show is this September in Columbus and it will feature custom hand-tooled silk floral hairpieces.

Michelle Dick’s business, Mimi’s Closet, is a multi-faceted company of four divisions, including custom bridal accessories (Mimi’s Closet Bridal Accessories), handcrafted handbags (Mimi Baggage), children’s clothing and accessories (Mimi’s Kids), and Misc. Mimi, which encompasses fine art, print work, and miscellaneous arts and crafts.

Dick (CCAD 2008) has been in business since 2009 and operates out of Baker Hill, AL. After introducing her pieces in a Columbus store she began getting requests for custom wedding pieces so she decided to enter the bridal market. Now, Mimi’s Closet is exclusive to Big Rock Little Rooster in Columbus, where the trunk show will be the entire month of September.

Dick’s second trunk show will be hosted by the same boutique, 654 N. High St., in the Short North, for the entire month of December 2011. In the past, Dick has been invited to create pieces for a Vera Wang trunk show as well as other designers’ trunk shows.

Recently, Mimi’s Closet accessories were included in a photo shoot in the debut issue of Capital Style Bride magazine and also were featured on a segment about Big Rock Little Rooster on the TV show Daytime Columbus. Look for handprinted onesies from Mimi’s Kids in an upcoming issue of Columbus Parent Magazine, which included the clothing in a photo shoot for upcoming use with its online publication.

More product information is available through Dick’s online store at www.mimiscloset.storenvy.com

Starting in back left corner: Jeong Woong Lee, Eunji Paek, Sun Young Park, President Griffith and wife Beth, Christopher Maslon, Jeong Hoon Tony Lee, Mose Jeung, Seo Yeon Hur, Kyung Rim Vicky Kim, Gaeul Oh, Jonathon Neeley, Seon Mi Bae, Min Young Alice Lee, and Eun Hae Bae.

During a recent trip to Asia, President Denny Griffith met with two decades of CCAD alumni in Seoul, Korea to catch up on life and remind the graduates of the pride CCAD has in them.

In attendance were student Jeong Woong Lee; Fashion Design alumnae Seo Yeon Hur (CCAD 2010) and Kyung Rim Vicky Kim (CCAD 2009); Illustration alumni Eun Hae Bae (CCAD 2004) and Eunji Paek (CCAD 2008); Interior Design alumni Sun Young Park (CCAD 2010), Yong Ah Shin (CCAD 2008), and Jeong Hoon Tony Lee (CCAD 2005); Media Studies alumna Min Young Alice Lee (CCAD 2005); Fine Arts alumnus Christopher Maslon (CCAD 1996); and Advertising and Graphic Design alumni Seon Mi Bae (CCAD 1997), Gaeul Oh (CCAD 2008) and Mose Jeung (CCAD 2004).

“It was great to find that most of the alumni with whom we met were working in their fields,” said International Admissions Officer Jonathon Neeley who joined President Griffith on his trip. “Hur and Kim both work in the fashion industry. Eun Hae Bae is currently pursuing her Ph.D. and teaches art to undergraduate students. Paek is a freelance illustrator and designer.

“Park, Shin, and  Jeong Hoon Tony Lee are working interior designers. Seon Mi Bae teaches children’s art classes at the Korean Church of Columbus. Oh and Jeung both work at advertising firms, and Jeung received his Master’s degree from Hongik University.

“Maslon is the first foreign elected official appointed to Daejeon Health and Sciences College board for the Executive Committee of Liberal Arts (ECLA). He has also published two books to assist Korean students with English language issues and study abroad advice.”

View more pictures from the gathering here.

(Left to right) Randi Prudden, Cierra Cunningham, Jasmine Stewart, and Anna Fowler

Given that more than 50 CCAD alumni are employed by Abercrombie & Fitch, it’s less of a surprise than you’d think to find four just in the company’s knit bottoms division: Anna Fowler (CCAD 2008), Randi Prudden (CCAD 2010), Cierra Cunningham (CCAD 2010), and Jasmine Stewart (CCAD 2006). We couldn’t resist the opportunity for a group interview. But before we talked to them, we had to ask the company why they love working with CCAD grads.

“Abercrombie & Fitch loves going through the recruitment process at CCAD each year,” said Anne Vetta, senior recruiter for design at Abercrombie & Fitch. “We know we can expect to meet well-rounded, talented students from the design programs.  The foundation year at CCAD is truly unique, and we really appreciate the fine artist skills that are developed during that first year.  We also receive amazing support from the Office of Career Services as well as the Institutional Advancement Office, which is crucial.”

Now without any further ado, a word from our alumnae.

Q) What’s it like to work with three other CCAD alumnae?

Jasmine Stewart (JS) It’s great, because you know the skill set of the other person. You know they learned the same things you did, so you know what you can expect from them.

Randi Prudden (RP) That’s the best part about it. They’ve been through the same thing that you have. Just to be like, “Anna, you know how Mrs. Hannan said this, well what does that mean in Abercrombie terms?”

Cierra Cunningham (CC) It’s really cool to walk around A&F’s campus and recognize a lot of faces. It’s less intimidating, and you feel at home because you recognize so many people.

Editor’s Note: We got to experience this first hand. As we were taking our tour of A&F, we walked past soon-to-graduate Jordan Jones, who was interning for the company at the time and finishing up his collection for the Senior Fashion Show.

Q) Why do you think Abercrombie keeps coming to CCAD for employees?

AF) I think it’s that they know we have the skill set, we’re hard workers, and we come out knowing design.

JS) We’re well-rounded. We’re able to be creative. We’re able to work hard. But most importantly, we’re able to talk about our work, which can be intimidating for designers. CCAD makes you talk about your work and explain your ideas, which is very helpful once you get out into the workforce.

RP) When you step into a design role, you’re not just a designer. You’re a part-time merchant, a part-time graphic designer, a part-time critic. You do everything, and I think that Foundation year at CCAD—when you spend all your time learning about so many different things—helps you to develop the confidence to say “yeah sure, the store should be set up this way.” You know how to do interior design work and how it will look and 2D and 3D presentation and everything. As CCAD grads, we’re like, “throw it at us. Come on. We can take it. ”

JS) Right. You come out knowing all the computer programs. You can draw by hand. You can kind of do everything or at least have the foundation to look to.

AF) I think that’s the biggest thing, having that foundation—because you don’t learn industry until you’re in it, but having that foundation is super important and key. I’ve worked with a couple people who were just coming in and weren’t from CCAD, and they didn’t have the same skill set. It’s nice to work with other people coming from CCAD because you’re like, “oh yeah, you know that.”

Q) Each of you designed a four-piece collection for the senior fashion show the year you graduated. Are you going to this year’s event? Are you looking for future coworkers, or just to support your alma mater?

(All four) “Yes, of course, we’re going!”

RP) I’m going back to support the school, but you never know when Human Resources is going to call.

AF) Just to see the final collections. It’s really cool to see people who come in—and maybe they’ve been sewing since they were four or maybe not—but they have that final collection which is such a big accomplishment.

Q) We have several recent graduates heading to Abercrombie for their first “real” job. What would be your advice for them?

CC) Coming from CCAD, you’re taught to work hard, so it is really an easy transition to working here.

JS) Be passionate and work hard—and be open to learning.

AF) Keep an open mind. Everything you learn in school is a great foundation, but you’ll need to hit the ground running because everything changes when you start.

Q) Why do you love your job?

JS) I have been working here for almost five years, and every day is a challenge, and every day is interesting—and I just love it. I am constantly learning every single day.

AF) It’s a fun, casual atmosphere. What we like today isn’t necessarily what we’re going to like tomorrow, which keeps it interesting.

CC) It is just so inspiring to work here.

RP) I think that people are like “oh, it’s Abercrombie & Fitch. You’re not going to be challenged.” But that predetermined idea is completely wrong. You have to be even more creative than normal because you are working within one brand and each thing has to be different than what it was before—and that’s really hard to do sometimes. You have to find other ways to solve problems. It’s challenging, but I look forward to it every day.

Illustration alumnus David Breaux worked as an animator on feature film "Thor."

We do our best to get most of the news you submit to us onto the CCAD News Blog, but since there are more than 10,000 of you making news all over the world, not everything can make it into the blog. We’re glad to have another venue where we can share everything with you—this newsletter’s classnotes.

You, too, can submit classnotes via the easy-to-use form on the alumni landing page. We only post career-related successes, awards, exhibitions, and publications, but we’d also love to know when you move, get married, or have children—just use that same form.

Now, without further ado, your classnotes from February-May 2011.

Ron Miller (CCAD 1970) has provided cover and interior art for Astronomy, Sky & Telescope, Scientific American, and Geo magazines. His work has also been featured on two Scientific American sites and on the cover of a new science fiction novel. Miller has also written and illustrated three new young adult books for Lerner Publishing and is working on a coffee table art book for Farrar, Strauss, and Giroux. Read more on the CCAD News Blog.

Kurt Fondriest (CCAD 1985) partnered with the Brookfield Zoo to provide a learning experience for his students at Misericordia Home North through expressive art. Read a complete article and see the amazing footage here.

Lisa Horkin (CCAD 1985), Marty Husted (CCAD 1979), Ryan Orewiler (CCAD 2004), and Denise Romecki (CCAD 1976) all exhibited in Face 2 Face: 25 Years of Art and Community, which opened Friday, April 15. Read an article about this show on the CCAD News Blog.

Tracy Hayes (CCAD 1990) has opened a new Skuba Design Studio location on Magazine Street in New Orleans. Click here to learn more.

Peter Wachtel (CCAD 1990) has published two new e-books—Kid Toyology and The Wonderous World of Wonders. Read more here.

Hilary Frambes (CCAD 1992) was chosen as the Ohio Delegate to Parenting magazine’s Mom Congress, April 10-13. More information about her trip is available in the CCAD News Blog.

Celene Hawkins (CCAD 1992) was awarded a 2010 Aid to Individual Artists grant through the Summerfair Foundation in Cincinnati. Read more here.

David Breaux (CCAD 1995) completed animation work on Iron Man 2, Tron Legacy, Real Steel, and Thor. Read an interview with Breaux on the CCAD News Blog.

Tiffany Liss (CCAD 1995) has accepted the position of marketing communications specialist manager for Rexford Industries, LLC, in Indianapolis.

Christopher Maslon (CCAD 1996) was the first foreign elected official appointed to Daejeon Health and Sciences College’s board for the Executive Committee of Liberal Arts. The college is located in Daejeon, South Korea. Included in his nomination was a move by the board to add more arts and design courses to the college’s curriculum. Maslon will head the arts courses offered. Read a complete story about his appointment in the CCAD News Blog.

Anthony Anselmo (CCAD 1998) recently returned to CCAD to provide mock interviews to current students. He shared this album from his self-guided tour with us.

Justin Shady (CCAD 1998) wrote about Joshua Peters (CCAD 2008) on his blog. Peters recently designed a poster for Billy West’s appearance at Packrat Comics in Hilliard, Ohio. Read the blog here.

Michael Guinane (CCAD 2000), Marc Lincewicz (CCAD 1992), Ryan Orewiler (CCAD 2004), Michele Ulmer (CCAD 2005), Molly McNitt (CCAD 2004), and Jurate Phillips (CCAD 2002) participated in the German Village Art League exhibition The Language of Art. Learn more on the CCAD News Blog.

Anthony Nesossis (CCAD 2000) worked as creative director and graphic designer—along with MediaFLOW’s Vincent Blake—to create a new logo, tagline, and web presence for the Educational Council Foundation of Ohio.

Beth Dean (CCAD 2003) has accepted the position of director of user experience at Ongo.

Anousone Panyanouvong (CCAD 2007) received a $10,000 grant from Microsoft to launch her urban forest plan as part of the company’s Make it Great competition. Read more about her project (and how CCAD helped to make it happen) on the CCAD News Blog.

Chelstin Ross (CCAD 2009) exhibited her work during the 2011 Columbus Arts Festival. She was one of 10 central Ohio artists selected to participate in this year’s Emerging Artists Program. She was also featured in the Columbus Dispatch. Read the article here.

Nick Cavalier (CCAD 2010) directed the Felix Culpa’s Our Holy Ghost music video, which debuted at Alternative Press magazine and was featured on Absolute Punk and Blank TV (and the CCAD News Blog). The video has also been entered into the Chicago Underground Film Festival and the Chicago, NY, and SF United Film Festivals.

Katrina Seitter (CCAD 2010) was promoted from freelance designer to graphic designer at Stonefly Communications Group in central Ohio.  She has also taken up a freelance position with the Creative Good, which was started by CCAD alumnus Brian Greenwood (CCAD 1999).

Have news you’d like to share? Click here.

Image by Ken Aschliman

A Fine Arts senior from CCAD has been selected as a grand prize finalist in the 2011 Award for Excellence in the Visual Arts (EVA).

Ken Aschliman is one of six Ohio students competing for the grand award in the EVA competition. The winning finalist will receive $2,500 and will be announced April 13 at a reception at Ohio Wesleyan University.

Aschliman’s competition portfolio is available for online viewing. He joins alumni Heather Lynn Kyle (CCAD, ’08), Kyle McMahon (CCAD, ’09), Mark Bush (CCAD, ’09), and Erica Podwoiski (CCAD, ’10) as EVA award winners.

CCAD is one of only two colleges with students being awarded an EVA each year of the competition, which recognizes outstanding senior artists from Ohio’s independent colleges.

Alumnus Dean Mitchell (CCAD '80) exhibited at the Canton Museum of Art in Canton, OH.

One of the big changes we’ve made recently is to take Alumni Classnotes out of IMAGE magazine and bring them to you on our CCAD News Blog. We do our best to make sure most of the news our alumni submit to us ends up there, but since there are more than 10,000 of you making news all over the world, it’s a tough job to keep up with it all. Ultimately, not everything can make it into CCAD News. What doesn’t, ends up here.

We’ve also changed how you can submit classnotes. Now when news happens, let us know via the easy-to-use form on the alumni landing page. We only post career-related successes, awards, exhibitions, and publications, but we’d also love to know when you move, get married, or have children—just use that same form.

Now, without further ado, your classnotes from July-December 2010.

Career successes and awards
KATHLEEN (RIVERS) LANDES ’77 is a July 2010 artist in residence at the Santa Fe Art Institute, Santa Fe NM.

JON HAIR ’79 was recently honored by the city of Shanghai for his artistic contribution to the city’s efforts to revitalize its downtown theater district. In addition, his contemporary sculpture “Lucky 8” was commissioned by the city of Beijing and the Beijing Olympic Organizing Committee and is now permanently installed at the Beijing International Sculpture Park.

JIM WEITZEL ’79 recently launched a new website and completed a steel sculpture for the grounds of Cooperris, a community based mental health program in western NC.

MATTHEW KASER ’84 received a multi-year Interpretive Design contract from the Texas Historical Commission for two historical sites. M. Kaser & Associates, Inc., was also awarded a contract with the US Army Corp of Engineers to design and produce an indoor and outdoor interpretive program at the Port Allen Navigation Lock in West Baton Rouge Parish LA.

KURT FONDRIEST ’85 had a selection of poetry published in the Winter 2010 issue of the Expressive Art Therapy Journal.

SANDRA (KESSLER) KAMINSKI ’93 recently accepted a position at the Pittsburgh Project located in Pittsburgh PA as visual arts instructor. Check out our blog for more information on Sandra.

ALYCIA (PARKER) YATES ’99 recently received her teaching license in Art Education from Ohio State University and is working toward her Master’s degree.

DAVID CROSLAND ’00 was selected as one of the winners in ArtSlant’s sixth juried Showcase of 2010 for his collaborative art piece “Booty & The Beast.” David also illustrated Yo Gabba Gabba! Comic Anthology. Find out more here.

MARIANO SANTILLAN ’00 had his comic book Seven Citadels released as a mobile comic by Robot Comics for iPhones, iPads and Droid devices.

KRISTI VALIANT ’00 has illustrated the recently published picture books The Goodbye Cancer Garden, Do You Love Me More?, Oliver’s First Christmas, and Dancing Dreams. She has also recently become the Regional Advisor of the Indiana region of the Society of Children’s Book Writers and Illustrators (SCBWI).

ELIZABETH WEISSBROD ’04 received a MA in Medical Illustration from the Johns Hopkins University School of Medicine in May 2010. She now works for the Corbin Company as a medical illustrator/animator at the Uniformed Service University of the Health Sciences – Simulation Center in Bethesda MD.

STEVEN WEINZIERL ’05 recently completed projects for Nickelodeon, MTV, Discovery, and HBO through his Art Directing position at Click 3X. He also worked on Rihanna’s “Rude Boy” music video.

ALEXANDER KWAPIS ’06 recently accepted a position as Creative Director at Fusion Packaging, located in Dallas TX.

HAZEL TARR ’07 assisted with Shadowbox’s first three-week Summer Intern Bootcamp, Sketch Comedy Fest, and collaborative, “Seven Deadly Sins.”

MICHELLE DICK ’08 created custom hair accessories for the Vera Wang trunk show in July 2009. Her company, Mimi’s Closet, sells items at Big Rock Little Rooster in Columbus’s Short North.

EDEN (HUTCHINSON) WHITSETT ’08 currently owns and operates a tattoo and body piercing shop in Marion OH called Bettie’s Body Shop: Custom Tattoos and Body Piercing.

NICHOLAS CAVALIER ’09 accepted an editor position at Cramer-Krasselt in Chicago IL.

BARBARA BENAS ’10 is part of the official selection of artists featured on Cartoon Brew TV’s first annual Student Animation Festival, with her short Always, Only, Ever. The festival features work by emerging talents from around the world. The film has also been accepted into the Animation Block Party at Rooftop Films in Brooklyn NY. The Animation Block Party is New York City’s premiere animation film festival.

BERNADETTE CARSTENSEN ’10 was selected as to receive a full-ride scholarship to attend IlluXcon 3 in Altoona PA in November 2010.

KARTIKA MEDIANI ’10 has been accepted into the Animation Block Party at Rooftop Films in Brooklyn NY with her film, “Breath.”

Exhibitions
BERNARD BEN PEARCE ’70 Trinidad’s National Musuem, Port of Spain, Trinidad.

KATHLEEN (RIVERS) LANDES ’77 Istvan Gallery, Oklahoma City OK.

WALTER KING ’81 Walter King: Midwest Dialog, Fort Hayes Shot Tower Gallery, Columbus OH.

DANIEL DAY ’86 Colosseum Fine Arts, La Jolla CA.

PAUL HAMILTON ’88 Paul Hamilton: Poetry of Place, Decorative Arts Center of Ohio, Lancaster OH.

CHRISTOPHER GASTON ’90 and DOUGLAS BLACK ’90 Three Roads to Mashiko, MIDORI, Mashiko, Japan.

SANDRA (KESSLER) KAMINSKI ’93 State of the Art, State Museum of Pennsylvania, Harrisburg PA.

JAMIE SNELL ’94 Star Wars Celebration V, Orange County Convention Center, Los Angeles CA.

ROBERT ENGLERT ’96 Edge of Art New York State Artists Series: Designed to Scale, Everson Art Museum, Syracuse NY.

ROXANNE HOLONITCH ’97 Core Fitness Studio, Columbus, OH.

JONATHON REESE ’98 and SALEM REESE ’08 The Reunion Show, Art Outreach Gallery, Youngstown OH.

JAMES BAKER ’02 Wild Thing, Roberts & Tilton, Culver City CA.

RYAN OREWILER ’04 The Language of Art, Carnegie Gallery at Columbus Metropolitan Main Library, Columbus OH.

MANJARI SHARMA ’04 Elements of Water, The Center for Fine Art Photography, Fort Collins CO; PAANI, Richard Levy Galley, Albuquerque NM; SULTRY II, DUMBO, Brooklyn NY.

ANDREW STATTMILLER ’05, Mischief, Studio Gallery, San Francisco CA.

ANDREW INA ’06, BORYANA RUSENOVA INA ’06 Landing, Art Access Gallery, Columbus OH.

MICHELLE DICK ’08 ArtPrize 2010, Peaches Bed & Breakfast, Grand Rapids, MI.

MALLORY McCLELLAN ’10 Savage Gardens, Franklin Park Conservatory, Columbus OH.

EMILY RICKARD ’10 Material Collections, Wild Goose Creative, Columbus OH.

In the news
DEAN MITCHELL ’80 “Paintings by Dean Mitchell,” recave.com.

LAURA (PATTERSON) SANDERS ’88 CMH magazine.

MANJARI SHARMA ’04 Pdnedu magazine.

Established by contemporary art collectors for American students who wish to study fine art at the postgraduate level in London, the scholarship is offered to one international student accepted into the full-time MA Fine Art course at Chelsea College of Art and Design. Chelsea College of Art and Design is one of six distinctive colleges that constitutes the University of the Arts London.

For more information about Wagner, go to his blog. For more info on UALondon, visit their website.

The commercial for Ohio-based Imaginatives, Ltd., which was produced within four weeks by Thomas Richner, assistant professor, Animation, adjunct instructors Andy Friz and Dwayne Marley, and alumni Mark Fitzpatrick (CCAD ’07) and Steven Umbleby (CCAD ’08), features an animated elf and a companion illustrated book. It won bronze awards in the following categories: Local TV & Local Cable-Children’s Audience, and the Local TV & Local Cable-Use of Animation.

The Christopher-Pop-in-Kins commercial combines 3D and 2D elements and animation. The commercial aired in December 2009 in the Akron and Canton, OH viewing areas. The Telly Awards honor local, regional, and cable television commercials and programs, as well as video and film productions, and work created for the Web.

For more information go to www.tellyawards.com.

Field Corn by Sarah E. Fairchild

CCAD alumni and faculty are participating in the Ohio Art League’s 100th anniversary exhibition.

HERE and Beyond: Ohio Art League’s 100th Anniversary Exhibition, is at the Ohio Arts Council’s Riffe gallery in downtown Columbus.

The 16 featured artists include CCAD alumni Sandra Aska (’61-64), Mary Fahy (’94), Sarah Fairchild (’94), Curtis W.M. Goldstein (’84-’86), Brent Payne (’06), Stephanie Sypsa (’04), and Alicia Jean Vanderelli (’08); and CCAD Liberal Arts instructor Carol Boram-Hays.

The exhibition is on view through October 25, 2009.